The Legacy of John Williams Podcast

Also available as video podcast: https://www.youtube.com/watch?v=-o64j6kNX4I

The Legacy of John Williams presents a new installment of its “Legacy Conversations” series: a look back to Steven Spielberg’s sci-fi epic A.I. ARTIFICIAL INTELLIGENCE, the project long-gestated for decades by genius director Stanley Kubrick and that was meant to be a collaboration between the two legendary filmmakers.

In 2026, A.I. Artificial Intelligence celebrates its 25th anniversary since the release in theaters and it’s time for a proper re-evaluation of both the film and the music score composed by John Williams.

In this in-depth conversation hosted by editor Maurizio Caschetto, film historian and Kubrick expert Filippo Ulivieri (ArchivioKubrick.it) and author/journalist Tim Greiving (John Williams: A Composer's Life) delve into the film’s incredibly complex genesis and development, while assessing the final film’s own merits and the key role of John Williams' score. Both Ulivieri and Greiving are scholars on the subject and dived deep down the immense amount of material housed at the Stanley Kubrick Archives in London in order to recreate the most accurate chronology of the overall creative process by Kubrick and Spielberg and research deeply a project that brought together two masters of modern cinema.

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Watch the 2-part conversation with Maurizio Caschetto and Filippo Ulivieri about the usage of music in Stanley Kubrick’s films and a previous reflection on A.I. Artificial Intelligence at Archivio Kubrick YouTube channel:

The collaboration between director Steven Spielberg and composer John Williams has been staple of modern cinema for more than fifty years. Disclosure Day is the 30th feature film collaboration between Spielberg and Williams. It’s also the first science-fiction film they’re doing since War of the Worlds (2005), a genre in which they’ve done some of their best and most cherished work. It’s also a return to themes and motifs at the basis of two of Spielberg’s most personal and successful films, Close Encounters of the Third Kind and E.T. The Extra-Terrestrial. Beyond the fact that this project would’ve marked a nice round number of film collaborations, both Spielberg and Williams knew that this could’ve also been an ideal round-up, or summation, of their best work in the genre.

Editor Maurizio Caschetto offers a personal commentary about what makes the 30th – and possibly final – collaboration between Steven Spielberg and John Williams a moving statement about who they are and what they believe in as artists, reflecting on decades of awe, wonder and magic created by this unparalled duo.

Read more at https://thelegacyofjohnwilliams.com/2026/08/07/soundtrack-spotlight-disclosure-day/

Anne Akiko Meyers stands among the most influential violinists of our times. A GRAMMY® Award-winning artist with four decades of international acclaim, Meyers is a defining force in the field of contemporary music and has helped reshape the modern violin repertoire. She has been called “the Wonder Woman of commissioning” for her enduring commitment to playing and commissioning music by some of the most important composers of the last half century, including Arvo Pärt, Einojuhani Rautavaara, John Corigliano, Arturo Márquez, Philip Glass, Michael Daugherty, Mason Bates Morten Lauridsen, Wynton Marsalis, Somei Satoh, and Eric Whitacre.

Anne Akiko Meyers is a huge admirer of John Williams since her youth. At age 19, she performed Camille Saint-Saëns's "Introduction and Rondò Capriccioso" at Boston's Symphony Hall with the Boston Pops Orchestra conducted by Williams. In 2018, she performed Williams’s “Theme from Schindler’s List” with David Newman and The American Youth Symphony to honor the composer, when he received a Trustees Award during a gala concert celebrating the Recording Academy’s 2018 GRAMMY Salute To Music Legends. Meyers was part of another recent pivotal moment in Williams’ life, when in November 2025 the Los Angeles Philharmonic announced to name the stage of the renowned Hollywood Bowl after the composer.

In this in-depth conversation, Meyers talks about her career in music and her mission to perform new music by living composers; she offers reflections on Barber's Violin Concerto, which is one of her favourite pieces to perform; she also shares stories and memories of performing with and for John Williams on several occasions, while professing her deep love for the music of the maestro.

Read more at https://thelegacyofjohnwilliams.com/2026/03/27/legacy-conversations-anne-akiko-meyers/

On February 8, John Williams turns 94. It’s always very exciting to celebrate our beloved Maestro for his birthday and this year The Legacy of John Williams has prepared a gigantic tribute in the form of a 2-part podcast special that will hopefully engage and entertain you for a whole weekend of John Williams-themed festivities.

The special is titled Words and Music by John Williams and that’s what you’re going to experience: over the course of two episodes you’ll hear a hefty selection of pieces from John Williams’s immense catalogue interjected with quotes from the Maestro himself, continuing a tradition that The Legacy of John Williams started since its early days. During the course of several decades, John Williams gave countless interviews to the press, sharing his wisdom, knowledge and also his wit on many occasions, illustrating his working process, elaborating on his ideas on music and reflecting on his incredible life journey. John Williams’ words are often as inspiring as his music and his thoughts and ideas speak more eloquently than any commentary one could put together.

The selection you’ll be listening to in this 2-part special contains a wide variety of compositions by Maestro Williams for both film and the concert hall. It has been assembled to avoid the usual greatest hits collection that you can easily find elsewhere, but mostly to offer a broad look at the Maestro’s oeuvre and casting a spotlight on his chamelon-like ability in writing in many different styles while always sounding unmistakeably like himself. It’s not meant to be a chronological overview nor it has pretensions of being exhaustive. It’s curated to create a flowing and emotional musical journey: Take it as a sort of personal playlist that The Legacy of John Williams is sharing with all of you.

Part 1 is available here.

The full track listing available at https://thelegacyofjohnwilliams.com/2026/02/06/john-williams-birthday-special/

On February 8, John Williams turns 94. It’s always very exciting to celebrate our beloved Maestro for his birthday and this year The Legacy of John Williams has prepared a gigantic tribute in the form of a 2-part podcast special that will hopefully engage and entertain you for a whole weekend of John Williams-themed festivities.

The special is titled Words and Music by John Williams and that’s what you’re going to experience: over the course of two episodes you’ll hear a hefty selection of pieces from John Williams’s immense catalogue interjected with quotes from the Maestro himself, continuing a tradition that The Legacy of John Williams started since its early days. During the course of several decades, John Williams gave countless interviews to the press, sharing his wisdom, knowledge and also his wit on many occasions, illustrating his working process, elaborating on his ideas on music and reflecting on his incredible life journey. John Williams’ words are often as inspiring as his music and his thoughts and ideas speak more eloquently than any commentary one could put together.

The selection you’ll be listening to in this 2-part special contains a wide variety of compositions by Maestro Williams for both film and the concert hall. It has been assembled to avoid the usual greatest hits collection that you can easily find elsewhere, but mostly to offer a broad look at the Maestro’s oeuvre and casting a spotlight on his chamelon-like ability in writing in many different styles while always sounding unmistakeably like himself. It’s not meant to be a chronological overview nor it has pretensions of being exhaustive. It’s curated to create a flowing and emotional musical journey: Take it as a sort of personal playlist that The Legacy of John Williams is sharing with all of you.

Part 2 will be available from February 8, 2026.

The full track listing available at https://thelegacyofjohnwilliams.com/2026/02/06/john-williams-birthday-special/

Tim Greiving‘s John Williams – A Composer’s Life, the first major biography on the esteemed American composer and conductor, was released in September by Oxford University Press and has quickly become a reference point for the ongoing studies of Williams’ opus.

Now that the book is out and many fans read it, Tim Greiving returns on The Legacy of John Williams podcast to offer more reflections on his “adventure on Earth,” meeting his idol and spending time with him to tell the incredible story of his life. Joining Tim are two luminaries who also wrote seminal books and papers on the subject of film music and also very welcome returning guests on the show: film music theorist Frank Lehman (author of Hollywood Harmony and the upcoming The Skywalker Symphonies: Musical Storytelling in Star Wars) and writer Doug Adams (author of The Music of The Lord of the Rings Films). In this conversation, the trio of writers engage in a lively talk, commenting on how John Williams’ life story seeped into his own music for both film and concert hall, what it means to meet your heroes and engage with them in conversation and the challenge of writing a biography of a composer who is still contributing new music as we speak.

For more information and the list of musical excerpts, visit https://thelegacyofjohnwilliams.com/2025/11/17/legacy-roundtable-jw-biography/

The landscape of contemporary film music is certainly eclectic and varied, but it feels a lot emptier than in the past if one craves for the classic storytelling-like, leitmotivic-based, orchestral film scores that accompanied many of the great movies of the past... But it's not time to lose hope yet, thanks to the talent of a very young composer who is becoming the "talk of the town" among film music aficionados and has put his name on the map as one of the most promising emerging talents in Hollywood: composer Cameron Moody.

Cameron Moody is an American composer, conductor, and trumpeter based in Los Angeles, CA. His distinctive utilization of the symphony orchestra has given way to a varied resume, with project genres in film and television ranging from action and documentaries to romance and comedies. He recently composed the score for the Hulu original limited series Washington Black, an epic tale of courage, adventure and freedom accompanied by an ambitious symphonic score in the style of John Williams, who is one of Cameron's role models and whose music inspired him to become a film composer. 

Cameron was also a frequent collaborator of Emmy-nominated and Pulitzer Prize-winning composer Michael Abels, composing additional music on scores such as Disney’s Star Wars: The Acolyte—for which he also served as a conductor.

In this conversation, Cameron sits down with The Legacy of John Williams to talk about his deep love for the music of the Maestro, reminiscing how crucial it was for his upbringing as a child and how it shaped his dreams to become a fully fledged film composer. He also talks about his incredible journey that brought him to Hollywood, the joys and the challenges of writing new Star Wars music and his expansive work for the limited series Washington Black.

For more information: https://thelegacyofjohnwilliams.com/2025/10/31/cameron-moody-podcast

Washington Black music featurette: https://youtu.be/ySWqCtiqX3w?si=tGvsOPZTRhd6v77H

Among the many recordings that celebrated the music of John Williams over the last few years, one in particular has been perhaps the most surprising and unexpected: conceived and produced by Robert Townson, John Williams Reimagined is a sprawling collection of the Maestro's music transcribed for the unusual chamber trio of flute, cello and piano, performed by three world-class soloists: flutist Sara Andon, cellist Cécilia Tsan, pianist Simone Pedroni. 

John Williams Reimagined is a 2-CD set album featuring more than 150 minutes of music: it's a wide selection of themes and pieces from many scores by John Williams scores including E.T. The Extra-Terrestrial, Star Wars, Harry Potter, Jurassic Park, Schindler's List and also features some real "deep cuts" from the composer's repertoire like The River, Images and Jane Eyre, performed and interpreted with great sensitivity in the unique setting of a chamber trio of flute, cello and piano. The album was released in 2024 by Warner Classics and was greeted with great acclaim.

Now the trio is about to go on a mini world tour: John Williams Reimagined will play in Rochester, NY on 18th October (as part of the Soundtrax Film and Music Festival), Dusseldorf, Germany on 22nd October, London Cadogan Hall (UK) on 27th October and Paris, France on 28th October. Tickets and info: https://go.evvnt.com/3251881-0 (Rochester, NY), https://overlook-events.com (Europe).

On the eve of their live performances, Sara Andon, Cécilia Tsan, Simone Pedroni and producer Robert Townson sit down with The Legacy of John Williams for a lenghty conversation about the genesis of the John Williams Reimagined project and how it all came together, while also sharing their love and admiration for the Maestro's music.

For more information, visit https://thelegacyofjohnwilliams.com/2025/10/16/john-williams-reimagined-podcast

Mark Graham is Hollywood’s first-call “music prep man” and a name trusted by the entire community when it comes to the preparation and the recording of film scores, having worked as orchestrator, conductor, head of music prep, librarian and copyist on literally thousands of film and television projects. The head of music preparation is one of the most important member of the team that creates a film soundtrack and, together with the music editor, is often the composer’s right-hand person. He started to collaborate with John Williams in the late 1990s as part of the music prep team, taking the mantle from Williams' longtime trusted music preparator and librarian JoAnn Kane (who founded JoAnn Kane Music Service in the mid-1980s, the leading music preparation company for virtually the whole industry). Graham inherited JoAnn Kane Music Service and became the owner of the company, becoming Williams’ right-hand man for music preparation of all of his works. During all these years, Mark collaborated very closely with Williams in a key position, seeing first hand his working method and becoming a trusted colleague who ensured that everything would always go smoothly and efficiently.

In addition to his work for John Williams, Graham also worked as orchestrator and conductor for such composers as Alan Silvestri, John Debney, Alexandre Desplat and Theodore Shapiro. As head of music preparation, he worked on an impressive series of successful films, including such all-time box office hits as Avengers: Endgame and Avatar: The Way of Water.

Mark sits down for a rare conversation with The Legacy of John Williams to talk about the path that led him to become the leading music preparator in Hollywood and to his collaboration with John Williams, telling stories and anecdotes about his three decades of work for the Maestro and sharing the unique insight he collected over the years by being one of Williams’ closest and most trusted colleagues.

For more information, read at https://thelegacyofjohnwilliams.com/2025/09/30/mark-graham-podcast/

As promised during his latest talk, GRAMMY-nominated soundtrack producer Mike Matessino returns to The Legacy of John Williams podcast to discuss more about the historical 50th anniversary soundtrack edition of Jaws, but also to present another archival reissue from John Williams' catalogue: the suspenseful score for the 1977 thriller Black Sunday, finally back in print in a newly remastered edition courtesy of La-La Land Records. Matessino also takes the chance to comment about his involvement in John Williams - The Anthology, a lavish retrospective boxset from Sony Classical whose first volume has been released last July.

In this new conversation, Mike Matessino goes further in the depth of his restoration work for the Jaws 50th Anniversary soundtrack, addressing both the challenges and the joys of this venture; after that, he talks about his remastering of Williams' tense score for Black Sunday, for which he also offers a new assessement on its artistic value. The talk is rounded off with commentary on the John Williams Anthology boxset and a tribute to Kurt-Hans Goedicke, former legendary Principal Timpani of the London Symphony Orchestra, who recently passed away and whose epic and formidable sound graced classic Williams scores recorded in London including the original Star Wars trilogy, Superman, Dracula, Raiders of the Lost Ark.

Read more at https://thelegacyofjohnwilliams.com/2025/09/16/soundtrack-spotlight-jaws50-black-sunday-jw-anthology/