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Pamela Means is among the most incisive and insightful describers of injustice and indignation, anger and antipathy — on a level with few others. Her songs create a lens, and in its focus we can call out the racists, the fascists, the homophobes, the horror dealers among us. And yet, Pamela Means is at the same time a writer of love songs, making space for love. This is the story of her career doing both and more and how Pamela continues to honor that heavy responsibility, speaking the truth and calling things out.
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'All Your Days' is back in your ears on February 7. It’s Season 4, and the talks are intense and funny and sad and sometimes angry as I step into the discussion with artists and athletes, poets and ad executives, historians and colleagues and friends — all the creative souls I know who’ve been putting in the work and dealing with the world in which we live.
We start with the Conan O'Brien moment. Songwriter Michael McDermott has been loved by luminaries (Stephen King wrote his liner notes), followed by fans, showcased on the biggest stages, and written about by the widest-reaching publications. Yet, as Michael puts it, he still suffered under a kind of reversal — pleasure over peace, the quick fix over the long game. Join us for the finale of Season Three, a journey into Michael's roaring music, his meteoric rise, his subsequent crashes and resurrections, and now the incredible album and memoir he's riding to new heights in a lighter — and light-filled — reality.
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In a sense, Andras Jones has always lived in a world that overlaps with dreaming. His father was a dream researcher. In the 1980s, Andras starred in ‘A Nightmare on Elm Street 4' (he also appeared on 'Saved By The Bell' and in films with Drew Barrymore, Alice Cooper and Jeffrey Combs). All the while, he has been conjuring his own world with a guitar and a head full of clever, funny, angry songs.
In this episode of ‘All Your Days,’ we join Andras’s journey, exploring the triumphs and frustrations of wrangling with dreams and, as a writer about synchronicity, how in giving attention to different ways of perceiving the "real" world Andras has redefined his own dream and its pursuit.
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Adam Brodsky gives zero fucks. Adam Brodsky cares very, very deeply. This is the dichotomy and part of the genius at the center of Philadelphia's own King of Anti-Folk (though he'd put that crown on your head and mine, just as quickly ... but maybe only if you deserved it). In this episode, Adam and I dig deep into rejection, betrayal, and hard traveling. Plus yelling at Nazis, landing a Guinness World Record, early days, vanishing acts, life, death, new recordings, and all things 'All Your Days'.
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Just before the pandemic, there was this restaurant, our neighborhood local. Chef Camille Rodriguez ran its kitchen, and she kept us well fed, well poured, and just plain happy at our end-of-the-bar dinner spot. Then, when the quarantine locked down New York, Chef Camille transformed her talents into a lifeline for those of us stuck inside. From her apartment kitchen, she emerged with a full bistro menu, lovingly cooked with the help of her tiny team. In this episode, we dive into how she managed to stay alive, stay creative, and thrive as a food person in a world where hospitality and breaking bread went on hold. Lot’s more, too: Late starts at the cooking career, equity in the kitchen, and traveling to learn what people eat. A feast!
Join us for a story of survival and guarding a cultural treasure in the face of terrible odds. Matt Smith is the managing director of Passim, the legendary folk club in Harvard Square, in Cambridge, Massachusetts. The room saved my life more than once in the late 1990s and early 2000s. And then, in 2020, Matt faced an incredible dilemma — how to keep the 60-plus-year-old venue alive during the lockdown of quarantine. He's on the pod, taking us through those months and moves, steps and challenges, and ultimately triumphs. We also talk about the remarkable changes folk music — and what we call folk music — has undergone since those days I worked (and played) in the room.
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At the turn of the millennium, I learned to mix sound for an Arabic music series at a famous folk club in Massachusetts. Every month was a musical challenge; every month a personal reward. And then, in the middle of our work together, 9/11 changed everything. Joining me on this episode is the remarkable Karim Nagi — one of the great culture bearers; a masterful musician — who created and shaped that series. We talk about the post-9/11 world, his vast array of musical projects, being an ally in antagonistic times, and the future of hope for pluralists and multiculturalists in 2022.
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A powerful painter with a very personal perspective, Annie Leist takes us into the mind, the oils, and the brushes. We talk about her eyes, which deliver visual information differently than the typical pair, and her advocacy for accessibility and equity. Hot and cool times at the canvas. New work with photos at the Mall of America. The artist and advocate at large; please meet Annie Leist.
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To put it mildly, it's a raging Season 3 kickoff episode with the unbelievable guest presence of Hamell on Trial. We get into the records, the stages, the wages, and what's next for an artist who's seen a lot, done more, and earned the right, night after night, to give us all a couple pointers on the unbelievable shit that's going down.
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