The Well

In this episode: How Jonathan joined a scientific expedition to Antarctica and how the fathomless abyss became a psychedelic bikini bottom – it was also like going to the moon. This conversation makes a few side quests to Chile and Tasmanian trees older than the Roman empire. Also, how to tell your friend you don’t like their band. Plus, Jonathan assigns homework -now go Google magnetostrategraphy.

Jonathan Meiburg sits down with us to discuss the musical journey behind SHEARWATER’s latest album, “The New World”

We sat down to record something short when Branan dropped a spontaneous Drop on Anson. 

Television: The Handmaid’s Tale’s 6th & final season. Severance, The Studio, The Rehearsal and Nathan’s Fileder’s hybrid comedy. 

Books: Jeff Vandermeer’s latest addition to his Southern Reach Trilogy. Ray Kurzweil’s latest book The Singularity is Nearer sparks a long discussion about the transformational power of AI and is immortality worth it?      

Podcasts:  “Short history of…”  and “Cautionary Tales” 

Plus, Anson sees his first Metallica show and conforms the rumors: they still rule, especially when they’re channeling Ennio Morricone. 

https://youtu.be/d3OMz76mDCM: The Drop – Part 26 “Surprise Drop”

Todd Stashwick and Anson Mount have three things in common: 1) A love of whiskey, 2) They are both Starfleet Captains, and 3) They are both Dungeon Masters.  What else do you need to know?  

To see Todd leading Anson Mount and others Trek crew through a D&D adventure, click here.

If you’d like a BEEPED version of the show, you can find it here.

Extra music for this episode provided by Bob Wiseman under a Creative Commons Attribution, Non-Commercial, ShareAlike 3.0 license.

Anson & Branan launch a new segment.  Anson scrolls to the bottom of Danny Trejo’s IMDB page and asks him about that little known credit, then challenges him to remember the names of characters past.  Enjoy!

“Cantina Rag”, performed by Jackson F. Smith is provided under an Attribution, Non-Commercial, No-Derivatives, 3.0 International license.

Link for CC license: https://creativecommons.org/licenses/by-nc-nd/3.0/

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One day in 1968, Danny Trejo had hit rock bottom: solitary confinement at the Correction Training Facility, otherwise known as Soledad Prison. From that moment, he decided to change his life completely. During a live interview at DragonCon 2024, Danny tells Anson about the redemptive power in helping others.

Music in this episode was provided by John Bartmann under a Creative Commons 1.0 Universal License.

Link to John Bartmann’s Patron: https://www.patreon.com/johnbartmann

Link to CC License: https://creativecommons.org/publicdomain/zero/1.0/

One day in 1968, Danny Trejo had hit rock bottom: solitary confinement at the Correction Training Facility, otherwise known as Soledad Prison. From that moment, he decided to change his life completely. During a live interview at DragonCon 2024, Danny tells Anson about the redemptive power in helping others.

Music in this episode was provided by John Bartmann under a Creative Commons 1.0 Universal License.

Link to John Bartmann’s Patron: https://www.patreon.com/johnbartmann

Link to CC License: https://creativecommons.org/publicdomain/zero/1.0/

How does Adam see himself, his life and his role as an inventor, artist and educator? Adam reflects on his unique career path, work/life balance, what to do when feeling overwhelmed, investing in your own world-building, how meditating on the origins of things connects him to creators of the past, the miracle of sentience and zombie Richard Feynman.

Adam gets a touch philosophical on the subject of creativity, discusses some memorable builds and Anson breaks out his Guillermo del Toro impression.

We covered Isaac Newton’s monstrous nature, the inevitability of calculus, pottery, Clive Owen’s need for a foil, aesthetics as a point of view, lessons from Steven Soderbergh, following the story’s lead, relinquishing control, Sir Anthony Hopkins’ need for George C. Scott’s tension, and how audience feedback improves creators.