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Summary

In this engaging conversation, Tim Love and Jesse discuss Jesse's journey as a musician, his experiences touring, and the impact of the year 1971 on music. They explore the vibrant music scene in Nashville, upcoming performances, vocal techniques, and the business side of being a musician. Jesse shares insights on the importance of practice, handling mistakes on stage, and the evolution of his career, emphasizing the significance of being prepared and delivering the message of the song to the audience.


Takeaways

Jesse divides his time between the UK and the US, touring concerts.
He has been involved in various shows, including the Classic Rock Show and the 1971 show.
The 1971 show highlights significant music released that year, showcasing a variety of genres.
Nashville is described as a musical playground with live music everywhere.
Jesse emphasizes the importance of vocal techniques and training.
He discusses the business aspects of being a musician, including negotiation and self-value.
Jesse believes in the importance of being prepared for performances.
He shares his philosophy on handling mistakes during live shows.
The conversation touches on the evolution of a musician's career and skills.
Jesse reflects on the importance of practice and continuous improvement. 



Chapters

00:00 Introduction and Background
02:50 The Journey into Music and Touring
05:35 The Influence of Classic Rock
08:19 Exploring Nashville's Music Scene
11:10 Upcoming Performances and Collaborations
13:52 Vocal Techniques and Musical Growth
17:24 The Journey of Musical Practice
19:27 The Artist vs. Session Musician Mindset
22:10 Vocal Techniques and Training
28:38 The Path to Becoming a Musician
34:45 Creating a Show: Celebrating 1971's Music
38:36 The Musical Menagerie of 1971
41:27 Exploring the Greatest Years in Rock
43:15 Narrowing Down to Rock and Roll
46:23 The Evolution of a Musician
52:13 The Process of Mastery in Music

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In this engaging conversation, Tim Love and George discuss the passage of time, the evolution of their music careers, and the importance of live performance. They delve into the nuances of pocket playing, the challenges of practicing techniques, and the impact of social media on musicians today. The dialogue highlights the significance of collaboration, the art of staying focused during performances, and the necessity of building a solid foundation in music. In this conversation, George and Tim explore the internal aspects of musicianship, the continuous nature of music education, and the importance of reading music. They discuss the disparities between classical and pop musicians, the role of gear in performance, and the shift from modeling to traditional gear. The conversation emphasizes the need for comfort in performance and the audience's experience in live music, highlighting the joy of playing and the often-overlooked aspects of live performances.


Takeaways

Times seem to accelerate as we age.
Playing to an audience that appreciates live music is fulfilling.
Finding the pocket is essential in music performance.
Focus is crucial when playing repetitive rhythms.
Practicing techniques requires discipline and structure.
Live music provides a unique feel that can't be replicated.
Understanding the pocket involves syncing with other musicians.
Relaxation in playing leads to better performance.
Social media influences musicians' perceptions of success.
Building a solid foundation in music is key to growth. Musicianship is an internal journey that requires self-awareness.
Education in music is a continuous process that never truly ends.
Reading music is a skill that is often overlooked in education.
There is a disparity in skills between classical and pop musicians.
Gear choice can significantly impact a musician's performance experience.
Comfort in performance is crucial for delivering a good show.
The audience's experience should be a priority in live music.
Finding joy in playing is essential for musicians.
Many musicians struggle with the balance between reading and playing by ear.
The importance of adapting to different performance situations is key. 

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Tim "Herb" Alexander, is an American retired musician best known as the drummer for the rock band Primus. Prior to Primus, Alexander was the drummer for Arizona's Major Lingo from 1985-1990. Alexander has been in Primus across three stints; he initially left the band in 1996 and rejoined in 2003 before leaving again in 2010 and re-joining in 2013, again departing in October 2024. Alexander has played in several projects with Tool frontman Maynard James Keenan including the bands Puscifer and A Perfect Circle. He earned the nickname "Herb" from his Primus bandmates after carrying a fanny pack full with herbs like ginseng that he would distribute.[2]

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A Yorkshireman living in London Bob Knight began playing drums at 6 years old. A graduate of the Royal Academy of Music’s jazz performance course he is best known for his work in the popular music scene. Bob is available to record in his purpose built studio, located in West London. You can attend the session or send the files and leave him to it. It’s an 8×8 meter purpose built, acoustically treated haven of drums. And drums. And drums. And cymbals too.

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London based Guitarist Chris Booth is a sort after session and live musician. With a string of session credits including Incognito, Amy Sears, Myles Sanko. Chris also has a residency at the Legendary Ronnie Scott's jazz club. 

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Hampshire based Guitarist who’s credits include shows such as Tina, Sister Act, The Bodyguard and Grease while also depping around the West End / Touring circuit on shows such as Mean Girls, Wicked and Jesus Christ Superstar to name a few

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Oli is a Guitarist, Keyboard player, Music Producer, Arranger and MD from the UK, working internationally with artists and in theatres around the West End.

Artists he has performed alongside include: Nile Rodgers, Take That, Giorgio Moroder, Marc Almond, Boyzone, Westlife, Steps, Atomic Kitten, The Sugababes, Rag'n'Bone Man and many more.

West End theatre credits include Hamilton, Come From Away, Moulin Rouge, MJ The Musical, Dreamgirls, Motown amongst many others.

As a music producer, he has written and produced music for upcoming artists with his music being played on BBC Radio 1 and 1Xtra, BBC Asian Network, BBC Radio 4, BBC 6 Music, Jazz FM and ITV, wi

th Millions of streams on online platforms.

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Oli is a Guitarist, Keyboard player, Music Producer, Arranger and MD from the UK, 

working internationally with artists and in theatres around the West End.

Artists he has performed alongside include: Nile Rodgers, Take That, Giorgio Moroder, Marc Almond, Boyzone, Westlife, Steps, Atomic Kitten, The Sugababes, Rag'n'Bone Man and many more.

West End theatre credits include Hamilton, Come From Away, Moulin Rouge, MJ The Musical, Dreamgirls, Motown amongst many others.

As a music producer, he has written and produced music for upcoming artists with his music being played on BBC Radio 1 and 1Xtra, BBC Asian Network, BBC Radio 4, 

BBC 6 Music, Jazz FM and ITV, with Millions of streams on online platforms.

1. Follow me Instagram @timloveguitar
2. Youtube @timloveguitar
3. Website is here

Send us Fan Mail

Ollie Haycock is a London based guitarist and teacher.

Ollie’s credits include bands and artists such as, Lola Young, Laura White, Donae’o, Rosa Cecilia, The Kubricks and DOJO.

He has performed and toured across the UK and Europe playing venues such as the O2, KOKO Camden,Ronnie Scotts and Melkweg, and has played numerous festivals including Glastonbury, WOMAD & Way Out West.

Ollie has taught guitar for the last decade and continues to teach privately in person and online. 
Alongside this he writes and creates teaching content for YouTube.

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After graduating from the Royal Academy of Music, Adam has since worked on many projects including sessions and house bands (American Idol, The Voice UK, Britain’s Got Talent, Strictly Come Dancing), gigs and recording with artists from Gloria Estefan to Little Mix, Robbie Williams, Ronan Keating, Elton John, and many others.

He has also played on many Hollywood movie soundtracks including Bridget Jones baby, Paddington 2, The Hobbit, Fantastic Beasts And Where To Find Them, Mary Poppins returns, Les Miserables, Three Billboards Outside Ebbing, Missouri.

He has also spent twenty years playing in West End show orchestras and played with pretty much every national orchestra such as the BBC Symphony, London Symphony Orchestra, Royal Philharmonic, the BBC Concert Orchestra, and many others.

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