At their peak, Aerosmith was sex, drugs, and rock and roll in the flesh, wrapped up in spangly scarves and jumpsuits. They crossed target practice with black tar heroin. Trained roadies how to feed them cocaine onstage. Frontman Steven Tyler claims he spent $6,000,000 on coke alone. Their chemical highs launched them to career highs that were equally staggering, until addictions and attitudes splintered the band into solo projects and a shadow of the band they once were. No group ever lived on the edge the way Aerosmith did – even when they were dangerously close to teetering over it.For the full list of contributors, visit <a href="https://www.disgracelandpod.com/">disgracelandpod.com</a> To learn more about listener data and our privacy practices visit: <a href="https://www.audacyinc.com/privacy-policy">https://www.audacyinc.com/privacy-policy</a> Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices">https://podcastchoices.com/adchoices</a>

At their peak, Aerosmith was sex, drugs, and rock and roll in the flesh, wrapped up in spangly scarves and jumpsuits. They crossed target practice with black tar heroin. Trained roadies how to feed them cocaine onstage. Frontman Steven Tyler claims he spent $6,000,000 on coke alone. Their chemical highs launched them to career highs that were equally staggering, until addictions and attitudes splintered the band into solo projects and a shadow of the band they once were. No group ever lived on the edge the way Aerosmith did – even when they were dangerously close to teetering over it. For the full list of contributors, visit disgracelandpod.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

At their peak, Aerosmith was sex, drugs, and rock and roll in the flesh, wrapped up in spangly scarves and jumpsuits. They crossed target practice with black tar heroin. Trained roadies how to feed them cocaine onstage. Frontman Steven Tyler claims he spent $6,000,000 on coke alone. Their chemical highs launched them to career highs that were equally staggering, until addictions and attitudes splintered the band into solo projects and a shadow of the band they once were. No group ever lived on the edge the way Aerosmith did – even when they were dangerously close to teetering over it.For the full list of contributors, visit <a href="https://www.disgracelandpod.com/" rel="noopener noreferrer">disgracelandpod.com</a> To learn more about listener data and our privacy practices visit: <a href="https://www.audacyinc.com/privacy-policy" rel="noopener noreferrer">https://www.audacyinc.com/privacy-policy</a> Learn more about your ad choices. Visit <a href="https://podcastchoices.com/adchoices" rel="noopener noreferrer">https://podcastchoices.com/adchoices</a>

Aerosmith: Toxic Twins, M-80s, Cocaine Eyeliner, and Living on the Edge

You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties.
New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments.
DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com.
To hear every episode ad-free—and get access to exclusive monthly episodes, weekly bonus content, and stories too wild for the main feed—become a Disgraceland All Access member at www.disgracelandpod.com/membership.

Society & Culture

True Crime

Music

You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties. New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments. DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com. To hear every episode ad-free—and get access to exclusive monthly episodes, weekly bonus content, and stories too wild for the main feed—become a Disgraceland All Access member at www.disgracelandpod.com/membership.

You know the myths. You’ve seen the biopics. But if you’re the kind of music fan who craves the rest of the story—the stuff they buried or cleaned up for streaming and theaters—this is your podcast. DISGRACELAND is the award-winning show that reveals the deeply human, highly dramatic, true crime–fueled chaos behind legendary musicians like Amy Winehouse, Jerry Lee Lewis, Sean “Diddy” Combs, the Grateful Dead, Blondie, and more. While we dig into the dark side, we do so with reverence for the artists—and an understanding of the extreme highs, lows, and personal costs that come with fame and making great art. This is music history like you’ve never heard it—edge-of-your-seat stories exploding with drama and the kind of information that’ll make you dangerous at dinner parties.
New, fully scripted and sound-designed episodes drop every Tuesday. On Thursdays, we hand the mic to you—and feature listener voicemails, texts, and emails in our interactive bonus episodes. And on Fridays, we revisit the wildest stories from our 250+ episode archive with “Rewind” drops that’ll transport you back into music history’s most entertaining moments.
DISGRACELAND is not a journalistic podcast—it’s an entertainment podcast inspired by true events. Certain dialogue and scenes are occasionally fictionalized for dramatic effect, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com.
To hear every episode ad-free—and get access to exclusive monthly episodes, weekly bonus content, and stories too wild for the main feed—become a Disgraceland All Access member at&nbsp;www.disgracelandpod.com/membership.

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Aerosmith: Toxic Twins, M-80s, Cocaine Eyeliner, and Living on the Edge

Aerosmith: Toxic Twins, M-80s, Cocaine Eyeliner, and Living on the Edge

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