The Australian artist Sally Smart talks about her planned exhibition and the impact of COVID-19 on artists worldwide. For Home is Where the Art Is, we journey to Polynesia to learn about a garment from Tuvalu called the titi, and we meet renowned APY Lands artist, Robert Fielding.

Writer and comedian Ben Elton's career in the arts began in the turbulent 1980s and he has worn his passions and politics on his sleeve ever since.

Also, we meet the choreographers behind the viral hit "art film" Black Swan from K-pop megastars BTS and discuss the impact of COVID-19 on the performing arts sector.

Award winning memoirist and pianist Anna Goldworthy's foray into fiction, twice Booker shortlisted novelist Chigozie Obioma, and Charlotte Wood gives writing advice.

The rest of the year will be held behind closed doors.

Lo-fi social-realist director Ben Wheatley talks about his latest film about a miserable family reunion. Plus, a look at Australian drama and this uncertain world of streaming, and a survey on cinema on the flim-flam.

We speak to a couple of art experts who insist you don't need to be a big spender to get started collecting art, drop by the studio of Australian artist Patricia Piccinini, and hear about a very special piece of art that connects Melbourne man Guido Melo to Brazil.

Missy Mazzoli says she composes opera to connect people in a profound way. She joins us ahead of the Australian premiere of her adaptation of Lars Von Trier's Breaking the Waves at the Adelaide Festival.

Also, new cast members fly into the Wizarding World of Harry Potter and the Cursed Child, and we delve into William Shakespeare's Hamlet for our High School Playlist series with members of the current Bell Shakespeare production and students.

The 23rd Poet Laureate of the United States, Joy Harjo belongs to the Muscogee Creek Nation and is also a musician and playwright.

Are there any squares to spare after shoppers stock up for coronavirus crisis? Plus, Judith Lucy is overwhelmed and dying (unrelated to COVID-19)

Key British filmmaker Peter Strickland opens up about his new film, a surreal department store horror. Plus, a look at feel-bad TV and streaming in the global marketplace.