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“A Fine Romance” and Marian McPartland (115)
“A Fine Romance,” composed by Jerome Kern with lyrics by Dorothy Fields in 1936, quickly became one of the most enduring standards to emerge from the film Swing Time, where it was introduced by Fred Astaire and Ginger Rogers. Built on a clear 32-bar A–A′ structure, the tune balances melodic simplicity with subtle sophistication. Kern’s writing combines singable lines with clever rhythmic devices and smooth chromatic harmonic movement, including diminished passing chords and cycle-of-fourths progressions that give the song both elegance and momentum. Fields’ lyric adds a distinctive twist, using wit and irony to describe a romance that lacks the excitement and affection one might expect.
The piece has attracted countless interpretations, including a thoughtful reading by pianist Marian McPartland. A major figure in jazz as both performer and educator, McPartland brought clarity, harmonic imagination, and lyrical phrasing to standards such as this. Her version reflects her broader artistic legacy—an approach that combined deep respect for classic repertoire with sophisticated reharmonization and improvisational creativity, qualities that helped define her long and influential career in jazz.
Marian McPartland
Ella Fitzgerald and Louis Armstrong
The Jazz Real Book Playlist Vol. 2
By Jay Sweet5
77 ratings
“A Fine Romance” and Marian McPartland (115)
“A Fine Romance,” composed by Jerome Kern with lyrics by Dorothy Fields in 1936, quickly became one of the most enduring standards to emerge from the film Swing Time, where it was introduced by Fred Astaire and Ginger Rogers. Built on a clear 32-bar A–A′ structure, the tune balances melodic simplicity with subtle sophistication. Kern’s writing combines singable lines with clever rhythmic devices and smooth chromatic harmonic movement, including diminished passing chords and cycle-of-fourths progressions that give the song both elegance and momentum. Fields’ lyric adds a distinctive twist, using wit and irony to describe a romance that lacks the excitement and affection one might expect.
The piece has attracted countless interpretations, including a thoughtful reading by pianist Marian McPartland. A major figure in jazz as both performer and educator, McPartland brought clarity, harmonic imagination, and lyrical phrasing to standards such as this. Her version reflects her broader artistic legacy—an approach that combined deep respect for classic repertoire with sophisticated reharmonization and improvisational creativity, qualities that helped define her long and influential career in jazz.
Marian McPartland
Ella Fitzgerald and Louis Armstrong
The Jazz Real Book Playlist Vol. 2

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