9Natree

Adobe Photoshop 2020 for Photographers (Martin Evening)

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- Interesting Topics:
- A Photographer Centered Workflow from Raw Capture to Finished File
- Camera Raw Controls as the Foundation for Tonal and Optical Correction
- Layers, Adjustment Layers, and Masks for Reversible Image Construction
- Retouching and Cleanup with Attention to Texture and Believability
- New 2020 Features Integrated into Practical Creative Cloud Editing

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Adobe Photoshop 2020 for Photographers is a substantial technical reference by Martin Evening, a photographer and digital-imaging specialist known for professional retouching work. Written for the 2020 release of Adobe Photoshop and its Camera Raw tools, the book explains how photographers can turn captured files into controlled, finished images. Its scope runs from organizing an efficient editing environment and developing raw photographs to tonal correction, local adjustments, selections, layers, masks, retouching, compositing, and output. Rather than treating Photoshop as a general graphics application, Evening frames its tools around recurring photographic decisions: preserving believable detail, directing attention, correcting optical or exposure problems, and building edits that remain revisable. The edition also addresses then-current Creative Cloud additions, including Cloud Documents, Content-Aware Fill, the Texture control, and depth-based masking in Camera Raw. With extensive illustrations, sample files, videos, and supplementary material, it functions less as a short course than as a detailed working manual. Its central purpose is to help experienced or advancing image makers understand both what a tool does and when its use is appropriate in a photographic workflow.

Adobe Illustrator Classroom in a Book (Brian Wood)

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- Interesting Topics:
- Project-based lessons turn Illustrator commands into repeatable workflows
- Shape building and path editing establish the vector drawing foundation
- Color, type, and layers connect visual styling with document control
- Brushes, effects, symbols, and graphic styles expand illustration without abandoning editability
- Image placement and export lessons address the transition from artwork to deliverable

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Adobe Illustrator Classroom in a Book, 2023 release, by Brian Wood, is an official Adobe Press training workbook for the desktop edition of Adobe Illustrator on Windows and macOS. It belongs to the software instruction genre rather than to a conceptual design survey: its purpose is to build operational fluency through sequential, project-based lessons. The book starts with the Illustrator workspace and basic selection methods, then moves through shape construction, path editing, drawing, color, typography, layers, gradients, brushes, effects, images, and output. Its lesson structure makes the program approachable for newcomers while allowing users with prior experience to select chapters addressing particular gaps. Wood is an Adobe Certified Trainer and an experienced Adobe educator, a background reflected in the emphasis on repeatable workflows rather than isolated tool descriptions. Accompanying lesson files, a web edition, quizzes, and instructional videos extend the printed exercises. The coverage is specifically for Illustrator desktop and does not address Illustrator on the iPad.

Adobe Photoshop Lightroom Classic For Dummies ) (Rob Sylvan)

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- Interesting Topics:
- Learning the Lightroom Classic workspace as a connected workflow
- Catalog based organization and retrieval of large photo libraries
- Non-destructive development preserves originals while enabling revision
- Masking, AI selection, and Lens Blur extend local creative control
- Exporting and sharing translate edited photographs into usable deliverables

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Adobe Photoshop Lightroom Classic For Dummies by photographer and educator Rob Sylvan is a practical software guide to Adobe Lightroom Classic, the desktop centered application used to import, organize, develop, and output photographic files. Positioned in the Computer and Technology strand of the For Dummies series, it is written as an accessible reference and instructional primer rather than as a theory of photography or a collection of presets. Its central purpose is to help photographers build a repeatable workflow for handling substantial image libraries without losing track of originals or relying on destructive edits. The book addresses the Lightroom Classic interface, catalog based organization, image correction, local adjustments, and methods for sharing or exporting finished work. It also incorporates newer capabilities associated with current Lightroom Classic releases, including improved masking, AI assisted selection tools, and Lens Blur. Sylvan draws on experience as a photography instructor and software educator, which suits the book’s step by step, task focused approach. The result is a broad introduction for users who need both operational clarity and a dependable editing workflow.

Photoshop Masking & Compositing (Katrin Eismann)

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- Interesting Topics:
- Selections Are Treated as Image-Specific Analytical Problems
- Layer Masks Establish a Non-Destructive Editing Discipline
- Fine Edges Require Separate Treatment From Solid Object Boundaries
- Compositing Extends From Isolation to Visual Integration
- Photography Planning Reduces Problems Before Photoshop Begins

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Photoshop Masking & Compositing is a technical and practice-oriented guide to constructing convincing images from multiple photographic elements in Adobe Photoshop. Written by Katrin Eismann, an educator and author known for digital-imaging instruction, the book concentrates on the decisions that make a composite believable rather than merely assembled. Its central subjects are selections, layer masks, edge refinement, channels, paths, and the management of difficult subjects such as hair, fabric, smoke, and translucent materials. Step-by-step demonstrations connect these tools to a broader workflow: planning the intended result, preparing source photographs, isolating components without damaging them, and integrating them into a coherent final image. The book addresses both photorealistic and more expressive composite work, while emphasizing non-destructive control over edits. It is best understood not as a general introduction to Photoshop, but as a specialized manual for the point where retouching, photography, and visual design meet. Its purpose is to help readers choose techniques according to the visual properties of each image instead of relying on a single selection method.

The Book of Inkscape, 2nd Edition (Dmitry Kirsanov)

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- Interesting Topics:
- Vector graphics are presented as an editable design system
- The learning sequence moves from basic tools to deliberate object control
- Paths, styling, and effects extend simple shapes into finished illustration
- Project tutorials connect software features to real design outputs
- Extensions and SVG awareness broaden Inkscape beyond the desktop interface

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The Book of Inkscape, 2nd Edition: The Definitive Guide to the Graphics Editor is a practical technical guide to Inkscape, the free and open source vector graphics application. Written by Dmitry Kirsanov, a former core Inkscape developer, it combines software instruction with an explanation of the graphic principles and document structures behind the interface. The book is organized as a progressive, task based course rather than a narrow reference manual: readers begin with the nature of vector graphics and basic drawing, then move into object editing, styling, text, paths, effects, and finished design work. The second edition is aligned with Inkscape 1.0 and addresses newer tools, improved text handling, path effects, filters, interface improvements, and extensions. Its central purpose is to help readers build reliable working habits while using Inkscape for practical illustration and design. It serves both complete newcomers and users who want a more systematic understanding of how Inkscape creates and edits SVG based artwork.

How Do I Do That In Photoshop? (Scott Kelby)

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- Interesting Topics:
- A Question-Driven Format Designed for Fast Photoshop Problem Solving
- Navigation and Tool Use Establish the Operational Foundation
- Camera Raw and AI Masking Connect Global Corrections with Local Control
- Layers, Adjustments, and Object Changes Support Non-Destructive Image Editing
- Output Tasks Such as Cropping, Sharpening, Printing, and Effects Complete the Workflow

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How Do I Do That In Photoshop? The Quickest Ways to Do the Things You Want to Do, Right Now! is a task-oriented software guide by Scott Kelby. This second edition, published in 2023, updates the original quick-reference concept for contemporary Photoshop workflows. Rather than teaching the application through a linear course or attempting to document every command, it is organized around practical questions that arise while editing images. Its chapters address navigation, tools, Camera Raw, AI-powered masking, cropping and resizing, layers, image adjustments, retouching and compositing, printing, special effects, sharpening, and related essentials. The defining format is deliberately narrow: a page concentrates on one useful operation, allowing readers to locate a solution and return to their work. Kelby writes in an informal instructional manner, prioritizing clear action over technical theory. The result is best understood as a problem-solving companion for people who have some familiarity with Photoshop and need dependable guidance at the point where a particular editing task becomes necessary.

The DAM Book (Peter Krogh)

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- Interesting Topics:
- The digital photography ecosystem makes asset management a whole workflow
- Metadata and controlled vocabularies turn folders into searchable archives
- Clear naming and separation of originals protect order during growth
- Redundant and validated backups address more than disk failure
- Format and media migration preserve access through technological change

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The DAM Book: Digital Asset Management for Photographers is a practical reference on building a dependable system for digital photographs. Written by photographer and digital asset management specialist Peter Krogh, its second edition was published by O Reilly Media in 2009. Rather than treating organization as a minor task performed after editing, the book frames it as an ecosystem spanning capture, file formats, naming, metadata, editing, storage, backup, retrieval, delivery, and long term migration. Its central purpose is to help photographers preserve the value and accessibility of their collections as software, hardware, and media change. Krogh addresses professional, amateur, and student photographers, including people managing scans and growing personal archives. The book is technical in places and is closely connected to the Adobe tools available at the time, but its underlying principles are broader than any one application. It is chiefly a workflow and preservation guide, not a camera guide or an image editing tutorial.

Beginner's Guide to Digital Painting in Photoshop 2nd Edition (3dtotal Publishing)

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- Interesting Topics:
- Photoshop Is Treated as a Dedicated Painting Workspace
- Layer-Based Construction Enables Flexible Revision
- Brush Control Connects Software Settings to Painted Marks
- From Initial Idea to Concept Requires Sequential Image Development
- The Book Bridges Technical Instruction and Core Visual Principles

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Beginner's Guide to Digital Painting in Photoshop 2nd Edition is an instructional art book from 3dtotal Publishing, presented as a practical introduction to creating digital images with Adobe Photoshop. Its stated scope runs from setting up and understanding the software to producing an initial concept, placing it between a software primer and a foundation course in digital illustration. Rather than treating Photoshop merely as a photo-editing application, the book addresses its use as a painting environment for aspiring concept artists, illustrators, and designers. The second edition is a substantial paperback volume, listed at 288 pages, and is designed for readers who need a structured route through unfamiliar tools and visual-art decisions. Its subject is not one narrow genre of painting but the transferable working knowledge required to develop images digitally: managing a canvas, using brushes and layers, organizing edits, and building an illustration through successive stages. The book therefore serves readers seeking a guided transition from traditional drawing habits, or from no established workflow, into Photoshop-based image making.

The Nature of Code: Simulating Natural Systems with JavaScript (Daniel Shiffman)

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- Interesting Topics:
- Vectors and forces establish a usable language for simulated motion
- Randomness, noise, and oscillation turn deterministic programs into organic systems
- Particle systems and autonomous agents scale simple rules into visible complexity
- Cellular automata and fractals show how local recursion generates structure
- Evolutionary algorithms and neural networks frame adaptation as an experiment

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The Nature of Code: Simulating Natural Systems with JavaScript is a creative coding and computational modeling guide by Daniel Shiffman. Written for readers who want to make interactive visual programs rather than only conventional software, it uses JavaScript and p5.js to examine how simple rules can produce motion, pattern, adaptation, and apparent complexity. The book is not a biology text or a general introduction to professional JavaScript development. Its purpose is to make mathematical, physical, and algorithmic ideas usable through visual simulation. Shiffman begins with randomness, probability, vectors, and motion, then develops systems involving forces, oscillation, particles, autonomous agents, and collective behavior. Later material addresses cellular automata, fractals, evolutionary computation, neural networks, and neuroevolution. Throughout, programs serve as experiments: readers change parameters, observe the results, and connect code behavior to models of natural phenomena. This JavaScript edition updates a long-standing creative-programming resource for browser-based work while retaining its emphasis on learning by building and modifying simulations.

Getting Started with CNC (Edward Ford)

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- Interesting Topics:
- Subtractive Fabrication Expands the Meaning of Personal Manufacturing
- The CAD, CAM, and G-code Chain Connects an Idea to Machine Motion
- Machine Mechanics Clarify Accuracy, Motion Limits, and Cutting Results
- Tool Selection and Cutting Parameters Turn Digital Paths into Usable Parts
- Safety and Workholding Are Essential Parts of the CNC Workflow

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Getting Started with CNC: Personal Digital Fabrication with Shapeoko and Other Computer-Controlled Routers is a practical introductory guide to hobbyist CNC routing by Edward Ford, creator of the open hardware Shapeoko machine and cofounder of Carbide 3D. Published by Maker Media in 2016, it addresses affordable desktop and benchtop machines rather than industrial machining centers. Its central purpose is to make the full CNC workflow understandable: conceiving an object, designing it digitally, creating toolpaths, generating G-code, preparing material, and running a machine safely. Ford frames CNC as subtractive digital fabrication, contrasting it with 3D printing: the machine removes material from wood, plastics, aluminum, and other stock to produce a desired form. The book combines conceptual explanation with exercises and project-oriented instruction. It introduces mechanical motion systems, coordinate systems, cutting tools, CAD and CAM, and machine-control software without assuming prior experience or even immediate access to a router. Its focus is therefore less on one proprietary machine than on the transferable foundations needed to use entry-level computer-controlled routers competently.