Nikki and Meg head into the 1950s for a double feature of classic romantic comedies: Roman Holiday and The Prince and the Showgirl.

They discuss:

* Audrey Hepburn’s strength in restraint vs. Marilyn Monroe’s comedic weaponization of sex appeal

* How both films use physical space and quiet space to build (or block) intimacy and restraint

* The role of glamor, class, and discomfort in shaping romantic tension

Books & Media We Mention:

* Roman Holiday (film)

* The Prince and the Showgirl (film)

* The Philadelphia Story

* His Girl Friday

* My Week with Marilyn

* Shroom for Improvement by Jemma Croft

* Dredge (Nintendo Switch)

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