With the aid of their magic amulet, the good folks at Intrada Records have finally located the missing pieces of Jerry Goldsmith’s score for the 1982 animated film The Secret of NIMH. In this new Soundtrack Spotlight, mastering engineer Chris Malone, liner notes writer Jeff Bond, and Intrada's own Roger Feigelson join your humble hosts Jens, Yavar, David, and Clark for an examination of the definitive new presentation of this extraordinary work. You'll hear conversation about why this score sounds richer than ever, what the handful of new cues add to the listening experience, this score's significance within Goldsmith's larger body of work, and much more. As always, you'll hear plenty of illustrative excerpts from the new album along the way. Remember: you can unlock any door if you only have the key, and you can listen to this podcast if you only click the play button.

Here's the track list!

Special thanks to Chris Shaneyfelt for getting us the early LP pressings version of "Jadwiga Relived," from QB VII!

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It's a long road 
when you're fixing First Blood 
And it hurts when 
you have to double dip 

But this new release 
Corrects some notable flaws 
In some crucial ways 
It really rights the ship 

It's a Spotlight 
Your hosts David and Jens, they'll tell ya 
They're here to inform ya 
And they brought some friends 

Roger Feigelson 
And Neil S. Bulk 
Serve as our special guests 
Explain why this new release is the best, 
For you and meeeee 

Cause restoration is long, yeah 
Each step is only the beginning 
They've fixed the speed now 
And added tiny pieces that were missing 

It's a good show 
And it's short as hell 
You should give it a spin 
Before you buy 

Now they've fixed First Blood 
And that's the end of it 
A definitive release that just might 
Make John Rambo cry! 

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It's another Soundtrack Spotlight! This time, your humble hosts Yavar and David are joined by liner notes writer Tim Greiving and mastering engineer Chris Malone for an examination of Jerry Goldsmith's alternately lyrical and chilling score for Robert Mulligan's 1972 horror film The Other. Previously only available on CD as a 22-minute suite, the complete score has been beautifully restored and reveals itself as a yet another remarkable Goldsmith work. In this show, you'll hear discussion of the film's troubled production history and mixed critical reception, the advances in audio restoration tools since the release of the previous album, Goldsmith's eclectic instrumental choices, and much more. Plus, as usual, you'll hear plenty of musical selections from the new album along the way. Unfortunately, the CD sold out long before we were able to get this program to the finish line, but remains available for digital purchase and can be heard via the major music streaming services. So give our Spotlight a listen, or just wait until we learn how to astrally project our thoughts into your mind. Enjoy!

Here is your The Other Soundtrack Spotlight Track List

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With only three days left to pledge your support for a New Recording of Jerry Goldsmith's score to The Chairman on Kickstarter, Jens makes an impassioned plea to all of you to help make it happen.

Click here for the Kickstarter page

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Intrada's new release of Jerry Goldsmith’s original film tracks for Islands in the Stream gave us the opportunity to not only talk about a score the composer regarded as a personal favorite, but also to share memories of Intrada’s beloved founder, Douglass Fake. On this very special Soundtrack Spotlight, the complete Odyssey team — Jens, Yavar, David, and Clark — is joined by Intrada producer Roger Feigelson, shipping manager Jeff Johnson, media consultant Joe Sikoryak, liner notes writer Frank DeWald, and mastering engineer Chris Malone. First you’ll hear a discussion of the new album, including details on the sound improvements this release makes over the original FSM presentation, the integrity of Goldsmith’s work as a complete composition, Intrada’s long history with this score, and more. Following this, the group takes some time to offer personal memories of Doug, who meant a great deal to all of us in different ways. In addition, at the program’s conclusion you'll hear a special bonus: a pair of never-before-released excerpts of past conversations with Doug, teasing the then-unreleased Intrada presentations of Goldsmith’s MacArthur and John Williams’s The Patriot. This is a meaningful one, and we hope you’ll enjoy it.

Islands In the Stream Soundtrack Spotlight Track List

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Say, what's that great big thing, amidst this collection of freshly-lopped heads? Sacre bleu! I's a new regular episode! Longtime friend of the show (and Certified Thriller Expert) Leigh Phillips joins David, Yavar, and Clark to discuss Jerry Goldsmith's music for the Thriller installment "Guillotine," a score that is by turns ominous, slyly beautiful, and darkly playful. The guys examine the score's echoes of other Goldsmith works (particularly Basic Instinct), debate the degree to which the episode is intended as dark comedy, consider the possibility of this score being re-recorded for a potential third volume of Leigh's Thriller series in the future, and much more. So grab a big plate of fresh pancakes, press play, and enjoy!

Thriller: Guillotine Track List!

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In June of 2024, The Austin Symphony offered an evening of live Jerry Goldsmith music containing selections from Gremlins, Star Trek: The Motion Picture, Total Recall, and other beloved scores. A few months later, Yavar and Clark — who were in attendance at the concert, along with Goldsmith Odyssey co-founder Jens — spoke to conductor Peter Bay and principal librarian Ali Verderber about the performance. You'll hear about Peter's long-time passion for Goldsmith's music, Ali's efforts to secure the rights to certain pieces, the difficulty of staging a Goldsmith concert vs. a John Williams program, the pieces that proved most challenging in rehearsals, and much more! It’s a fun and informative chat, and we hope you'll enjoy it as much as we did.

Here is your track list!

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It's always a treat to hear from filmmakers who got to work directly with Jerry, and we're thrilled that director Jonathan Kaplan took the time to share his memories with us. In this wide-ranging Odyssey Interview, Jonathan tells David and Yavar about his father Sol Kaplan's career as a film composer, the thrill of watching Isaac Hayes perform the Truck Turner score, collaborating with Goldsmith on Love Field and Bad Girls, helping James Horner craft the main theme for Unlawful Entry, the budget limitations that led to Brad Fiedel creating a solo electronic score for The Accused, and so much more! This one is a lively, entertaining chat that's loaded with great stories (and plenty of musical illustrations), so we hope you’ll give it a listen.

Track List - Odyssey Interviews - Jonathan Kaplan on Sol Kaplan, Love Field, and Bad Girls

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Our intermittent exploration of Jerry Goldsmith's early radio work continues with a 2-for-1 special: an episode of CBS Radio Workshop that offers brief dramatizations of the Ray Bradbury short stories "Season of Disbelief" and "Hail and Farewell" (both of which are introduced by Bradbury himself). Your humble hosts David, Yavar, and Clark explore the rich, sensitive small-scale scores Goldsmith created for these stories, both of which contain memorable themes and compelling musical ideas. While all three members of the team regard "Hail and Farewell" rather warmly, "Season of Disbelief" prompts some strikingly different interpretations and spirited conversation. We've included the full presentation of both stories within the episode for your consideration, so you can form your own opinions on the matter. If you're looking for something to listen to attempting to grasp the rope of life, give this one a spin! Our hope is that it'll provide a bit of solace when the rope inevitably hisses through your fingers.

The Bradbury Show Track List!

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Jerry Goldsmith's music has been present in multiple Hollywood blockbusters this year, and his musical voice is particularly prominent in John Paesano's score for Kingdom of the Planet of the Apes. In this Odyssey Interview, Yavar and Goldsmith biographer Jeff Bond talk with Paesano about the challenges of finding a middle ground between Goldsmith's iconic original score and the more recent sound Michael Giacchino has established for the series, director Wes Ball's passion for film music, Paesano's slow and steady path to finding success as a film composer, assisting Goldsmith on some of the legendary composer's later film scores, and much more! Whether you're one of our human listeners or an intelligent ape doing research on human musical preferences, we think you'll find this an engaging conversation. Enjoy!

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