In Production:

Tales from Topographic OceansListening guide

YesBooks.com

Produced by Wayne Hall, Joseph Cottrell, Jeffrey Crecelius and Ken Fuller

This week, Mark and I considered what makes 1989’s Anderson Bruford Wakeman Howe a great Yes album. You might now be shouting at your podcatcher, “It isn’t a Yes album,” and we address that question as part of our discussion.

If you remain unconvinced - or if you are convinced - or you are undecided, please do add your comments to the show notes below.

IsABWH a Yes album?

Is it a good album?

Is it a good Yes album?

Let us know if you agree with us!

https://youtu.be/FhpRHBkmgP4?si=-zhR4xND1ccornEZ

ABWH on film

There are only 100 of these packs available, so buy yours now! (Opens in a new window)

Check out the progress on my other podcast - https://anthem52.com/

Yes - The Tormato Story

Available now!

TormatoBook.com

YMP Patrons:

Producers:

Joseph Cottrell

Wayne Hall

Ken Fuller

Jeffrey Crecelius

Patrons:

Jim Morrison Jon Pickles Declan Logue Gary Betts Aaron SteelmanMichael Handerhan Barry Gorsky Steve Perry Doug Curran Martin Kjellberg Todd Dudley Rachel Hadaway Lind  Paul Hailes Craig Estenes Mark James Lang Steve Rode David Bob Martilotta John Holden Stephen LambeDem Fred Barringer Scott Colombo Chris Bandini David Heyden John Thomson Mark Baggs John Cowan John Parry Dave Owen Simon Barrow Steve Scott Terence Sadler Steve Dill Robert Nasir  Fergus Cubbage William Hayes Geoff Bailie Steven Roehr Lobate Scarp Geoffrey Mason David Watkinson Tim Stannard Robert VandiverBrian Sullivan David Pannell Jamie McQuinnMiguel Falcão Paul Tomei Michael O'ConnorBrian HarrisHogne Bø PettersenGuy DeRomeMark Slater

Become a Patron!

Our Facebook YMP Discussion Group is open to anyone to join. One of the advantages of the new format is that all members of the group have the same ability to post content, so it’s a bit more egalitarian, or somesuch. Please do search for the group and join in.

https://www.facebook.com/groups/3216603008606331/

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If you are still listening to the podcast on the website, please consider subscribing so you don’t risk missing anything:

Theme music

The music I use is the last movement of Stravinsky’s Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert