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Roland Schimmelpfennig on how he became a playwright, the dangers of studying playwriting, his creative process, the director-playwright dynamic, young audiences, what inspired him to write his own version of The Little Mermaid and what he's most proud of as a playwright.
By Alexandra LooninRoland Schimmelpfennig on how he became a playwright, the dangers of studying playwriting, his creative process, the director-playwright dynamic, young audiences, what inspired him to write his own version of The Little Mermaid and what he's most proud of as a playwright.

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