In this bonus episode we look at one particular Crime Movie from the 1970's. We concentrate on plot, direction, cinematography, character development and significance. Kevin insisted that we should not speculate if the horse was part of a crooked gambling syndicate.

https://www.rottentomatoes.com/m/the_godfather

https://www.kevinspetchcreative.com/news.html

We make no revenue from links or recommendations.

Hosts Kevin Petch, Rob Wood and David Benn.

Produced by Kevin Petch for Out Of Left Field.

Hosted on Acast. See acast.com/privacy for more information.

Derelict British warehouses, seedy New Jersey bars, the cornfields of Kansas. All haunts of tough guys and embittered cops. Any minute a car chase or gunfight or bout of very British swearing might break out. In this episode Kevin and Rob pick their favourite crime films of the 70's, but it's a rich decade and we can't cover everything. In our bonus episode 4b we wrap things up, but do we nail Mr Big?

https://www.imdb.com/list/ls003657310/

https://www.kevinspetchcreative.com/news.html

We make no revenue from links or recommendations.

Hosts Kevin Petch, Rob Wood and David Benn.

Produced by Kevin Petch for Out Of Left Field.

Hosted on Acast. See acast.com/privacy for more information.

We have finally worked out the best way to bring you reviews and recommendations. One episode a month dedicated to the old, new, mainstream, popular and decidedly fringe culture. In this episode we discuss gigs, music releases, film and streaming TV. It ranges from MI5 officers too preoccupied by threats to the state to have a shower, to late 70's German synth angst.

Plus Kevin says exactly what he thinks about AI generated content.

Links

Honeyglaze

Kate Nash

Curtis Eller

Lauren Moreau

Pyrolator

Kosmische Wellen

Matching Mole

Gladiator II

Wicked 

Craven the Hunter

The War of Rohirrim

Rumours 

Starve Acre

Slow Horses

Penguine

Billy Nomates

Jake Bugg

We make no revenue from links or recommendations.

Hosts Kevin Petch, Rob Wood and David Benn. Produced by Kevin Petch for Out Of Left Field.

Hosted on Acast. See acast.com/privacy for more information.

In this first episode of series three we interview Americana musician Curtis Eller. We then discuss the career and discography of British post punk band the The.

https://www.curtiseller.com/

https://www.thethe.com/

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Contrasting features this week. We start with Cosgrove Hall, the decades spanning British Childrens TV company, with a magnificent catalog of work. We then reflect on the career of cinematographer and director Nicolas Roeg, going beyond his most famous films. The question is, which films can all three panelists unanimously recommend?

https://www.cosgrovehallfilmsarchive.co.uk/

https://www.bfi.org.uk/features/where-begin-nicolas-roeg

https://www.kevinspetchcreative.com/

Hosted on Acast. See acast.com/privacy for more information.

Hosted on Acast. See acast.com/privacy for more information.

Series 2 comes to an end with two contrasting features. Firstly we discuss who will be the next Bond, reflecting on how little Eon Productions have acknowledged.

Then we consider the film career of film director, critic and theorist, Germaine Dulac.

The episode ends with a brief reflection on our fellow and much missed co-presenter, William Astbury.

Thanks for everything, your Lordship!

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In the first section we conclude our look at science fiction films, covering 1972 to 1982. It does not occur to us to ask 'Who would win in a fight between an armed ape on horseback and a Xenomorph?'

But in our second section we do try to nominate the most important and influencial science fiction film of 1952 to 1982.... or is it all time?

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Hosted on Acast. See acast.com/privacy for more information.

As if Merch was not big enough, now we look at Science Fiction Films from 1952 to1982. This first part tackles the first 20 years. Episode 12 will air Part 2.

The team pick two important films for each decade. Kevin goes strong with Vampires in Space, Rob admits it really is full of stars, and Dave completely forgets to mention Forbidden Planet is the first film with a wholly electronic score.

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