With "From the World of John Wick: Ballerina" hitting theatres, it is a good time to talk to the sound team that, for some, have been working on the John Wick films for over a decade. Supervising Sound Editor Mark Stoeckinger, Re-Recording Mixers Andy Koyama & Casey Genton and Sound Designer Luke Gibleon discuss designing massive gun sfx, the challenge of each film getting bigger that the last, their relationship with the franchise's directors and how they find ways to make room for the huge music and sound effects that give the John Wick films their signature sound.

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The O-MINI Microphone is a miniature omnidirectional electret microphone. Each one is hand made by Chris Trevino, a practicing field recordist, and a really engaged member of the sound community.  He puts a lot of work into making and testing each mic to ensure they live up to his high standards.  They are ultra-sonic capable, which makes manipulating your recordings with them a lot of fun.  They are extremely affordable.  At $150 American for a stereo matched pair, they offer a lot of value. Check it out at https://www.chrisatrevino.com/store/omini

If you are in The Toronto area on June 13th, come out to the Back To The Future Screening screening with one of the original sound editors, Scott Hecker, in attendance for a Q&A about how they came up with all the iconic sounds in this classic film. If you are interested in going to this screening, to see a great film and find out what being a MPSE member is all about, go to https://www.eventbrite.ca/e/vff-mpse-celebrates-back-to-the-futures-40th-anniversary-tickets-1258511534879?aff=oddtdtcreator to claim your ticket. Use the Code “VFFTONEBENDERS” for your free tickets.

Episode Notes: 
https://tonebenderspodcast.com/311-the-sound-legacy-of-the-john-wick-films/

Podcast Homepage: https://www.tonebenderspodcast.com

This episode is hosted by Timothy Muirhead