American Writers (One Hundred Pages at a Time)

Part 1 of 4 of my review of I WILL FEAR NO EVIL by Robert A. Heinlein. I wonder how other recent readers of this book look back on it. Obviously the novel deals with gender in sexuality in transgressive ways, but it also seems very old fashioned in its approach. 

Brief thoughts on James Baldwin's 1963 essay THE FIRE NEXT TIME and its place in American history. 

In this episode I review James Baldwin's collection of essays NOBODY KNOWS MY NAME: MORE NOTES OF A NATIVE SON. These essays bridge his time in Paris to his engagement in the discourse on civil rights in America. 

The conclusion to my review of THE MOON IS A HARSH MISTRESS. In the next episode we will being a four part dive into I WILL FEAR NO EVIL. 

Part two of my review of THE MOON IS A HARSH MISTRESS by Robert A. Heinlein. In this episode, I cover the revolt on the Moon and some of the political theory at the heart of the novel, both the spoken and unspoken parts. 

Part 1 of 3 of my review of THE MOON IS A HARSH MISTRESS, one of Heinlein's most famous and well-regarded books. Often billed a libertarian novel, is it better to look at it as anti-colonial? Can it be both? 

We begin our look at James Baldwin's essays with his 1955 collection NOTES OF A NATIVE SON. Some of the topics explored in this collection are black representation in culture, expat life in Paris, and political life in Harlem. 

The second part of my review of FARNHAM'S FREEHOLD by Robert A. Heinlein. I really struggled with this book, but think it reveals the fundamental problem with Heinlein's relationship with the American past. 

I talk a bit about GLORY ROAD to finish up my thoughts on that novel, but I have decided to move onto Heinlein's FARNHAM'S FREEDHOLD. Is it his worst novel? Maybe not, but it is sure is trying hard. We will see what the second half gives us. 

I had hoped to talk about the first half of GLORY ROAD by Robert A. Heinlein, but I ended up talking about most of the events of the book. It is definitely one that needs to be unpacked for some of the larger discussions we are having about Heinlein.