
Sign up to save your podcasts
Or


On today’s date in 1937, a gala concert in Berlin presented the premiere performance of Robert Schumann’s Violin Concerto in D-minor, a work composed in the fall of 1853, shortly before Schumann’s tragic mental collapse.
The Concerto was never given a public performance during Schumann’s lifetime, although the great 19th century violinist Joseph Joachim read through the score during an orchestral rehearsal early in 1854, and played the work privately in 1855, with piano accompaniment provided by Schumann’s wife, Clara. Clara, Joachim and their mutual friend Johannes Brahms all judged the concerto sub-par and perhaps embarrassing evidence of Schumann’s declining mental state.
Oddly enough, the 1937 premiere in Berlin, attended by none other than Adolf Hitler, was presented as part of the Nazi’s “Strength Through Joy” cultural program. German commentators touted Schumann’s ties to the German “folk,” while American critics bemoaned that most of the great German violinists of the day were unavailable for this important premiere, having all left Germany for racial or political reasons.
On this side of the Atlantic, it was violinist Yehudi Menuhin who gave the American premiere of Schumann’s long-neglected Concerto a month later, first with piano accompaniment at Carnegie Hall, then later with the St. Louis Symphony.
Robert Schumann (1810 – 1856) — Violin Concerto in D Minor (Gidon Kremer, violin; Philharmonia Orchestra; Riccardo Muti, cond.) EMI 69334
By American Public Media4.7
1010 ratings
On today’s date in 1937, a gala concert in Berlin presented the premiere performance of Robert Schumann’s Violin Concerto in D-minor, a work composed in the fall of 1853, shortly before Schumann’s tragic mental collapse.
The Concerto was never given a public performance during Schumann’s lifetime, although the great 19th century violinist Joseph Joachim read through the score during an orchestral rehearsal early in 1854, and played the work privately in 1855, with piano accompaniment provided by Schumann’s wife, Clara. Clara, Joachim and their mutual friend Johannes Brahms all judged the concerto sub-par and perhaps embarrassing evidence of Schumann’s declining mental state.
Oddly enough, the 1937 premiere in Berlin, attended by none other than Adolf Hitler, was presented as part of the Nazi’s “Strength Through Joy” cultural program. German commentators touted Schumann’s ties to the German “folk,” while American critics bemoaned that most of the great German violinists of the day were unavailable for this important premiere, having all left Germany for racial or political reasons.
On this side of the Atlantic, it was violinist Yehudi Menuhin who gave the American premiere of Schumann’s long-neglected Concerto a month later, first with piano accompaniment at Carnegie Hall, then later with the St. Louis Symphony.
Robert Schumann (1810 – 1856) — Violin Concerto in D Minor (Gidon Kremer, violin; Philharmonia Orchestra; Riccardo Muti, cond.) EMI 69334

38,513 Listeners

43,633 Listeners

25,845 Listeners

7,718 Listeners

3,993 Listeners

1,357 Listeners

521 Listeners

182 Listeners

247 Listeners

74 Listeners

112,484 Listeners

2,182 Listeners

56,740 Listeners

4,097 Listeners

76 Listeners

35 Listeners

6,563 Listeners