Because we are three years away from the bicentennial of Cyrill Demian’s patenting of the accordion, for this episode, observing this year’s “Accordion Day” (when you’re like us, every day is accordion day), Bruce has lined up a set of squeezy songs involving the number three. (Because there are simply quite a bit fewer songs about the numbers 197 or even 200.) If your Apple or YouTube or iHeartRadio (or plain old RSS) podcast subscriptions (strongly recommended!) haven’t alerted you to this Accordion Noir episode’s availability yet, you can enjoy listening to it as digital audio courtesy of the Internet Archive. If you haven’t yet, please consider making a pledge to our parent radio station CFRO for its membership drive! And now, here’s the playlist of this week’s episode:
AccNoir–2026-05-06, Three Years ‘Till The Bicentenial
Celebrating International Accordion Day 2026!
Three years before the big 1829–2029 Bicentennial
Who knows what we’ll do for that? But tonight’s episode features all songs and tunes in the theme of “Three”. In anticipation of that big date in 2029.
I guess it’s Accordion Year in Germany already this year? They may be celebrating early, or might have wanted to push a nationalist narrative about other inventors who contributed along the way. Christian Buschmann gets attention without much evidence to back it up.
https://accordions.news/instrument-of-the-year-2026-accordion-in-the-focus-of-two-special-exhibitions-germany/
But Cyrill Demian’s 1829 patent in Vienna clearly says “Accordion” so it’s an easy birth-certificate to point to and we’re going with it.
Really, the most important innovation was back in the late 1700s when a few German organ builders working in Copenhagen and St. Petersburg developed the “Western” free reed riveted on top of a separate plate. Those guys, Christian Gottlieb Kratzenstein (who presented his “speech machine” in St Petersburg in 1780) and the unfortunately multiple-spelling’ed Franz Kirsnick / Kirshnick, Kirschnick, Kirschnigk, are ones who probably deserve to be celebrated as much or more than anybody else.
That break from thousands of years of South East Asian free reed traditions gives the young Western reed organs, harmonicas and accordions their core difference. Everything after that was incremental. But Demian’s 1829 patent with the name on it is a better coming-out party than most instruments can claim.
Christian Gottlieb Kratzenstein: inventor of the organ stops with free reeds
by Christian Ahrens and Jonas Braasch
(Pics of old organ free reeds!)
https://www.hetorgel.nl/en/2011/01/e2003-04e/
How the sheng became a harp
(about harmonica and free-reed history)
by Carmel Raz
https://www.tandfonline.com/doi/full/10.1080/20551940.2020.1794648
Dr. Raz was our guest talking about another great squeezebox-related paper (broadcast twice it was such a good episode):
Dr. Carmel Raz Seances, Sperrits, and Ghostly Accordions Halloween 2025 Remix
https://accordionuprising.wordpress.com/2025/10/23/accordion-noir-2025-10-22-dr-carmel-raz-seances-sperrits-and-ghostly-accordions-halloween-2025-remix/
Anyways, here’s tonight’s playlist:
* The Dardanelles – ‟The Many Voices of Accordion Noir, PRA 100.5 FM” – SP176 (2015) – Newfoundland, Canada – tune “Boyd’s Cove Singles” – The Dardanelles (2009) – Newfoundland, Canada – http://thedardanelles.com/ – https://thedards.bandcamp.com/releases
* Artist – “Song” – Album (Date) – Where they’re from – Artist Links – Comments
* The Three Vagrants – ‟Fiori Alpini A” – (1917) – New York, New York, USA – https://adp.library.ucsb.edu/index.php/matrix/refer/700004335 Frank Lucanese, acc.
* Sharon Shannon – ‟The 3 Headed Monster” – Spellbound – The Best of Sharon Shannon (1998) – County Clare, Ireland – http://sharonshannon.com/
* La Bottine Souriante – ‟Les Trios Cavaliers (The Three Horsemen)” – Rock & Reel (1998) – Montréal, Québec, Canada – Denis Fréchette, accordeon piano, Yves Lambert, accordeon 3 rangees http://bottinesouriante.com/
* Alex Meixner – ‟Three Ring Circus” – Three Ring Circus (2011) – Palm City, Florida, USA – http://www.alexmeixner.com
* Victor Prieto – ‟Games 2” – The Three Voices (2016) – Spain / New York City – http://www.victorprieto.net/
* Zeellia – ‟Three Red Roses” – Willow Bridge (2004) – Vancouver, BC, Canada / Ukraine – www.zeellia.com Alison Jenkins, acc
* Jack Rivers – ‟Three Way Boogie” (air check recording) – from Kevin Coffey’s personal collection (1948) – Los Angeles, California, USA – (George Bamby, acc.)
* Bain Mattox – ‟Three Days” – Technicolor Episode (2002) – Athens, Georgia, USA – http://www.bainmattox.com/
* Cricket & Snail – ‟Three Reels” – Points on the Map of Heaven (2021) – Prague, Czech Republic / Canada / USA / UK – https://cricketandsnail.bandcamp.com/releases Catch Cricket and Snail’s upcoming online show on May 7:
https://facebook.com/events/514210216255160https://whitehorseblackmountain.com
* The Three Jacksons – ‟Accordeon potpourri No 28 deel 1 (Philips P17296 H AA 17296.1 H)” – Accordeon potpourri (0) – The Netherlands – “The name ‘The Three Jacksons’ was chosen because of their admiration for the famous boxing champion Joe Jackson.” – https://nl.wikipedia.org/wiki/The_Three_Jacksons – http://www.the3jacksons.nl/totaal-repertoire.html (Dutch)
* Jelena Milojevic – ‟Three Nocturnes: I Nocturne” – The Art of Accordion (2010) – Victoria, British Columbia, Canada – Former Yugoslavia – http://www.myspace.com/jelenamilojevic
* Jane Gillman – ‟Three Quarters” – Jane Gillman (2006) – Austin, Texas, USA – https://janegillman.com/
* Alan Kelly – ‟Beautiful Lake Ainslie / Three Sea Captains (Air / Set Dance)” – Out Of The Blue (1997) – Galway, Ireland – http://www.philcunningham.com/
* Three Pruned Men – ‟Bully In The Alley” – Rogue’s Gallery, Pirate Ballads, Sea Songs & Chanteys (disk 1) (2006) – Dublin, Ireland – Maurice Seezer, acc. Ed Busarus, lead vocal. https://www.anti.com/
* Guy Klucevsek – ‟Three Microids/ Iii. Bustin´ Broncos In The Balkans” – Transylvanian Software (1994) – Staton Island, NY, USA – www.guyklucevsek.com/
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