In this episode, I devote the first segment to Michael Kamen's score for the 1988 fantasy film, THE ADVENTURES OF BARON MUNCHAUSEN, directed by Terry Gilliam. It's been a long-time favorite, both of Kamen's output as a composer and also overall among my entire collection. For the second segment, I invited my friend and fellow soundtrack fan, George S. Nader, to discuss one of his favorites, that being Alan Silvestri's score for WHO FRAMED ROGER RABBIT, directed by Robert Zemeckis and also released in 1988. We then get into the topic of being a fan of movie music and play a game I called "Movie Music Mix Tape".

In this episode, I talk with composer Edwin Wendler about his work in film, such as the short film WRONG HOLLYWOOD NUMBER, in television series, such as "Fear Factor", along with his background in Vienna, what caught his ear in movie music as a fan, his start in the business, collaborations and current trends, big budget movies and more. If you're interested in checking out Edwin's music and career, you can find him on Facebook as well as his website, www.edwinwendler.com.

Connect with the podcast on Facebook and Twitter:

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In this episode, I talk about and present examples of the music of Bernard Herrmann, a legendary, enigmatic and trend-setting figure in film scores, specifically as the Golden Age of Hollywood began to wane and transition into broader styles and textures. I titled this "Listening To..." and plan to revisit this topic with various composers, whether to present attributes of their overall style or focus on particular genres or even a certain year of their career. This is not a comprehensive biography of the man or his entire career, but more of a brief introduction for anyone who might be curious to learn about what to listen for, in scores such as CITIZEN KANE, VERTIGO, JASON AND THE ARGONAUTS and TAXI DRIVER.

Connect with the podcast on Facebook and Twitter:

www.facebook.com/ascoretosettle

https://twitter.com/score2settlepod

Email the show at [email protected]

In this episode, I talk about and present examples of the music of Bernard Herrmann, a legendary, enigmatic and trend-setting figure in film scores, specifically as the Golden Age of Hollywood began to wane and transition into broader styles and textures. I titled this "Listening To..." and plan to revisit this topic with various composers, whether to present attributes of their overall style or focus on particular genres or even a certain year of their career. This is not a comprehensive biography of the man or his entire career, but more of a brief introduction for anyone who might be curious to learn about what to listen for.

In this episode, I continue my conversation with classic soundtrack editor and producer, Neil Bulk. Some of the topics discussed include his beginnings as a soundtrack fan and collector, re-recordings of movie music, fan demands when it comes to album releases from the niche labels and at the end, Neil tries to get me to actually narrow down my favorite scores.

Connect with the podcast on Facebook and Twitter:

www.facebook.com/ascoretosettle

https://twitter.com/score2settlepod

Email the show at [email protected]

In this first episode of the podcast, I talk about Jerry Goldsmith's score for the 1976 science fiction movie LOGAN'S RUN and also begin part 1 of my conversation with classic soundtrack album producer and editor Neil S. Bulk. The discussion includes his work on the archival releases of Danny Elfman's score to 1989's BATMAN and Michael Kamen's music for the LETHAL WEAPON series.

Connect with the podcast on Facebook and Twitter:

www.facebook.com/ascoretosettle

https://twitter.com/score2settlepod

Email the show at [email protected]

In this first episode of the podcast, I talk about Jerry Goldsmith's score for the 1976 sci-fi movie LOGAN'S RUN and also begin part 1 of my conversation with classic soundtrack album producer and editor Neil Bulk, including his work on the archival releases of Danny Elfman's score to 1989's BATMAN and Michael Kamen's music for the LETHAL WEAPON series.