Georgie Hill is a Tāmaki-based painter whose materially led practice explores the dynamic collision of visual systems, creating a rich dialogue between process and form, literary texts and paint. A kind of mark making that takes on this almost electric, explosive, or rhythmic sensibility – a creative disorder, collaged and layered as these beautiful bursts of colour.
In Melter of Limbs at Te Wai Ngutu Kākā Gallery, curated by Nina Dyer, Hill’s work is placed in conversation with that of New York-based New Zealand artist Emerita Baik, whose practice spans sculpture, printmaking, and installation. Paired together, the gallery space becomes this site of exploration of these curious convergences between Hill and Baik’s practices as guided by these mythical references: Hans Christian Andersen’s Little Mermaid for Baik, and an interweaving of Eros, the Greek god of love - the ‘melter of limbs’, as per Sappho’s characterisation - for Hill.