Monica Queen & Johnny Smillie in conversation with David Eastaugh 

https://www.firerecords.com/thrum-announce-rifferama-reissued-reimagined-along-with-new-uk-tour-dates/

TOUR DATES

Jimmy Eadie in conversation with David Eastaugh 

Into Paradise were an Irish indie rock group from Dublin, whose influences included Joy Division and Echo & the Bunnymen. They formed in 1986 as Backwards into Paradise, and released their debut EP, Blue Light, in 1989 on the independent record label, Setanta. Soon after came the EP Change, and the band's first album, Under the Water.

Their most successful album and major record label debut, was the Adrian Borland-produced Churchtown.

https://www.youtube.com/watch?v=2N_j7s1Ahjo

Anthony Reynolds in conversation with David Eastaugh

https://anthonyreynolds.bandcamp.com/

n 1993, Reynolds moved to London, where he formed the group Jack, on lead vocals, signing a music publishing deal with Warner/Chappell Music as well as a record deal with independent label Too Pure.

Jack released three full-length albums, the first two of which – Pioneer Soundtracks (1996) and The Jazz Age (1998) – garnered excellent reviews and placed highly in critics' end-of-year polls. Despite the overwhelmingly positive critical reaction and extensive UK and European touring, sales for both records although respectable, were ultimately disappointing, and no Jack record would ever make the UK Top 40 singles or albums charts.

The third album, The End of the Way It's Always Been, was released on the Les Disques du Crépuscule label. The record featured collaborations with writer/musician Kirk Lake and American poet and novelist/screenwriter Dan Fante (son of John Fante). An extensive European tour promoted the record. The critical reaction in the UK to the album was less positive than for the first two Jack albums, but the album was markedly successful in France.

Janet Housden in conversation with David Eastaugh 

https://www.facebook.com/janet.housden

A fixture in the earliest days of the LA area punk scene, Janet Housden played drums with Redd Kross and was a member of several other bands, while also appearing in classic cult films. 

Janet Housden has been a creative force for decades in Southern California’s punk scene. She grew up alongside many of the South Bay scene’s iconic punk pioneers, including members of Black Flag, the Descendents and Minutemen, and played drums in the renowned Redd Kross (1982-83) and was a multi-instrumentalist in several other rock & roll bands. (Quote from Please Kill Me) 

Alister Parker in conversation with David Eastaugh 

https://bailterspace.bandcamp.com/

New Zealand shoegaze and noise rock band that formed in Christchurch in 1987 as Nelsh Bailter Space; they had previously recorded as the Gordons. Its members are Alister Parker (guitar, bass), John Halvorsen (bass, guitar), and Brent McLachlan (drums/percussion, samples). After releasing seven studio albums, numerous EPs/singles and a career retrospective compilation, Bailter Space went on an extended hiatus in 2004. They returned in August 2008 to play the Bowery Ballroom in Manhattan.

David Whitaker in conversation with David Eastaugh 

https://www.youtube.com/watch?v=SJlsU1DVu30

Music For Pleasure was formed in Leeds, England in 1979, comprising David Whitaker - synths and keyboards, Mark Copson - vocals, Ivor Roberts - bass and Chris Oldroyd - drums. They released several 7'' singles and two albums ("Into The Rain" and "Blacklands"). They were heavily influenced by Punk and Krautrock and are still seen as a very much underrated band of the 80's. "Madness At The Mission" comes from their first 7'' single "The Human Factor

John Watts in conversation with David Eastaugh

https://fischer-z.com/

https://www.cherryred.co.uk/fischer-z-word-paradise-the-united-artists-records-liberty-recordings-3cd-digipack

Fischer-Z are a British rock group and main creative project of singer, guitarist and poet John Watts. In 1982 Watts temporarily dissolved Fischer-Z and started a solo career under his own name. John Watts has gone on to release both solo and Fischer-Z projects. The original line-up consisted of Watts, Steve Skolnik, David Graham and Steve Liddle.

Fischer-Z found success across Europe and sold more than two million albums. Joint recordings were made with Peter Gabriel, Steve Cropper and Dexys Midnight Runners. Fischer-Z performed alongside James Brown in East Berlin and toured with The Police and Dire Straits. They also toured the US and Canada and were on the bill with Bob Marley on his last festival tour of Europe. John Watts has released 26 albums and played around 4,000 concerts. Fischer-Z have continued to release new music and tour.

Geoff Taylor in conversation with David Eastaugh 

https://preciousrecordingsoflondon.bandcamp.com/album/prelp-8-age-of-chance-bbc-sessions-85-87

Age of Chance were a British alternative rock-dance crossover band from Leeds, England, active from 1983 to 1991. They were perhaps most known for their mutant metallic cover of Prince's "Kiss" which topped the UK Indie Chart in 1986, and peaked at No. 50 on the UK Singles Chart in January the following year. Despite signing for major label Virgin, and being favourites with the UK music press, they never enjoyed a major hit in the UK, although "Don't Get Mad… Get Even" reached No. 8 on the U.S. Billboard Hot Dance/Club Play chart

Musically they were a mixture of punk, hip hop, industrial rock and Northern soul. Steven E provided a distinctive strident nasal vocal style, often employing a megaphone. Striking cover art visuals were a collaboration between the group and The Designers Republic, who would go on to graphic design fame. They were the first band to be remixed by Public Enemy - a.k.a. Hank Shocklee and Carl Ryder, who remixed "Take It" from 1000 Years of Trouble (1988). 

Tim Blake in conversation with David Eastaugh 

http://moonweed.free.fr/

English keyboardist, vocalist, and composer, who is known for working with Gong, Hawkwind and his synthesizer and light performances as Crystal Machine, with the French Light artist Patrice Warrener.

Blake met Daevid Allen at Marquee Studios, where the latter was recording his first solo album Banana Moon in 1971. At the end of the sessions, Allen had invited Blake to be Gong's sound mixer, but Blake preferred to work on his own music. He eventually joined Gong full-time in September 1972 as the band's synthesizer player, being among the first to bring the synthesizer out of the studio and on to the stage.

He appears on all three albums of the Radio Gnome Invisible trilogy; Flying Teapot, Angel's Egg, and You, in fact Blake is the only composer, apart from the Allen/Smyth partnership, to have written for all three of the "Trilogy" Albums, making him one of Gong's most important composers. He left Gong in early 1975.

Jim Shepherd in conversation with David Eastaugh 

https://preciousrecordingsoflondon.bandcamp.com/album/prelp-12-be-careful-what-you-wish-for

https://www.facebook.com/thejasmineminks/?locale=en_GB

Alongside his pals, Jasmine Minks front man Jim Shepherd has produced his masterpiece.