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[Insert eye-rolling pun about dipping our toes back into familiar Waters here]... That's right, we're once more spending the day with the Dreamland Players, reveling in the trash and the wigs of Jon Waters' decades-long seedy send-up of American culture. Divine smirks, whines, and stomps his way into our hearts as Dawn Davenport, following her sordid decline from dissatisfied youth to art experiment/serial killer.
If you'd like to watch ahead for next week's film, we will be discussing and reviewing G. W. Pabst's The Threepenny Opera (1931).
 By Mike Noyes and Charles Peterson
By Mike Noyes and Charles Peterson4
1515 ratings
[Insert eye-rolling pun about dipping our toes back into familiar Waters here]... That's right, we're once more spending the day with the Dreamland Players, reveling in the trash and the wigs of Jon Waters' decades-long seedy send-up of American culture. Divine smirks, whines, and stomps his way into our hearts as Dawn Davenport, following her sordid decline from dissatisfied youth to art experiment/serial killer.
If you'd like to watch ahead for next week's film, we will be discussing and reviewing G. W. Pabst's The Threepenny Opera (1931).

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