When Ubisoft Montreal went searching for a composer to score Chaos Theory, the third installment of the Splinter Cell video game franchise, they went to the best of the best in Hollywood. This included legendary film composer Lalo Schiffrin, who was behind such scores as Dirty Harry, Bullitt, and Cool Hand Luke. When those plans fell through, Ubisoft turned to then underground producer Amon Tobin, who's jazz-infused drum and bass sound was the perfect compliment to the noir-soaked espionage stealth action of the Splinter Cell franchise. The result is the now iconic, groundbreaking soundtrack that changed gamer's perception of what a game score could sound like, and further cemented Tobin as a legendary underground producer.

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