Willy Rodriguez is a Latin GRAMMY-winning drummer, percussionist and bandleader. He was born in Ponce, Puerto Rico and began playing drums at age thirteen. He received his musical start playing throughout Puerto Rico in rock and pop bands. When Willy was twenty-one he started working as the Musical Director and drummer for Latin American Idol’s touring group. Following his experience at Idol, he was awarded a scholarship to attend Berklee College of Music in 2007. His reputation as a skilled musician spread quickly in the Boston area and he began playing extensively with musicians such as Jason Palmer and Andre Heyward. At Berklee, Willy studied with a host of famed teachers such as Terri-Lyne Carrington, Yoron Israel, Ralph Peterson and Greg Osby.

In 2014, Willy graduated from New England Conservatory with a Master’s degree in Jazz Drum Performance. At NEC, he studied with Billy Hart, Cecil McBee, Miguel Zenon, Jerry Bergonzi and Bob Moses, among others. He has performed alongside some of the premier musicians in jazz and Latin jazz including Jason Palmer, Papo Vasquez and Dave Liebman, with whom he has recorded and played with extensively. In addition to his work in jazz, he has performed and/or recorded with an extensive list of genre-spanning artists including Omar Rodriguez-Lopez, Mon Laferte, Domino Saints, and more. In 2019, he won a Latin GRAMMY for his work on Mon Laferte's 'Norma'. Willy recorded the self-titled seventh album by The Mars Volta, released in 2022 after a ten-year hiatus. 

In this episode, Willy talks about

How he got into The Mars Volta's circle, and how his style fit the more intimate feel of the new record

Wanting to make his own name as an artist, as opposed to becoming known as "so-and-so's drummer"

His experience as an older student at Berklee

Understanding the American pocket and shedding his "Puerto-Rican-ness" in pursuit of it

How he got into jazz through metal and math rock