Think there's only one "right way" to record and mix drums? Think again. In this revealing episode, Ben and Carl dive deep into their completely opposite approaches to drum production. Despite working from opposite ends of the spectrum, they discover they're ultimately chasing the same emotional result. This conversation might just give you permission to try that "crazy" technique you've been hesitant to experiment with.
Discover:
- Why conventional drum recording approaches might be limiting your creative options and sonic results
- The counterintuitive "songs for the deaf" method of tracking drums one element at a time (and why it creates more flexibility than traditional methods)
- How recording drums last (after vocals!) can dramatically improve how your drum parts support the song
- Why sympathetic snare vibrations are crucial for creating believable drum sounds
- The critical importance of phase alignment when layering kick drums and using samples
- Why cutting frequencies from sample drums often yields better results than boosting
- How focusing on kick and snare can free you from obsessing over every other element in the mix
Ben and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497e
References:
dxRevive - https://www.accentize.com/dxrevive/
LA Wildfire Relief:
Musicares - https://donor.musicares.org/page/lafirerelief
WAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donate
Learn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5
Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixing
Connect with us:
Secret Sonics - https://www.instagram.com/secretsonics
Ben - https://www.instagram.com/benwallickmusic/
Carl - https://www.instagram.com/carlbahner/
Learn more:
https://www.benwallick.com/
https://www.carlbahner.com/
This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/