In this episode of A Table in the Corner, the tables are turned as I sit down with my friend, collaborator and occasional culinary guinea pig, Jonathan Warncke. Best known as chairman of the South African Podcasters Guild, Jonathan has recently stepped into the food world as my co-host on Table for Two, our new YouTube series exploring some of Cape Town’s most interesting restaurants. 

We talk about the origins of the show, why a self-confessed fussy eater who had never tasted oysters, prawns or mussels agreed to become the audience proxy on a food programme, and what happens when curiosity collides with a tasting menu. Jonathan reflects on his first encounters with ingredients he’d spent a lifetime avoiding, and why some experiences have changed his mind while others have only confirmed his suspicions. 

The conversation also wanders through his years living in Japan, his love of restaurants despite his selective palate, the surprising nuances of taste, and the strange experience of being recognised in public only weeks after Table for Two launched. Along the way we discuss food media, restaurant culture, the future of our growing collection of video projects and why great hospitality is about far more than what lands on the plate. 

If you've watched Table for Two and wondered who the guy in the red glasses is, this is your chance to find out.

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay

In this episode of A Table in the Corner, I sit down with restaurateur Ricky Simon, the driving force behind Cape Town favourites Three Wise Monkeys, Una Más and the soon-to-opened Ora in Sea Point.

Ricky grew up in the restaurant business. His father introduced the Mongolian barbecue concept to South Africa in the late 1980s, and some of Ricky’s earliest memories are of restaurant kitchens, dining rooms and the rhythms of hospitality. That upbringing shaped the way he thinks about food, service and the experience of eating out.

Our conversation explores what makes a restaurant work beyond the food on the plate. We talk about location, atmosphere, community and why some restaurants become institutions while others disappear within a few years. Ricky shares his philosophy of creating smaller, more intimate spaces, building long-term relationships with staff and guests, and designing restaurants that people genuinely want to return to.

We also discuss the evolution of Three Wise Monkeys, the lessons learned from a decade of trading in Sea Point and the thinking behind Ora, his new Mediterranean-inspired project that draws influence from across the countries that touch the Mediterranean rather than following a single culinary tradition.

Along the way, we chat about family businesses, staff retention, restaurant culture and the realities of a profession that demands long hours, personal sacrifice and a genuine love of looking after people.

It’s a conversation about hospitality as craft, restaurants as places of memory and why the best operators are often thinking about much more than what’s on the menu. 

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay

In this episode of A Table in the Corner, I sit down with charcutier Richard Bosman to talk about Hunt & Gather, the new biltong project he has developed with Jerome Gluckman.

Richard has spent years working with cured meats, preservation and the science behind flavour. With Hunt & Gather, he turns that knowledge towards one of South Africa’s most iconic foods, asking what biltong might look like if it were made with fewer shortcuts and a much cleaner ingredient list.

We talk about grass-fed beef from the Eastern Cape, probiotic cultures, polyphenols extracted from fruit and why so much packaged biltong contains ingredients most people would not expect to find there. Richard explains how the product is designed to retain the flavour and texture of traditional biltong while avoiding chemical preservatives, gluten and the batch-pack approach common in commercial production.

The conversation also reaches back to Ötzi the Iceman, early forms of preserved meat and the long human history of drying, curing and carrying protein. From there, we get into mould, shelf life, Worcester sauce made from scratch and the practical challenge of taking a cleaner, more considered biltong to market.

It’s a conversation about craft, chemistry, curiosity and a South African staple being rethought by someone who understands preservation from the inside. 

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay

In this episode of A Table in the Corner, I sit down with Alex Windebank of Farro, the small, open-kitchen restaurant just off Dunkley Square that recently had to close when the building’s utilities were cut due to unpaid municipal debt by the landlord. Fully booked services had to be cancelled overnight, income dried up like the taps, and there was no clear timeline for reopening.

We get into what that actually meant on the ground. Not the headline, but the day-to-day reality of a small, owner-run restaurant operating on tight margins. Staff to consider, guests to manage, debts still due. It’s a sharp reminder of how exposed independent restaurants are to forces outside their control.

Alex also traces the path that brought him and Eloise here, from London kitchens to Johannesburg, and eventually to Farro in Cape Town. It’s a business built from scratch, without backing, shaped by hard decisions about how and where to operate.

At its core, Farro is a partnership. Alex cooking simply and precisely, Eloise running the room, both present and hands-on. And when things went wrong, it was the wider restaurant community that stepped in, offering support in practical ways that kept them going.

A conversation about resilience, risk and what it takes to keep a small restaurant alive.

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay

At The Kraal Restaurant on Joostenberg Farm, Susan Dehosse is cooking from a place that predates current trends around farm-to-table experiences. In this episode of A Table in the Corner, we talk about how a working farm, a family legacy, and a career shaped in European kitchens come together in a restaurant that feels both grounded and personal.

Susan traces her path from early training in Stellenbosch and at Le Quartier Français to the discipline of London’s 3 Michelin starred Waterside Inn, before returning to South Africa to help build restaurants during the early wave of post-1994 growth. Alongside her husband Christophe, she played a role in explosion of Western Cape restaurant culture. 

At Joostenberg, that experience is filtered through something more instinctive. The Kraal sits on the family farm where her grandmother once cooked simple meals in the post-war years so the family could keep the farm. That thread of practicality and generosity still runs through the food today, but it’s balanced with classical technique and a lighter, more considered approach to structure and flavour.

The conversation also moves through the growth of Klein Joostenberg Bistro & Deli, the realities of building a sustainable farm business, and the importance of people in long-term operations. Susan speaks candidly about stepping into her own space at The Kraal, supported by a team that has grown with the business over decades.

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay

In this episode of A Table in the Corner, I chat to PJ Vadas at his Smokehouse & Bakery on Spier Wine Estate. We talk plainly about what it actually costs to keep a restaurant running, and why so many operators are under pressure right now.

From refrigeration repair invoices that spiralled to over R100k to the constant recalibration of menus, staffing and pricing, PJ lays out the economics behind the plate. It’s a frank look at an industry where margins are tight, expectations are high, and every decision, from ingredient sourcing to glassware, has a cost attached. 

We follow his journey, from the fine dining intensity of The Roundhouse to building a large, broader operation at Spier. PJ explains why he moved away from fine diners, how diversification across bakery, retail and casual dining helps stabilise the business, and why one well-run, high-volume restaurant can offer more control than multiple smaller sites.

There’s also a frank take on kitchen culture, training and the realities of learning the craft. PJ speaks about time spent in demanding kitchens, the value of discipline, and the difference between pressure that builds skill and environments that simply break people down.

What emerges is a practical philosophy: know your numbers, charge what you need to survive, and build a restaurant that fits your life, not the other way around.

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay

In this episode of A Table in the Corner, Russel Wasserfall sits down with chef Adél Hughes and artist-host Liebet Jooste, the couple behind Seebamboes. Their restaurant, tucked above Galjoen on Harrington Street, forms part of the same restaurant family as Belly of the Beast.

The conversation explores how Seebamboes operates as a collaboration between kitchen and dining room. Adél cooks with ingredients that arrive from small producers, fishermen and foragers, often shaping dishes around what turns up that day. Liebet, drawing on her background as a visual artist, guides guests through the meal, helping frame the experience and the stories behind the ingredients.

Russel traces how the project began with a small takeaway operation in Betty’s Bay before finding a home in Cape Town. Along the way the discussion touches on West Coast foodways, the use of seaweeds and coastal plants, and the realities of cooking with ingredients that are seasonal, unpredictable and deeply tied to place.

It’s a conversation about storytelling through food: how a menu becomes a narrative, how chefs and front of house work together to shape the experience, and how a meal can reconnect diners with the landscapes and ingredients that surround the Western Cape coast.

Seebamboes will also feature in an upcoming Table for Two episode on the A Table in the Corner YouTube channel. Launching in early May, the new video series sees Russel and co-host Jonathan Warnke visiting some of their favourite Cape Town restaurants, sharing the experience of the meal from two perspectives: one from inside the hospitality industry, and one from the curious diner at the table.

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay

On this episode of A Table in the Corner, Russel sits down with Odette Olivier, head chef of the Harrington Street tasting-menu restaurant Belly of the Beast.

Odette talks about how she found her way into professional kitchens, from an early instinct to cook through culinary school and the formative years that followed in hotels and lodge kitchens. She also reflects on the influence of the late chef Ian Bergh of De Grendel Restaurant, whose mentorship helped shape her approach to cooking and to running a kitchen.

The conversation then turns to life inside Belly of the Beast, where a frequently changing set menu and an open kitchen create a particular rhythm to service. Odette describes the challenge of cooking a tightly choreographed tasting menu night after night, and how the small team keeps the kitchen calm and focused while working through multiple courses for every table.

Russel and Odette also discuss the realities of running a small restaurant in Cape Town today, including the growing problem of no-shows and how they affect independent restaurants operating with limited seats.

Finally, Odette shares a glimpse of what’s coming next for the Harrington Street group, which currently includes Belly of the Beast, Galjoen and Seebamboes. Two new restaurants, No Show and Quagga, are set to open in the next season, expanding the group’s presence in the East City Precinct.

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay

On this episode of A Table in the Corner, Russel sits down with Jesper Nilsson, the Swedish-born chef behind Ëlgr, his popular restaurant on Kloof Street.

Jesper’s cooking carries the clarity and discipline often associated with Scandinavian kitchens, but it’s firmly rooted in the produce and rhythm of Cape Town. The result is a restaurant that isn’t Nordic transplanted into South Africa, but something shaped by both places: restrained, ingredient-led cooking in a relaxed dining room where regulars gather as easily for a pizza and beer as they do for a date night meal.

In the conversation, Jesper traces his journey from chef school in Sweden to training locally at the International Culinary Academy, cooking in Franschhoek and eventually returning from Sweden to open Ëlgr at just 28 years old. He reflects on how his time at Malmö restaurant ‘Bastard’ reshaped his thinking about kitchen culture, leadership and the collaborative structure that now defines his team. 

Russel and Jesper also talk about the craft behind the menu – from house-made charcuterie and fermentation projects to the unexpectedly beloved pizzas – and about the discipline required to maintain consistency after four consecutive Eat Out Restaurant Awards one-star ratings.

It’s a conversation about how a chef’s identity forms: what you carry with you from where you grew up, what you learn along the way, and how those influences settle into a restaurant that reflects both the cook and the city around it.

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay

On this episode of A Table in the Corner, Russel sits down with Ella Rykaart, the front-of-house force behind Rykaarts, the small, atmospheric restaurant she runs with her husband, chef Alex Rykaart, on Longridge Wine Estate.

While chefs often take the spotlight, this conversation turns the focus toward the other half of the restaurant equation: hospitality. Ella reflects on her path from studying winemaking to discovering the pull of restaurant life, working under respected restaurateur Neil Grant, learning the realities of kitchens with George Jardine, and later refining her understanding of service and restaurant logistics alongside Christophe and Susan Dehosse.

The conversation explores what front-of-house leadership really means: building teams, managing expectations, creating a relaxed dining environment, and balancing the fine line between attentive service and simply allowing guests to enjoy themselves. Ella also speaks candidly about changing perspectives on hospitality, authenticity in restaurant culture, and why not every dining experience needs a carefully narrated story.

Set against the sweeping vineyard views of Longridge, this episode looks at the quieter craft of running service, and the role hospitality and setting play in shaping the experience of a restaurant.

• www.rwm2012.com
• On Instagram @a_table_inthecorner
• Cover image sketched by Courtney Cara Lawson
• All profile portraits by Russel Wasserfall unless otherwise credited
• Title music: 'In Time' by Olexy via Pixabay