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A seasoned team races against the clock to craft SPEED's Oscar-winning sound design, with a fast-approaching release date on the horizon!
With the picture locked, SPEED needs a score! Enter newcomer Mark Mancina with a groundbreaking work of action film music composition. DUN DUN DUN DUN DUN DUN!
Settle in for a deep dive into the visual effects elements of SPEED, including old-school practices and cutting-edge post-production applications.
As SPEED moves into post-production, 50 MPH brings you the final interview ever with the late Oscar-nominated film editor John Wright!
Finally, we reach SPEED's gripping subway finale! Deep beneath the surface, Jack Traven faces his foe in a brilliant collision of filmmaking technique.
With the bus material shot and in the editing room, it's time to knock out SPEED's opening act: a riveting sequence set in an elevator shaft that, by some accounts, was even more dangerous.
At the halfway mark of 50 MPH we pause for a grab bag of SPEED material, including stories that haven't found a home, a 7-year-old's take on the film and a quick dive into director Jan de Bont's temperament on set.
The SPEED production moves to LAX (and Mojave) airport for Bus 2525's final act, including a few more harrowing stunts, roaring Malibu fires and an explosive finale!
In the wake of our study of the jump sequence in SPEED, Drew Taylor and Charles Hood, hosts of "Light the Fuse - The Official Mission: Impossible Podcast," help us count down the greatest action set pieces ever!
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