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liReading Nava-vraja-mahimā Vol.5 pg 29-32/li
liKṛṣṇa’s head is pleasurenbsp;(priya), His right side is joy (moda), His left side is delight (pramoda), and His identity is bliss (ānanda) → Kṛṣṇa is ānandamaya-puruṣa/li
liThere are repeated references to the flute playing itself/li
liThe importance of feeling separation from Kṛṣṇa – not as Rādhā and Kṛṣṇa feel from each other but as we are in the material world and we shouldn’t be here/li
liChant the Hare Kṛṣṇa mantra as a child calling for his mother/li
liTo degree one feels separation from Kṛṣna to that degree one feels humility, and to the degree one feel humility to that degree one’s love for Kṛṣṇa will develop/li
liThe tastes of separation and union are the polarity that is in the spiritual world/li
liSeparation manifests painful symptoms of ecstasy, but still Kṛṣṇa and devotees prefer it as the feelings are more intense and more ecstatic than in union/li
liThe gopis teasing Kṛṣṇa about His loosing His blanket/li
liDurvāsā receives Kṛṣṇa’s blanket/li
liThe importance of honouring Kṛṣṇa ’s remnants/li
/ul