Trevor Tanner & Paul Clark in conversation with David Eastaugh

https://thebolshoibrothers.com/

https://thebolshoibrothers.bandcamp.com/

Trevor Tanner and Paul Clark started working on their debut album during the Covid lockdown. They recorded the album together remotely, Trevor from Florida and Paul from Seattle.

Nancy Barile author of 'I'm Not Holding Your Coat: My Bruises-and-All Memoir of Punk Rock Rebellion' in conversation with David Eastaugh 

From Catholic school girl to glam maniac to organiser of classic early 1980s East Coast hardcore shows, Nancy Barile made her place behind the boards and right in the front row as SSD, Minor Threat, Bad Brains, Dead Kennedys, and Black Flag wrote new rules. In the dangerous early years of punk, she rebelled, fighting for fair space as she found her purpose.

Nick Nicely in conversation with David Eastaugh

https://nicknicely1.bandcamp.com/track/or-a-brockley-afternoon

English singer-songwriter who records psychedelic and electronic music. He is best known for his 1982 single "Hilly Fields (1892)". Nicely released only one other record in the early 1980s, the single "D.C.T. Dreams", before retreating from the music industry. The influence of "Hilly Fields" has been noted on Bevis Frond, Robyn Hitchcock, Robert Wyatt, and XTC's psychedelic alter egos the Dukes of Stratosphear, as well as the hypnagogic pop movement of the 2000s.

In September 2014, Lo Records released Nicely's second full-length album, Space of a Second. A third Nick Nicely album, Sleep Safari, was released on 26 September 2017 through Tapete Records. In 2018, "Hilly Fields" appeared in the Timothee Chalamont film Hot Summer Nights.

From the start of 2018 Nicely has been working on live performances accompanied by the musician Bug Lover and generating new versions of old tracks and adding visuals. First came secret gigs in Frappant (February and April) in Hamburg, then on 14 June 2018 at the Electric Ballroom in London supporting John Maus, followed by a December show in Moscow and then a US East coast tour again with Maus in 2019.

Wendy Robinson in conversation with David Eastaugh

https://www.thecalmzone.net/

The band was formed by Wendy Robinson (vocals) and Polly Hancock (vocals, guitar), initially with a drum machine. This line-up recorded the debut "Don't Go Back" EPon Big Cat UK (catalogue number BBA02) in August 1988) achieving "Single of the Week" in Melody Maker. A John Peel session, produced by Dale Griffin and recorded at the BBC studios in Golders Green, London, was first broadcast on 21 September 1988 and repeated on 11 October 1988. It featured four original songs; "Perfect Dream Home", "Fine Lines", "Dr Fell" and "Backward" Daydream. They then recruited Dana Baldinger (born Seattle,), and signed to One Little Indian Records, releasing "Please Let Me Go" as a single in April 1990; this too attained Single of The Week in Melody Maker. Baldinger was eventually replaced by Anne Rogers of The Crowd Scene.

Susan Rogers in conversation with David Eastaugh

American professor, sound engineer, and record producer best known for being Prince's staff engineer during his commercial peak (1983-1987), including on albums like Purple Rain, Around the World in a Day, Parade, Sign o' the Times, and The Black Album. During this time, Rogers laid the foundations for Prince's now-famous vault by beginning the process of collecting and cataloguing all his studio and live recordings.

Keith West in conversation with David Eastaugh

https://hozacrecords.com/bands/brats/

Before there was KISS, before there were The Ramones and Blondie, there was The Brats. The Brats and The New York Dolls were at the forefront of the NYC music scene of the Seventies.

Brat, Rick Rivets, actually quit The Dolls to form The Brats. The Brats would become the biggest draw in NYC from 1972 to 1981 and every band hoped to open for them for the exposure. Just ask any one of the members of KISS or The Ramones (“Beat on The Brat!”) or any other NYC band for that matter, The Brats were a big influence on them and the whole NYC music scene of the Seventies. Their story begins one night while hanging out with Alice Cooper downstairs at Max’s, Keith West and the boys were giving the waitress a hard time. Alice leaned over and said “You guys are a bunch of Brats” and they took him literally. Early on, The Brats rehearsed in a loft on Bleecker Street, where they would stage their infamous loft parties, often with an then unsigned band, KISS, as their opening act. They headlined all over the New York City area with other up and coming bands like Blondie, The Ramones, Television, Talking Heads and The Heartbreakers

Gary Asquith in conversation with David Eastaugh

Christoph Menningen  in conversation with David Eastaugh

https://www.facebook.com/colognepopfest

[email protected]

https://colognepopfest.blogspot.com/?fbclid=IwY2xjawJWi5VleHRuA2FlbQIxMAABHd3R4gg0iuW4A2ZBvJDJ0oqzCvYA2JNTMgfyN0fdEsEPSiJtzKFbd9WuRg_aem_a6rMBrOhdGnpc8KLlBf45A

Matt James in conversation with David Eastaugh

https://musicmattjames.bandcamp.com/

https://www.facebook.com/geneofficialband

Matt is a musician, singer, songwriter & former drummer & co-songwriter in the UK guitar band Gene. Gene had success around the world including many UK top 40 hits & top 10 LP's. They also toured the world extensively in their active years. Matt left the music industry in 2008 but returned in 2021 as a solo artist & has recently finished recording his debut solo LP with producer Stephen Street.

Terry Newman in conversation with David Eastaugh

https://www.accartbooks.com/uk/book/marilyn-monroe-style/