Sevish and Jacob Barton interview Stephen Weigel about his new absurdist postmodern EDM album, one that pushes the envelope with regards to how complexity is perceived and how tuning systems are defined and used. Topics include speaking vs. writing, xenrhythm, the Bandcamp scene, imaginary divisions of the octave, dog vs. cat people, workflow, exploring new constraints on parameters, support, and how to piss off the right people. Music 71edo, 72edo, 105edo, 106edo, 204edo, 205edo (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘)(π)ed(5ede) (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) Rank-15 tuning (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) 1200edo (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) 1,000,003-limit Just Intonation (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) 1200edo (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) Free Ticket to Hell (313edo) - Diamond Doll $$$ ONE BILLION $$$ (1,000,000,000edo) - Bazil Müzik Etudes pour piano (I) - György Ligeti 40edo (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) Fort Cindy-Poo! (20edo) - Stephen Weigel (√-703921)ed(e^τ) starting at 2000 Hz (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) All ed3's 5-50 (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) All 12 strings of 7L 3s (MOS-MUD) (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) Outro: 40edo (🎧👂🔜🖤💗📛🎲🎰🎮🥇🚴🌫👂👂💘) Links https://stephenweigel.bandcamp.com/ https://www.youtube.com/channel/UCVxKPod3k3h1IObyq969cyw?view_as=subscriber

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