Composer, lyricist, librettist Leslie Bricusse (1931-2021) is one of the most talented and versatile musicians who worked in movies and musical theatre in the second half of the 20th century. His gift both for melody and catchy lyrics kept his works popular throughout the decades. Bricusse is well known to fans and admirers of John Williams for their collaborations on such pivotal and successful projects as Superman: The Movie (1978), Home Alone (1990) and Steven Spielberg’s Hook (1991), but also for the film musical Goodbye, Mr. Chips (1969), for which Williams did a magnificent work of adaptation, arrangement and orchestration of Bricusse’s lovely song score.

Bricusse passed away suddenly last October at the age 90 and we tribute his memory and his artistic achievements with this podcast episode featuring Soundtrack Producer Mike Matessino, who worked on many restorations of Bricusse’s scores (Doctor Dolittle and Goodbye, Mr. Chips, among others) and was also a personal friend, offering an in-depth overview of Leslie’s career and his collaborations with John Williams.

For more information, visit https://thelegacyofjohnwilliams.com/2022/01/29/remembering-leslie-bricusse/

The Legacy of John Williams is proud to present this special podcast episode dedicated to the legendary Los Angeles studio musicians who performed in dozens of film soundtracks by John Williams, including such iconic scores as Jaws, Close Encounters of the Third Kind, E.T. The Extra-Terrestrial, Hook and Jurassic Park.

L.A. STUDIO LEGENDS – The Reunion explores the unparalleled contribution that the great Los Angeles-based studio players brought to many of John Williams’ film soundtracks and recordings in a conversation with some of those world’s most legendary studio musicians who performed in principal roles on dozens of his scores recorded in Hollywood from the late 1960s until recent years: Flutists Louise Di Tullio and Sheridon Stokes, Pianist and Keyboardist Ralph Grierson, Trumpet player Malcolm McNab, French Horn player James Thatcher and Tuba player James Self. Joining the conversation is esteemed Conductor (and former studio Violinist) Richard Kaufman, one of the world’s leading interpreters of film music repertoire and also a personal friend of Maestro Williams.

This spectacular ensemble of talented musicians, reuniting for the first time in years, offers a precious perspective on John Williams’ musicianship as a composer and conductor, recollecting the unforgettable performances on such classic film scores as Jaws, Close Encounters of the Third Kind, E.T. The Extra-Terrestrial and Jurassic Park among others and sharing many of their fond memories of playing for Maestro Williams. The event is hosted by The Legacy of John Williams’ Editor-In-Chief Maurizio Caschetto and Head Contributor Tim Burden.

More info: https://thelegacyofjohnwilliams.com/2021/12/23/l-a-studio-legends-the-reunion-video

Link to video version: https://www.youtube.com/watch?v=-ANAJK-hu_s

Among the collaborators who worked with John Williams during his long and distinguished career, Alexander Courage (1919-2008) certainly holds a very special place. Composer, arranger, orchestrator and conductor of rare skill and incredible bravura, Alexander Courage (affectionately named "Sandy" by his family and closest friends) is considered one of the best and most revered musicians who ever worked in Hollywood at least since the 1940s.

His association with John Williams started way back in the mid-1950s, when Courage requested a young man named Johnny Williams to perform as pianist for the soundtrack of the 1957 film musical Funny Face starring Fred Astaire and Audrey Hepburn. Courage recommended Williams to Deutsch for orchestration duties on Some Like It Hot. Williams often spoke of Courage's importance as an arranger and orchestrator for the great MGM musicals of the 1950s, comparing him to great arrangers like Robert Russell Bennett and Conrad Salinger for his uncanny ability in creating a unique orchestral sound.

Courage's collborations with John Williams continued also throughout the following decades. In 1970, Courage joined Williams as an orchestrator on Fiddler On The Roof, for which the composer won his first Academy Award (and thanked Courage during his speech). Courage also contributed orchestrations for The Poseidon Adventure (1972), The Cowboys (1972) and also some of Williams' blockbuster scores of the era including Superman and Return of the Jedi. One of their key collaborations was for the 1987 film Superman IV: The Quest For Peace, the last starring the beloved Christopher Reeve as the Man of Steel. Among his orchestration credits for John Williams are also major blockbuster scores including Home Alone, Hook and Jurassic Park.

We're very honoured to have Alexander Courage's stepdaugher Renata Pompelli as the special guest of The Legacy of John Williams podcast to honour and celebrate Sandy's memory and legacy on the day of his 102nd birthday (December 10). Renata is the family's custodian of memories and historian In this conversation, she shares many affectionate memories of Alexander Courage, both as a man and as a musician, offering an intimate, caring and lovely portrait of one of Hollywood's true (and perhaps lesser-known) musical geniuses, including his long-standing friendship and working relationship with John Williams.

For more info, visit https://thelegacyofjohnwilliams.com/2021/12/10/legacy-conversations-alexander-courage/(opens in a new tab)

Soundtrack label La-La Land Records just released a spectacular new limited edition of one of the cornerstones in John Williams’ filmography. Fiddler On The Roof 50th Anniversary Remastered Edition is the most comprehensive and detailed release ever assembled of the soundtrack for the film adaptation of the beloved Tony Award-winning Broadway musical written by Jerry Bock and Sheldon Harnick, produced by the great Harold Prince and directed for the stage by Jerome Robbins on a play by Joseph Stein. The 1971 film version was directed by Norman Jewison and it features a phenomenal adaptation score by John Williams, who won his very first Academy Award for his work on this film.

This new release presents a restored and remastered version of the popular soundtrack album, with alternates and newly-discovered material presented across an expansive 3-CD set. La-La Land Records’ lavish release, in time for the film’s 50th anniversary, is a wonderful opportunity to revisit a very important milestone in John Williams’ rich filmography.

In this special episode of The Legacy of John Williams podcast, producer Mike Matessino returns to talk with Maurizio Caschetto and Tim Burden about Fiddler On The Roof and its place in John Williams’ filmography, while also reflecting on his own personal connection to the film and the original musical and why they’re still relevant to today’s audiences, John Williams' love affair with the violin and the many aspects that makes this release very special for fans and admirers of the Maestro.

Learn more at https://thelegacyofjohnwilliams.com/2021/12/03/fiddler-on-the-roof-podcast-pt1/(opens in a new tab)

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Thanks to Mike Matessino, MV Gerhard and Matt Verboys

Order Fiddler On The Roof 50th Anniversary Remastered Edition on La-La Land Records: https://bit.ly/3d2XWDt

Music Excerpts featured in the podcast © 1971, 2021 Metro-Goldwyn-Mayer Studios Inc. under exclusive license to Capitol Records LLC. All Rights Reserved. Used under permission

Pianist Mike Lang certainly doesn't need much introduction among the legendary musicians who performed on film and television soundtracks in the last 50 years. He represents the epitome of the greatness and versatility of the studio musician in several different ways, having performed with virtually all the greatest film composers since the 1960s in more than 2,000 film scores, in many cases as first pianist and keyboardist, but also with an impressive slew of iconic recording artists. Lang's resume is one of the most impressive among any living musician on the planet.

Lang's career as pianist for film scores is the stuff of legend. He performed in thousands of film and television soundtracks serving virtually all the legendary film composers of the last 50 years including John Williams, Jerry Goldsmith, Elmer Bernstein, John Barry, Henry Mancini, Michel Legrand, Bill Conti, Hans Zimmer, Howard Shore, Danny Elfman, James Newton Howard.

Mike Lang's collaborations with John Williams started in the early 1970s and continued until the very recent years, playing in scores like The Towering Inferno, The Eiger Sanction, Close Encounters of the Third Kind, 1941, Indiana Jones and the Temple of Doom, Always, Hook, Rosewood, Catch Me If You Can and many others.

In this wide-ranging, fun conversation, Mike sits down with The Legacy of John Williams' Editor Maurizio Caschetto and Head Contributor Tim Burden to talk about his unparalleled career as one of the most sought-after studio musicians in the history of music, not just film scores, reminiscing on his beginnings, his training and his early years playing for film composers, including John Williams. Mike also offers his own unique insight about Williams' musicianship, the Maestro's skills as pianist and the evolution of his career, while pondering also on the life as a studio musician with all its unique aspects and idiosincracies.

For more information, visit https://thelegacyofjohnwilliams.com/2021/11/16/mike-lang-podcast

French Horn player Sarah Willis is member of the Berlin Philharmonic since 2001 and she's one of the most generous musical citizen of the world. In addition to being one of the most talented and distinguished French Horn players in the world, she's a true music ambassador of her instrument and a devoted and joyful educator, sharing her deeply passionate love for music and music-making with a worldwide community that's growing bigger every day.

Sarah Willis is a gigantic fan of John Williams and his music since 1977, when she saw Star Wars for the first time with her family. As a member of the Berlin Philharmonic, Sarah was part of the historic concerts that John Williams conducted in Berlin, an experience she doesn't hesitate to define as one of the most joyful she ever had as a musician. This is the main topic of the conversation Sarah had with The Legacy of John Williams for this new episode of the Legacy Conversations video series, where she sat down with editor Maurizio Caschetto and head contributor Tim Burden to recollect the joy and happiness of working for a full week with Maestro Williams, but also the challenges of playing a very demanding repertoire especially for the horn section. Sarah also illustrates what makes John Williams' music so special for the horn player, sharing anecdotes and stories from the rehearsals and the whole experience, but more importantly communicating her deeply contagious love for music and music-making.

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For more information:

Sarah Willis Official Website:

Distinguished author Emilio Audissino talks about his acclaimed book The Film Music of John Williams - Reviving Hollywood's Classical Style, the first and only monograph book in English language dedicated to the music of Maestro John Williams, now updated and revised in a newly published second edition from University of Wisconsin Press.

In this conversation, Audissino talks about the process that brought him to write a book on John Williams and the specific angle he chose, focusing on the composer's revival of Hollywood's classical symphonic style through the film scores of such movies as Jaws, Star Wars and Indiana Jones, adding his own thoughts on the burgeoning study work on John Williams' music by academic professors and researchers across the globe that happened in the last few years. Audissino also talks about updating the second edition with a new chapter dedicated to the film/music analysis of Williams' gothic score for John Badham's Dracula (1979). Joining the conversation is music theorist Frank Lehman, another distinguished scholar who devoted a lot of his field work to the music of Maestro Williams.

For more information, visit https://thelegacyofjohnwilliams.com/2021/09/24/legacy-conversations-emilio-audissino/(opens in a new tab)

The restoration of Maestro John Williams’ rich filmography adds another pivotal item to its ongoing process of “future proofing”. Intrada Records has just released a 2-disc expanded edition of one of the Maestro’s most interesting and diverse scores of his pre-Jaws era: The Eiger Sanction, written for the 1975 alpine thriller directed by and also starring Clint Eastwood, in his one and only collaboration with the composer. The new release is produced and remastered by Mike Matessino, who continues to be the ultimate guardian of John Williams’ film score presentations through his universally admired painstaking methodology of soundtrack restoration, preserving the Maestro’s work for all future generations in the best and most accurate way.

The original soundtrack album issued on MCA Records at the time of the film’s theatrical release was a re-recording where Williams selected cues from the score expanding and repurposing them for a more cohesive listening experience. The brand-new 2-CD release by Intrada Records presents both a remastered version of the 1975 MCA soundtrack album and the premiere release of the original film recording, featuring a great deal of unreleased music, including never-before-heard material that was written and recorded for a longer cut of the film. All the material has been painstakingly restored and remastered by Mike Matessino. The end product is a wonderful musical journey that puts a well-deserved spotlight on one of John Williams’ lesser-known yet most fascinating and diverse scores to be found in his long and rich filmography. 

In this conversation, Mike Matessino returns to The Legacy of John Williams podcast to present this new 2-disc expanded edition of John Williams’ score for Clint Eastwood’s alpine thriller, spotlighting and documenting his own unique restoration work while offering thoughts and insights on the Maestro’s music for the film.

For more information, visit https://thelegacyofjohnwilliams.com/2021/08/10/the-eiger-sanction-podcast

If you’ve heard an exquisite solo cello while watching a big Hollywood movie of the last 25 years, it’s very likely that you were listening to the stunning musical talent of Stephen Erdody. He’s one of the most distinguished and talented cellist working in the studio world, but also a very fine classical musician who have spent many years playing with symphony orchestras and chamber groups. His impeccable playing impressed also Maestro John Williams, who appointed him as principal cello of all his recordings in Los Angeles since 1999 until today.

Stephen Erdody performed cello solos for John Williams on such scores as Angela's Ashes (1999), A.I. Artificial Intelligence (2001), Munich (2005), War Horse (2011) and The Book Thief (2013). He performed a duet with world-renowned cello superstar Yo-Yo Ma on the score for Memoirs of a Geisha, and also was 1st cello on the Star Wars sequel trilogy produced by Disney. In addition to film scores, Erdody was also principal cello on various recording projects, including the albums American Journey (2002), Yo-Yo Ma Plays the Music of John Williams (2002) and The Spielberg-Williams Collaboration Vol.3 (2017).

Steve is the most renowned studio cellist working in Hollywood today and has recorded hundreds of film and television scores with many top film composers including Hans Zimmer, James Newton Howard, Danny Elfman and Ludwig Goransson. You can hear some of Steve’s lovely solos on such scores as I Am Legend (James Newton Howard, 2009), The Pacific (Hans Zimmer, Geoff Zanelli & Blake Neely, 2010), August Rush (Mark Mancina, 2009). 

In this conversation, Steve talks in-depth about his distinguished career as Hollywood’s preferred principal cello and his many collaborations with John Williams on such scores as Angela’s Ashes, Munich, Memoirs of a Geisha, War Horse and many others, offering his own deep thoughts and reflections about the uniqueness of Maestro Williams’ music and the role of the cello in his scores, telling many stories and anecdotes from decades of recording sessions with him.

For more information and a list of musical excerpts go to https://thelegacyofjohnwilliams.com/2021/07/26/stephen-erdody-podcast

As we reach the middle point of 2021, fans and admirers of John Williams have more than a reason to be happy and cheerful at the moment. A couple new CD releases present two of Maestro Williams's most unique and varied scores of his extensive filmography: the first official commercial edition of the soundtrack for Robert Altman's disturbing and fascinating cult classic from 1972 Images (released by Quartet Records) and a newly expanded edition of the score for Steven Spielberg's 1989 aviation drama Always (released by La-La Land Records). Both titles have been meticulously restored and remastered by soundtrack producer Mike Matessino, who continues to be the ultimate guardian for what he called the "future proofing" of John Williams' invaluable musical legacy in terms of album releases.

Images is one of Williams' most original and groundbreaking scores of his entire career, while Always showcases the Maestro's more intimate and quiet musical persona.

In this new exclusive audio interview, Mike Matessino talks with The Legacy of John Williams about the restoration of these new editions of John Williams' Images and Always, focusing on the respective places of these scores in Williams' filmography, offering his own always deep thoughts about both movies and their scores, spotlighting his methodology and creative decisions in producing these new stellar albums that should belong in the soundtrack collection of any student of John Williams' music. The discussion features various exclusive audio clips from both releases.

For more information, visit https://thelegacyofjohnwilliams.com/2021/06/24/mike-matessino-always-images-podcast