The performer, who is surrounded by sound and images, interacts with them using an EEG (electroencephalogram) interface, which measures the performer’s brain activity. Those sounds and images (already stored in the computer) are modified consequently by the brain data via MAX/MSP-Jitter. Hence, the performer determines how those combinations will be revealed to the audience.

The system automatically superimposes animations on t-shirts and projects the resulting image on a screen. To achieve this effect in real time, the system first registers a deformable 2D mesh with the view of the t-shirt. Then it evaluates illumination to reproduce it on the virtual elements. It also segments possible occlusions.

Platonic Tectonics reinterprets the discovery of geologic transitions and composes a contemporary earthquake myth that may awake the lonely planet. It is a live interactive video installation that explores the allegory of human connections. Through a simulated earthquake scenario in an immersive and participatory environment, the audience examines the poetry of spatial relations in a physically near and enclosed, yet visually mediated reunion.

The logical next evolutionary step is obvious; to embed electronics directly into the food we consume. Our electronics should be as consumable and as perishable as our food.

Transformation of a reel-to-reel analog tape recorder, a device that some consider obsolete, into a musical instrument, as a convivial tool using today’s information technology.

Slurb (a word that collapses “slum” and “suburb") encapsulates a dreamy ode to the rise of slime, a watery future in which jellyfish have dominion. The animated, carnivalesque tailgate party loops and stutters like a vinyl record stuck in a groove.