FILM RANKINGS UPDATED AFTER EVERY EPISODE!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this cinematic crime against logic, humanity faces its greatest threat yet: tomatoes that have decided they’re done being pureed. As the red, rolling hordes wreak havoc across America, a team of absolute buffoons is assembled to stop the uprising using plans so dumb they make the tomatoes look like strategic masterminds. Government agencies panic, scientists argue with fruit, and at one point someone definitely gets outsmarted by a garnish. It’s a full-scale war of man versus ketchup-in-waiting, and honestly, the tomatoes might deserve to win.

Instagram:

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⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/james.a.darkish.cinema.podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Our Film Rankings:

⁠⁠168 - Film Rankings After Attack Of The Killer Tomatoes (1978)

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NOTE: In case we failed to mention the end date for the secret word discount at the store when recording this episode, it is November 23, 2025.

Episode Segments:

1. Welcome
2. Outside The Podcast Discussion
3. Film Studies Lesson Of The Day
4. Breaking News
5. What Is This Film About? - Synopsis, Genres, Themes, Insights, And Facts
6. Vital Statistics
7. Things That Happen In The Film
8. Analysis - Social Commentary, Inspirations, And Cultural Placement
9. Trivia
10. Critical Reception (Including our rankings)
11. Final Thoughts

Music:

Exit The Premises, Loping Stings, As I Figure

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

Intro Remix 2 by Timbre Milton.

-- https://freesound.org/s/86862/ --

License: Attribution NonCommercial 3.0

Breaking News Intro

By: Luis Humanoide (Via pixabay)

FILM RANKINGS UPDATED AFTER EVERY EPISODE!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

A man wakes up after a party to find Paris overrun by zombies, and all he’s got left is canned food, a drum set, and crippling loneliness. It’s Cast Away meets 28 Days Later, but with more baguettes and existential dread. Quiet, bleak, and oddly poetic, it turns isolation into an art form. As the days blur together, he starts to realize the scariest thing isn’t the undead. It’s his own mind slowly unraveling. It’s minimalist horror at its most haunting, and somehow, still kind of French about it.

Instagram:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/a.darkish.cinema.podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/james.a.darkish.cinema.podcast/⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/sunni.a.darkish.cinema.podcast/⁠⁠⁠⁠⁠⁠⁠⁠

Our Film Rankings:

⁠167 - Film Rankings After The Night Eats The World (2018)

Email us:

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Find our store on Facebook and Instagram:

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NOTE: In case we failed to mention the end date for the secret word discount at the store when recording this episode, it is November 16, 2025.

Episode Segments:

1. Welcome
2. Outside The Podcast Discussion
3. Film Studies Lesson Of The Day
4. Breaking News
5. What Is This Film About? - Synopsis, Genres, Themes, Insights, And Facts (Curated by Sunni)
6. Vital Statistics
7. Things That Happen In The Film
8. Analysis - Social Commentary, Inspirations, And Cultural Placement (Curated by James)
9. Trivia
10. Critical Reception (Including our rankings)
11. Final Thoughts

Music:

Exit The Premises, Loping Stings, Funin' And Sunin'

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

Intro Remix 2 by Timbre Milton.

-- https://freesound.org/s/86862/ --

License: Attribution NonCommercial 3.0

Breaking News Intro

By: Luis Humanoide (Via pixabay)

In this episode, we trace how the rise of home video transformed splatter horror, opening space for both experimental, concept-driven works and commercially oriented, franchise-driven productions. We explore how one stream of the genre fused body horror with literary and intellectual themes, while another leveraged imaginative creatures, inventive practical effects, and repeatable concepts to captivate a growing VHS audience. The discussion considers how these parallel approaches balanced excess, shock, and audience expectation, demonstrating the genre’s flexibility and enduring appeal. By examining the “video splatter” era, the episode reveals how portability, accessibility, and low-budget creativity reshaped horror, leaving a lasting mark on both artistic and commercial cinema.

FILMS DISCUSSED IN THIS EPISODE:

Re-Animator (1985), From Beyond (1986), Puppet Master (1989), Demonic Toys (1992), Castle Freak (1995), Head of the Family (1996), Killjoy (2000), The Dead Hate the Living! (2000)

Instagram:

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⁠⁠⁠⁠https://www.instagram.com/james.a.darkish.cinema.podcast/⁠⁠⁠⁠

⁠⁠⁠⁠https://www.instagram.com/sunni.a.darkish.cinema.podcast/⁠⁠⁠

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Music:

Waltz Primordial, Galactic Rap, Exit The Premises

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

Today's Rabbit Hole Excursion Begins With:

LYNN LOWRY AND FELISSA ROSE

From the obscure to the iconic, we’re diving down the Celluloid Rabbit Hole to uncover the fascinating connections between actors, actresses, and filmmakers. Each episode traces their careers, explores hidden twists, and discovers surprising links between resumes both famous and forgotten. Join us as we journey from role to role, project to project, learning all kinds of intriguing insights along the way.

Instagram:

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⁠⁠⁠⁠https://www.instagram.com/james.a.darkish.cinema.podcast/⁠⁠⁠⁠

⁠⁠⁠⁠https://www.instagram.com/sunni.a.darkish.cinema.podcast/⁠⁠⁠

Email us:

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Find our store on Facebook and Instagram:

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⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/ashanddreamsokc/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Music:

Brain Dance, Exit The Premises

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

This episode examines a pivotal moment in the evolution of extreme horror cinema, tracing how a cycle of Japanese splatter films redefined the aesthetics of violence. By emphasizing the body as both subject and canvas, these works challenged cinematic conventions, transforming graphic mutilation into a form of cultural and artistic expression. The discussion explores how this aesthetic of extremity migrated across borders, shaping international horror movements and inspiring new interpretations of pain, ritual, and performance.

FILMS DISCUSSED IN THIS EPISODE:

Guinea Pig: Devil’s Experiment (1985), Flower of Flesh and Blood (1985), He Never Dies (1986), Devil Woman Doctor (1986), Mermaid in a Manhole (1988), Android of Notre Dame (1988), Lucky Sky Diamond (1988), Bouquet of Guts and Gore (2010), Bloodshock (2013), Sacrifice (2017), Song of Solomon (2017)

Instagram:

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⁠⁠⁠⁠https://www.instagram.com/james.a.darkish.cinema.podcast/⁠⁠⁠⁠

⁠⁠⁠⁠https://www.instagram.com/sunni.a.darkish.cinema.podcast/⁠⁠⁠

Email us:

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Find our store on Facebook and Instagram:

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Music:

Waltz Primordial, Galactic Rap, Exit The Premises

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

FILM RANKINGS UPDATED AFTER EVERY EPISODE!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Seventeen kids vanish at 2:17 a.m., and somehow it’s still not the wildest thing happening in town. The rest of the town wakes up like it’s stuck in a weirdly hostile PTA meeting gone cosmic as Zach Cregger turns suburban paranoia into a fever dream where every neighbor looks guilty and the crazy aunt might actually be orchestrating the apocalypse. It’s creepy, cryptic, and just unhinged enough to make you question your own family gatherings. By the time the credits roll, you’ll swear your aunt’s casserole is staring back at you.

Instagram:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/a.darkish.cinema.podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/james.a.darkish.cinema.podcast/⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/sunni.a.darkish.cinema.podcast/⁠⁠⁠⁠⁠⁠⁠⁠

Our Film Rankings:

⁠166 Film Rankings After Weapons (2025)

Email us:

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Find our store on Facebook and Instagram:

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NOTE: In case we failed to mention the end date for the secret word discount at the store when recording this episode, it is November 16, 2025.

Episode Segments:

1. Welcome
2. Outside The Podcast Discussion
3. Film Studies Lesson Of The Day
4. Breaking News
5. What Is This Film About? - Synopsis, Genres, Themes, Insights, And Facts (Curated by Sunni)
6. Vital Statistics
7. Things That Happen In The Film
8. Analysis - Social Commentary, Inspirations, And Cultural Placement (Curated by James)
9. Trivia
10. Critical Reception (Including our rankings)
11. Final Thoughts

Music:

Exit The Premises, Loping Stings, Hyperfun

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

Intro Remix 2 by Timbre Milton.

-- https://freesound.org/s/86862/ --

License: Attribution NonCommercial 3.0

Breaking News Intro

By: Luis Humanoide (Via pixabay)

FILM RANKINGS UPDATED AFTER EVERY EPISODE!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

A horror/comedy that gleefully slashes through both genre tropes and social stereotypes, The Blackening (2022) asks what happens when every character is the “black friend” in a horror movie. Balancing razor-sharp satire with genuine scares, it flips the script on slasher conventions while delivering some of the best comedic timing in modern horror. The film is self-aware without being smug, leaning into cultural in-jokes and meta humor that actually feel earned. It’s a bloody good time that proves horror can be smart, funny, and still make you jump out of your seat, all while asking the most important question of all: who dies first now?

Instagram:

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⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/james.a.darkish.cinema.podcast/⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/sunni.a.darkish.cinema.podcast/⁠⁠⁠⁠⁠⁠⁠

Our Film Rankings:

165 - Film Rankings After The Blackening (2022)⁠

Email us:

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NOTE: In case we failed to mention the end date for the secret word discount at the store when recording this episode, it is November 9, 2025.

Episode Segments:

1. Welcome
2. Outside The Podcast Discussion
3. Film Studies Lesson Of The Day
4. Breaking News
5. What Is This Film About? - Synopsis, Genres, Themes, Insights, And Facts (Curated by Sunni)
6. Vital Statistics
7. Things That Happen In The Film
8. Analysis - Social Commentary, Inspirations, And Cultural Placement (Curated by James)
9. Trivia
10. Critical Reception (Including our rankings)
11. Final Thoughts

Music:

Exit The Premises, Loping Stings, Feelin' Good

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

Intro Remix 2 by Timbre Milton.

-- https://freesound.org/s/86862/ --

License: Attribution NonCommercial 3.0

Breaking News Intro

By: Luis Humanoide (Via pixabay)

This chapter examines how Troma Entertainment redefined splatter through its fusion of gore, absurdist humor, and biting social satire. Rejecting realism in favor of anarchic exaggeration, Troma transformed low-budget filmmaking into a platform for both spectacle and critique, using grotesque imagery to lampoon consumerism, corruption, and moral hypocrisy. Its self-aware irreverence blurred the boundaries between exploitation and parody, turning excess itself into a form of commentary. In doing so, Troma not only democratized the aesthetics of splatter but also demonstrated that the genre could be at once confrontational, comedic, and intellectually subversive—a garish mirror reflecting the chaos of modern culture.

FILMS DISCUSSED IN THIS EPISODE:

Mother’s Day (1980), The Toxic Avenger (1984), Class of Nuke ’Em High (1986), Sgt. Kabukiman NYPD (1990), Tromeo and Juliet (1996), Terror Firmer (1999), Poultrygeist: Night of the Chicken Dead (2006)

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Music:

Waltz Primordial, Galactic Rap, Exit The Premises

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

OFF SCHEDULE SPECIAL!!!

Here are 5 films that we watched outside of our regular podcast schedule. ENJOY!!!

In the Earth (2021)

Nature gets mean in this trippy descent into madness. Fungi, folklore, and fever dreams combine for one of the most unsettling eco-horrors ever put to film.

Rockula (1991)

He’s a vampire cursed to relive the same romantic tragedy for centuries—and sing about it. Campy, musical, and full of undead swagger, it’s a bloodsucking rock opera that refuses to die.

The Furies (2019)

A brutal, high-octane twist on the slasher formula where survival of the fittest gets literal. Think Hunger Games, but with axes, masks, and buckets of gore.

Hell House LLC: Lineage (2025)

Found footage meets found trauma in this unnerving return to the cursed streets of Abaddon, New York. A limp continuation of a once-great found-footage series, this entry trades scares for sighs, and somehow makes ghosts feel boring.

Let’s Scare Jessica to Death (1971)

A haunting, dreamlike slow burn that seeps under your skin. Psychological decay and gothic dread blend into one of horror’s most quietly devastating masterpieces.

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Music:

Broken Reality, Exit The Premises

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/

Intro Remix 2 by Timbre Milton.

-- https://freesound.org/s/86862/ --

License: Attribution NonCommercial 3.0

Christmas horror represents one of cinema’s most enduring paradoxes: transforming a season of warmth, generosity, and renewal into a mirror for humanity’s deepest anxieties. Drawing from pagan ritual, Christian morality, and modern consumerism, the subgenre turns the familiar imagery of snow, carols, and candlelight into tools of unease. Its enduring power lies in contrast: light against darkness, faith against fear, festivity against decay. Whether invoking ancient punishers, spectral visitations, or psychological collapse beneath tinsel and cheer, Christmas horror exposes the unease that festers beneath forced joy. It is not a rejection of the holiday spirit but an interrogation of it, revealing that beneath every act of celebration lies the shadow of mortality, guilt, and the fragile hope that the light will return.

FILMS DISCUSSED IN THIS EPISODE:

A Christmas Carol (1910), Scrooge (1951), Santa Claus (1959, Mexican), Cash on Demand (1961), Whoever Slew Auntie Roo? (1972), Black Christmas (1974), Halloween (1978), Friday the 13th (1980), Christmas Evil (1980), To All a Goodnight (1980), Silent Night, Deadly Night (1984), Don’t Open Till Christmas (1984), Scrooged (1988), Jack Frost (1997), Jack Frost 2: Revenge of the Mutant Killer Snowman (2000), Santa’s Slay (2005), Rare Exports: A Christmas Tale (2010), Krampus: The Christmas Devil (2013), A Christmas Horror Story (2015), Krampus (2015), Krampus: The Reckoning (2015), Krampus Unleashed (2016), Krampus: The Devil Returns (2016), Better Watch Out (2016), Mother Krampus (2017), Await Further Instructions (2018), Pooka! (2018), The Lodge (2019), The Advent Calendar (2021), Christmas Bloody Christmas (2022), The Mean One (2022)

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Email us:

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Music:

Twisting, Half Mystery, Exit The Premises

By Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0

https://creativecommons.org/licenses/by/4.0/