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Mike and Nick review Kelly Reichardt's last two films: First Cow and Showing Up.
Kelly Reichardt is a major cinematic voice in today's film landscape. She creates nuanced work with texture and insight. Nick fawns over the Capitalist critiques of First Cow and Mike praises Showing Up. Listen to find out how Reichardt's talents consistently show up in her films while offering something very unique in each one.

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Happy Valentine's Day! Mike and Nick shoot their Cupid's arrow at each other with two top romance films. Mike aims at Nick with seductive music and vibrant colours in Wong Kar-wai's In the Mood for Love (2000). Nick takes an alternative approach by depressing Mike into loving him with Michael Haneke's Amour (2012). Enjoy the compare and contrast exercise around two of the most romantic, but starkly different, films of all time.

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Mike and Nick continue their journey through Bergman's filmography. Bergman enters the 50's with his story following a couple who met in the orchestra and navigate all the drama that ensues in their lives. Nick calls this film Bergman's "great foreshadowing." Find out why in this episode.

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Mike and Nick complete The Apu Trilogy with Apur Sansar from 1959. The two hosts have become enamoured with Satyajit Ray's breathtaking human drama and await to find out the conclusion of our beloved Apu. How does the evolution of characters progress and how do the changes in settings affect their journeys? How does Ray deploy his expressionism and symbology to produce palpable scenes?

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Happy Halloween!
Our good friend Jackie joins Mike and Nick to look at one of the most legendary horror films: The Cabinet of Dr. Caligari.
It's a new watch for Mikeand Jackie and a beloved classic for Nick. Find out if the gang thinks the strange geometry of German Expressionism is as jaw droppingly fascinating as Nick.

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Happy Halloween! Mike and Nick get spooky for the season and watch the J-Horror that kicked off a slew of other horror films across the globe. What does director Hideo Nakata do to make a video tape so spooky? Does it still hold up and worth its legacy's name? Find out on this episode.

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Mike and Nick check in on Apu in the second entry of Satyajit Ray's The Apu Trilogy, Aparajito (1956). We move from the naturalistic world of a Bengal village to the city. Apu's wonder and curiosity grows and leads him down new paths and toward new adventures. How does the second entry of The Apu Trilogy compare to the second? How does Ray present the new world to a growing boy?

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Mike and Nick continue their journey through Bergman's filmography. Still in the early stages of his career, the duo examine how Bergman's work is evolving and perfecting. Is this closer to the Bergman we know today?

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Mike and Nick celebrate their third season with a beloved and prestigious trilogy: Satyajit Ray's The Apu Trilogy. The first entry, Pather Panchali (1955) introduces Apu, the titular character as he makes his way through the beautiful poetry of real life's ups and downs. How does Ray introduce and maintain the identities of each character? How does Ray use the environment to build a palpable experience? These questions and more are discussed.

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Mike and Nick continue their jounrey through Ingmar Bergman's filmography. How is Bergman's craft and technique evolving? Or staying the same?