Stylistic pastiche. Symmetrical framing. Murray. Schwartzman. 1960s-centric jukebox soundtrack. It looks like this must be our first Wes Anderson movie. A tale of young love set against scouting, parents in a failing marriage, a lovelorn "cop", and an oncoming storm of the century combine to either charm or annoy Mike and Charlie. But which is it?

If you'd like to watch ahead for next week's film, we will be discussing and reviewing Nagisa Oshima's Merry Christmas, Mr. Lawerence (1983).