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By 1972, Ursula K. Le Guin was increasingly being seen as one of the most important writers of science fiction and fantasy. Following three fascinating but mostly ignored novels, the Oregon-based author and her Hainish series were brought to wide attention by The Left Hand of Darkness (1969). She had also published A Wizard of Earthsea (1968) and The Tombs of Atuan (1971), the first two entries in her Earthsea fantasy series, to some acclaim.
While Le Guin’s career was taking off, she was profoundly troubled by outside events - specifically the horror of the Vietnam War. This would profoundly influence the fifth entry in her Hainish series, The Word for World is Forest. As Ken MacLeod put it in his introduction, the book is a “reflection on invasion, exploitation and oppression, and on the necessity and cost of resistance.”
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By 1972, Ursula K. Le Guin was increasingly being seen as one of the most important writers of science fiction and fantasy. Following three fascinating but mostly ignored novels, the Oregon-based author and her Hainish series were brought to wide attention by The Left Hand of Darkness (1969). She had also published A Wizard of Earthsea (1968) and The Tombs of Atuan (1971), the first two entries in her Earthsea fantasy series, to some acclaim.
While Le Guin’s career was taking off, she was profoundly troubled by outside events - specifically the horror of the Vietnam War. This would profoundly influence the fifth entry in her Hainish series, The Word for World is Forest. As Ken MacLeod put it in his introduction, the book is a “reflection on invasion, exploitation and oppression, and on the necessity and cost of resistance.”
Get in touch with a text message!
For more classic SF reviews and discussion, visit andyjohnson.xyz. To get free weekly classic SF updates, sign up here.
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