The new film Nuremberg is a surprisingly dense and complicated film for it's sound. What I assumed was going to be a standard courtroom drama ended up being a much larger film and it sounded fantastic.  The dialog was crisp and up front, the sound design was intense. Dialog/ADR supervisor Ulrika Akander & Re-Recording Mixer/Sound Designer/Supervising Sound Editor Michael Babcock joined me to talk about their unique approach to the audio post on this film. Using what they refer to as a "rolling premix" the film was tackled over a longer period of time with a small crew. They discuss their approach to dial cleaning, historic footage, ADR recording and using audio to focus the audiences attention.______

On Thursday January 8th, Tonebenders will be hosting a free screening of the film F1, at the Glen Glenn Film Center, that will be followed by a live interview with the sound team behind the film. Glen Glenn’s studio one is about the greatest place possible to hear a film with such dense and powerful sound design. This is the room some of my favourite films were mixed in over the years. Classics like Saving Private Ryan, ET, Apollo 13 and more recently Stranger Things, were all mixed in this room. So come out to the Glen Glenn Film Centre at 900 Seward Street, in Hollywood, to hear this spectacular film and then join me for a live Tonebenders episode recording with the F1 sound team, right after the film. January 8th, doors open at 6:30, film starts @ 7pm. Go to https://tonebenderspodcast.com/tonebenders-f1-screening/ to sign up now._________

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Check out https://www.sound-ideas.com/ today and create something amazing.________

Episode Notes: https://tonebenderspodcast.com/342-nuremberg/

Podcast Homepage: https://tonebenderspodcast.com

This episode is hosted by Timothy Muirhead