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America's original art contribution to the world - jazz.
So deep. So rich. But where did it come from?
There were at least four different sources; and yet one of these - the blues - is also much more than a contributing art form. The blues is almost mythology itself.
Sprung from the earth, like the plantation soil where so many slaves lived and died, the blues at once describes and also gives life to everything in its path.
I hope you enjoy this episode. If you do, please tell me about it! Leave a comment to let me know what you think of our podcast so far - what you like, and what you'd like to know more about! I'll get back to you, and possibly even address any questions or suggestions in an upcoming episode!
Many recordings have been sourced to prepare this week's episode. Here's a list of what I've included:
Grace and Beauty
composed by James Scott
source: Jazz Piano History
Elite Syncopations
composed and performed by Scott Joplin
source: Scott Joplin Piano Rolls
The Entertainer
composed and performed by Scott Joplin
source: Jazz Piano History
Wynton Marsalis interview
taken from Ken Burns "Jazz" documentary
Bleeding Hearted Blues
composed and performed by James P. Johnson
source: Library of Congress
Boogie Woogie Stomp
composed and performed by Pine Top Smith
source: Jazz Piano History
Son House interview
source: YouTube video
Trouble of the World
performed by Mahalia Jackson
source: Gospels, Spirituals & Hymns
Go Down Old Hannah
performed by Texas Prison Gang
source: YouTube
Terraplane Blues
composed and performed by: Robert Johnson
source: The Ultimate Jazz Archive
Contact Joe Hines at [email protected]
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Hi All,
Episode two of “American Song” is an exploration of some of the early regional music from before the 20th century. Like some of the things we listened to in episode one, many of these forms survive and continue to be popular today!
In this half-hour episode, we’ll listen to Appalachian and Mountain music, then travel down to Louisiana for a sampling of Cajun music! No trip to Louisiana is complete without at least a short stop in New Orleans – we’ll be back to New Orleans again in episode three. This week, however, we’re digging into the march music; early jazz music was, at least in part, played of ex- marching band members. And I hope you’re leaving a little room on your plate for some Mexican food – or at least music! Our neighbors to the south have contributed to our culture like everyone else.
Here’s a list of the music used in this episode:
West Virginia Gals
Recorded 11/26/66 in the family home of Glen Lyn; Giles County, Virginia.
Source: Library of Congress
Barbara Allen
Sung by “Granny Porter”; Wade Ward, fiddle player.
Source: Ballads and Songs of the Blue Ridge Mountains; Persistence & Change
Camden Clog Dancing
Mike Adamson YouTube video
Darlin’ Cori
Cedric Watson on Gourd Banjo
Cedric Watson YouTube video
Wash Tub Bass
Demonstration by Mick Ralphs
YouTube video
Whiskey Before Breakfast
Performed by: Stephen Seifert
YouTube video
High On a Mountain
Performed by: Ola Belle Reed
Classic Mountain Songs; Smithsonian Folkways
Cajun Comedian
Comedy by: Kent Gonsoulin
YouTube video
La Danse du Mardi Gras
Performed by: The Balfa Brothers
Pomona Waltz
Emil Waldtleufel; composer
Recorded by E. Berliner Gramophone; 1897
Source; Library of Congress
Soldier’s March
Performed by Prince’s Military Band
Recording Date; 3-25-1909
Source: Library of Congress
Panama Rag
Performed by: Regimental Band of the Republic (instrumentalist)
Recorded By: American Record Co.
Date: 1905
La Cucaracha
Performed by: Cuco Sanchez
Volver, Volver
Performed by: Vicente Fernandez
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Welcome to American Song.
There are few things I love more than music, and America.
Both of these worlds have been my home since my earliest days.
I've been thinking about producing this podcast for many years now. And now, this is episode one; With this podcast, I want to tell a story about how many cultures have contributed to the music we listen to today, and how the people of the United States have a common and proud heritage. We are a great people because of our diversity. This diversity made it possible to create totally new ways of addressing challenges and opportunities. It made it possible for our country to lead in science, the arts, business - nearly every endeavor.
I'm choosing to tell the story with something that I, and many people like me, love. Music.
I'm going to tell the story about how every modern form of music we listen to today has it's roots in the cultures that brought their unique musical arts with them when they arrived on our shores.
The music I've included in this first episode mostly comes from the digital archives available through the Library of Congress.
This podcast will be updated at least once a month. I hope you enjoy it, and I hope you'll come back to listen every month. I've got no sponsors; this is a labor of love. So, if you like what I'm doing here, please encourage me by spreading the word!
I look forward to hearing your ideas or experiences that you might like to share. If you love America and music the way I do, I hope together we can build a community that celebrates both of those blessings together.
God bless America!
From the publisher's feed
America was meant to be a light on the hill — a place others looked to when they needed to find their own way forward.
If America has ever truly been that light, it…
From colonial taverns to protest marches in the Eastern Bloc, from gospel churches to a ghetto in Soweto, American rhythms helped people band together, speak truth, and refuse to quit. Our songs became the world's songs — not because we exported them, but because people who needed hope reached out and claimed them as their own.
American Song tells the stories of the artists who made the music and the people who were moved by it. One era at a time. One genre, one band, one song at a time. Music that started by campfires, in cotton fields, in churches and juke joints — and moved out into the world to become something larger than any one nation could contain.
This is American Song.