“Suddenly Aslan came bounding into it.” That is how C. S. Lewis described the plot twist in his creative process for The Lion, the Witch and the Wardrobe. “I don’t know where the Lion came from or why He came. But once He was there, He pulled the whole story together.” And in turn, this story has pulled together the imaginations of millions across the world. Now, 75 years after the first Chronicles of Narnia book was published, let’s explore how this changed fantasy forever.

Some people seem to think that I began by asking myself how I could say something about Christianity to children; then fixed on the fairy tale as an instrument; then collected information about child-psychology and decided what age-group I’d write for; drew up a list of basic Christian truths and hammered out ‘allegories’ to embody them. This is all pure moonshine. I couldn’t write in that way at all. Everything began with images; a faun carrying an umbrella, a queen on a sledge, a magnificent lion. At first there wasn’t even anything Christian about them; that element pushed itself in of its own accord.

—C. S. Lewis, “Sometimes Fairy Stories May Say Best What’s To Be Said,” (1956)

All my seven Narnian books, and my three science-fiction books, began with seeing pictures in my head. At first they were not a story, just pictures. The Lion all began with a picture of a Faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself: ‘Let’s try to make a story about it.’

At first I had very little idea how the story would go. But then suddenly Aslan came bounding into it. I think I had been having a good many dreams of lions about that time. Apart from that, I don’t know where the Lion came from or why He came. But once He was there He pulled the whole story together, and soon He pulled the six other Narnian stories in after Him.

So you see that, in a sense, I know very little about how this story was born. That is, I don’t know where the pictures came from. And I don’t believe anyone knows exactly how he ‘makes things up’. Making up is a very mysterious thing. When you ‘have an idea’ could you tell anyone exactly how you thought of it?

—C. S. Lewis, “It All Began with a Picture,” 1960

[Narnia’]s beauties often get blunted or made lukewarm by the persistent myth spread by well-meaning readers, including many Christians, that the Narnia books are merely “allegorical.” (For example, one author even wrote that Professor Kirke’s mansion “is symbolic of the church” while the wardrobe “symbolizes the Bible.”)

But the “allegory” label ignores the stories’ true purpose according to Lewis, who insisted on calling his world a supposal. In one letter, Lewis wrote that his Narnia stories answered the question, “What might Christ become like if there really were a world like Narnia and He chose to be incarnate and die and rise again in that world as He actually has done in ours?” Lewis then concluded, “This is not allegory at all.”

Case closed. And Aslan be praised that it is closed, because if we turn these stories into mere allegory, we might end up using Narnia like a mere code or container pointing to “higher” ideals.

—The Chronicles of Narnia series review, Lorehaven, March 2020

Early 2000s edition, with cover based on the classic Pauline Baynes illustration.

Long ago, before the great lion Aslan bounded onto bookshelves, C. S. Lewis wrote a science fiction novel set on mythological Mars. From there his hero Dr. Elwin Ransom was carried by angels to the sister planet Venus. And from there … the Ransom/Cosmic/Space Trilogy descended to the dull world of college board meetings, inner-ring politics, and a secret technocratic society bent on world domination with the aid of mad science and demons and everything. Eighty years after That Hideous Strength was published, we explore why C. S. Lewis created this earthbound and weird and wonderful pre-political supernatural thriller.