Nick Hobbs in conversation with David Eastaugh 

https://soundcloud.com/nikolaigalen

https://www.youtube.com/user/nikolaigalen/featured

The Shrubs were an English rock music group, formed in 1985, releasing three albums before splitting up in 1989.

Shrubs contributed Bullfighters Bones to the NME's famous C86 album.

A further 12", Blackmailer followed towards the end of the year, with debut album Take Me Aside for a Midnight Harangue hitting the shops in July 1987. With the collapse of the Ron Johnson label and the indie distribution network The Cartel, several hundred copies of "Harangue" were incinerated, much to Hobbs' annoyance. Shrubs signed with the Hertfordshire-based Public Domain label for a studio/live 12", Another Age, and second and final album Vessels of the Heart, both in 1988, after which the band split.

Hobbs went on to form Mecca, who toured the former Soviet Union with Nitzer Ebb and others, and subsequently Infidel, along with current Pere Ubu guitarist Keith Moliné and Nico's former drummer Graham Dowdall (a.k.a. Dids), at the same time carrying on in artist management. He carries on making music solo and with different groups under the name of Nikolai Galen.

Mike Howlett in conversation with David Eastaugh

Howlett was the bassist in Sydney pop band the Affair, which included vocalist Kerrie Biddell. The group travelled to England after winning a prize in the Hoadley's Battle of the Sounds band competition. Howlett settled in London and in 1973 joined renowned British progressive rock group Gong, which had been founded by an Australian Daevid Allen. He remained with Gong until 1977, recording several albums with them and co-writing much of their material later in this period with drummer Pierre Moerlen.

After leaving Gong, Howlett formed the short-lived band Strontium 90, which consisted of himself, Sting, Stewart Copeland and Andy Summers.

Michael Kerr in conversation with David Eastaugh 

https://preciousrecordingsoflondon.bandcamp.com/album/pre-052-the-motorcycle-boy-john-peel-session-140987

The band consisted of Alex Taylor (vocals, formerly of Shop Assistants), Paul McDermott (drums), Michael Kerr (guitar), and Eddy Connelly (bass) (all formerly of Meat Whiplash), and David "Scottie" Scott (guitar). They were signed by Rough Trade Records, who issued their debut single, "Big Rock Candy Mountain", which reached number 2 in the UK Independent Chart. The band were then signed by Chrysalis Records, with two singles, but failed to achieve great success despite considerable press attention. Their debut album Scarlet (which had additional drumming by Anthony Cooper and keyboards from former Jesse Garon and The Desperadoes guitarist Stuart Clarke) was never released. The band then split with Chrysalis, with two further singles released on the Nymphaea Pink Sensation label in 1990, before the band themselves split up

Zander Schloss in conversation with David Eastaugh

https://www.facebook.com/zander.schloss

http://www.circlejerks.net/Home/

https://www.blindowlsd.com/zander-schloss

American musician, actor and composer. He is known as bass player for the Circle Jerks, the Weirdos, his many collaborations with Joe Strummer musically and in film and for his contributions to independent feature films.

His first screen appearance was as "Kevin the Nerd" in Repo Man. He went on to appear in a number of Alex Cox films as well as to make significant musical contributions in other Cox features such as Sid and Nancy (1986), Straight to Hell (1987)

Gail Petersen in conversation with David Eastaugh

https://www.thecatholicgirls.net/

The Catholic Girls are a hard rocking all female band from New Jersey. The Catholic Girls are: Gail Petersen (lead vocals/rhythm guitar) Roxy Andersen (lead guitar/backing vocals) Doreen Holmes (drums and percussion)

Bob Bert in conversation with David Eastaugh

Based in Hoboken, New Jersey, Bert initially came to prominence as drummer for the experimental rock band Sonic Youth during the early to mid-1980s. Bert played on the Sonic Youth releases Confusion Is Sex, Sonic Death, and Bad Moon Rising. After Bad Moon Rising, Bert quit the group.

Bert contributed during the last half of the 1980s as percussionist for noise band Pussy Galore. 

In the early 1990s, Bert drummed for the Chrome Cranks (which also included Peter Aaron on vocals; Jerry Teel on bass; and William Weber on stun guitar).

After the dissolution of the Cranks, Bert joined forces with guitarist Kid Congo, guitarist Jack Martin, bassist/vocalist Jerry Teel and organist Barry London in the rootsy New York City band Knoxville Girls.

Casino Steel in conversation with David Eastaugh

https://www.facebook.com/casinosteel

https://www.theboys.co.uk

The Hollywood Brats were a British glam rock and protopunk band in the early 1970s. They found little commercial success at the time, and split up in 1974, but are regarded as influential on the later punk rock scene.

Peter Holsapple in conversation with David Eastaugh

https://peter-holsapple.bandcamp.com/album/the-face-of-68

https://label51recordings.com/peter-holsapple/

American musician who, along with Chris Stamey, formed the dB's. He became the band's principal songwriter and singer after Stamey's departure. The band, with Stamey back in the fold, reformed with new material in 2005–2006.

After the dB's disbanded in 1988, Holsapple played as an auxiliary musician with R.E.M. and Hootie & the Blowfish, before joining the Continental Drifters, a rock band originating from Los Angeles.

In 1997, he released his first solo album, Out of the Way. He followed it up twenty-one years later with 2018's Game Day and will follow it in 2025 with Face of 68.

Markus Zizenbacher in conversation with David Eastaugh 

https://www.sixpackfilm.com/en/catalogue/2916/

A blazingly colourful and exuberantly transgressive personality who dazzled Los Angeles' underground musical and artistic scenes in the late-1990s and 2000s, Sean DeLear (1964-2017) suddenly emerged as a genuinely seminal cultural figure via the posthumous 2022 publication of their intimate and explicit teenage diaries from 1979. I Could Not Believe It joyously chronicles the experiences of a young Black, queer creative finding their identity, voice and style decades before Barry Jenkins' (rather more downbeat) Moonlight.

Jonathan Segel in conversation with David Eastaugh

https://www.jonathansegel.com/

https://campervanbeethoven.com/home

Segel joined the indie rock group Camper Van Beethoven in 1984, while in college at Santa Cruz. His contributions as violinist became the band's hallmark, creating a distinctive identity and sound

n addition to the revived Camper Van Beethoven, Segel records solo projects and leads the Jonathan Segel band, performs improvisational electronic or avant-garde music (either solo or, since 2004, with Chaos Butterfly), and he is an occasional contributor to music from the Big City Orchestra. His compositions have also included six chamber music scores written between 1989 and 2011.