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We covered Isaac Newton’s monstrous nature, the inevitability of calculus, pottery, Clive Owen’s need for a foil, aesthetics as a point of view, lessons from Steven Soderbergh, following the story’s lead, relinquishing control, Sir Anthony Hopkins’ need for George C. Scott’s tension, and how audience feedback improves creators.
By Anson Mount & Branan Edgens4.9
755755 ratings
We covered Isaac Newton’s monstrous nature, the inevitability of calculus, pottery, Clive Owen’s need for a foil, aesthetics as a point of view, lessons from Steven Soderbergh, following the story’s lead, relinquishing control, Sir Anthony Hopkins’ need for George C. Scott’s tension, and how audience feedback improves creators.

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