Almost Beachglass Interviews

Villain Acrylic is a gateway to brutal sincerity. Combining uniquely beautiful guitar compositions with fierce vocals, he pants a disturbingly vivid view of the human experience.

Luuk Honey is a multi-media artist, who can be found in front of the easel to behind pedal boards. Formally a member of CERAS, he has collaborated to create an ambient aura, sharing a sound reminiscent of space itself (interview recorded 4/29/24).

Feral Moon is a culmination of rabid riffs and alternative angst. Forming a rare breed of heavy metal, the band leaves the audience untethered.

Elephant Path delivers tranquil grooves. Sharing soothing arrangements, he leaves the audience with a calm breath of optimism.

Full Color Dream has an undeniable moody charm. Exploring themes of personal growth through pop melodies, their sound celebrates the dissonant intricacies of being human.

The Reverend Peyton’s Big Damn Band is touring, bringing their country blues sound to cities near you. In celebration of the last issue of Slackage Zine - this conversation was not recorded in the studio but spontaneously after an awesome show.

Tim is an album-making wizard. With a playful recording style accompanied by an infatuation with the bizarre, his records paint a freakishly delightful immersive experience.

Lazy Acres is a four-piece rock band from the county. With an emphasis on melody and drive, their shows will still have you humming along on your way home.

Tad Kroening’s music is the auditory embodiment of a consoling hug. Warming hearts and dampening eyes, his expression leaves the audience feeling understood and in acceptance with the world as it is.

Dryland is not only a stoner metal project with infectious grooves, but the culmination of life-long friendships. Their aggressive instrumentation accompanied by war chanting vocals taunts the audience to free themselves of the trivial intricacies of daily life.