With apologies for an unplanned hiatus, during which Gary traveled to Florida to attend the International Conference on the Fantastic, we’re back with a discussion that touches upon awards (again, but briefly), SF writers who are also good nonfiction writers, books whose 25th anniversary is this year (including Perdido Street Station), tribute anthologies such as Jonathan’s forthcoming Revolution in the Heart, and, of course, what we’ve been reading.

This week’s episode features a few news items, but as usual you have to listen closely to find them among our usual free-association digressions.

Awards season is underway. Nominations/and or votging for the Nebulas, Locus Awards, and Hugo Awards (once again we are eligible in the Fancast category, and Jonathan in the Editor Short Form category) is underway, and just closed for the BSFA Awards. There's also, news from a major distributor in the US that may mark the beginning of the end of the mass-market paperback, while other publishing news involves the consolidation of three major print magazines—Asimov’s, Analog, and F&SF—under a single new publisher.

While at this point we don’t know more than anyone else, this leads us into discussions of romantasy (and the growing SF or space opera equivalent), how the way readers have discover new writers has changed over time, the value (if any) of promotional letters and blurbs (which Gary is not very good at, it turns out), the growing popularity of premium and collectors’ editions, and the difference between casual readers, fans, collectors, and simple accumulators of books.

Other topics pop up as well: Jonathan’s forthcoming anthology of stories in honor of Ursula Le Guin raises the question of which authors should be recognized with such anthologies, for example, and which have already been recognized and why. 

Each year, we sit down and look at the year ahead and, inevitably, end up discussing the books we are looking forward to. This year we invited long time friends of the podcast Charlie Jane Anders and Ian Mond to join us.

During a lively conversation it became clear that, no matter what else is happening in the world, there's a lot of wonderful work coming out in 2025, and this only scratches the surface of it.

As always, our thanks to Charlie Jane and Ian for making the time to join us.

As promised, here are our lists.

Charlie Jane Anders

Ian Mond

Gary K. Wolfe

Jonathan

For those who might have been hoping our 2025 podcasts might get a little more focused and coherent, our apologies. Following up on several discussions on social media about how to learn about overlooked but deserving novels (mostly fantasy), we speculate on the factors that help a book or author gain and keep some sort of traction. Reprint programs like the Gollancz Masterworks or Tor Essentials might help, but we mention a handful of authors who have written wonderful work that is worth a fresh look, including Tanith Lee, Michael Bishop, Lisa Goldstein, Tim Powers, Michael Moorcock, Graham Joyce, and others. We also touch upon the notion of formula in SF and fantasy, and end with some of our current reading.

This week’s episode is mostly about books—how do you get them, where do you put them, and how to get rid of them when you need to. You’d think that questions such as the best way to shelve books would be pretty uncontroversial, but apparently that’s not always the case. We also touch upon the differences between collectors, acquirers, and accumulators, and how books can radically fluctuate in value depending in part on the author’s reputation. But, being us, we also digress into such topics as the thrill of discovering a classic SF idea for the first time—even if it might seem old hat to veteran readers—and the beginnings of our discussion about year-end recommended reading lists, and what they really mean.

For our first episode of 2025, we touch upon novels we've been reading for the new year, including Charles Stross’s 13th Laundry novel/collection A Conventional Boy and Ray Nayler’s Where the Axe is Buried, as well as the frustrations of reading books on deadlines—as opposed to wallowing in them at leisure, and some non-SF writers we like.

Gary then mentions how hard it is to gain perspective on novels of the past year, and suggests looking instead at important books of the entire past quarter-century from the perspective of 2025.  We only got partway through his list, which included novels by Alastair Reynolds, Kim Stanley Robinson, Octavia Butler, M. John Harrison, Margaret Atwood, Susanna Clarke, Gene Wolfe, Cixin Liu, and Robert Charles Wilson; collections by Kelly Link, Margo Lanagan, and Jeff Ford; anthologies by Sheree R. Thomas and Gardner Dozois—the last of which leads to a discussion of the durability of space opera as a defining SF theme. Plenty of stuff to argue with this week!

For our first episode of 2025, we touch upon novels we've been reading for the new year, including Charles Stross’s 13th Laundry novel/collection A Conventional Boy and Ray Nayler’s Where the Axe is Buried, as well as the frustrations of reading books on deadlines—as opposed to wallowing in them at leisure, and some non-SF writers we like.

Gary then mentions how hard it is to gain perspective on novels of the past year, and suggests looking instead at important books of the entire past quarter-century from the perspective of 2025.  We only got partway through his list, which included novels by Alastair Reynolds, Kim Stanley Robinson, Octavia Butler, M. John Harrison, Margaret Atwood, Susanna Clarke, Gene Wolfe, Cixin Liu, and Robert Charles Wilson; collections by Kelly Link, Margo Lanagan, and Jeff Ford; anthologies by Sheree R. Thomas and Gardner Dozois—the last of which leads to a discussion of the durability of space opera as a defining SF theme. Plenty of stuff to argue with this week!

This week’s episode is mostly about books—how do you get them, where do you put them, and how to get rid of them when you need to. You’d think that questions such as the best way to shelve books would be pretty uncontroversial, but apparently that’s not always the case. We also touch upon the differences between collectors, acquirers, and accumulators, and how books can radically fluctuate in value depending in part on the author’s reputation. But, being us, we also digress into such topics as the thrill of discovering a classic SF idea for the first time—even if it might seem old hat to veteran readers—and the beginnings of our discussion about year-end recommended reading lists, and what they really mean.

For our year-end review of 2024 books, we’re joined once again by fellow Locus reviewer Ian Mond and distinguished critic and novelist James Bradley. As usual, we mention a lot of authors and titles, and probably forget to mention many deserving others. But you’ll no doubt find some suggestions you hadn’t thought of, and some of our usual digressions about familiar questions of genre, literary ambition, and books that at least some of us think have been overlooked.

Ian's list

We probably should have kept lists, but we did not. Ian did, though, and so that's provided to you with our thanks to him.

At the end of October Reactor published their list of The Most Iconic Speculative Fiction Books of the 21st Century, which attempted to list the best/top/favourite science fiction and fantasy books of the past 25 years.

Two weeks later Hugo, Nebula, and World Fantasy award-winning writer Jo Walton published a follow-on piece on Reactor, On Selecting the Top Ten Genre Books of the First Quarter of the Century, where she discussed how she went about picking her contribution, while finding a classic reader's workaround that allowed her to name a lot more than ten books.

That caught Locus reviewer Niall Harrison's attention and lead directly to us inviting Jo to join us for a delightful and really interesting conversation on the subject.