Film by Infinity Entertainment

Directed by Robert Miller

Composed by Antoni Schonken

Film by Infinity Entertainment

Directed by Robert Miller

Composed by Antoni Schonken

Within the conceptual spaces demarcated by Verbatim and Counterpoint, Sit With Us explores racial, racist, cultural, and identity issues brought to and experienced in Stellenbosch by its young people. The soundtrack is built from the performative space itself -- the sounds of doors, feet, chairs, props, as well as the cast and crew -- and expanded with topical musical tropes and and contexts.

This beautiful picture was taken by Nardus Engelbrecht.

Within the conceptual spaces demarcated by Verbatim and Counterpoint, Sit With Us explores racial, racist, cultural, and identity issues brought to and experienced in Stellenbosch by its young people. The soundtrack is built from the performative space itself -- the sounds of doors, feet, chairs, props, as well as the cast and crew -- and expanded with topical musical tropes and and contexts.

This beautiful picture was taken by Nardus Engelbrecht.

Within the conceptual spaces demarcated by Verbatim and Counterpoint, Sit With Us explores racial, racist, cultural, and identity issues brought to and experienced in Stellenbosch by its young people. The soundtrack is built from the performative space itself -- the sounds of doors, feet, chairs, props, as well as the cast and crew -- and expanded with topical musical tropes and and contexts.

This beautiful picture was taken by Nardus Engelbrecht.

Within the conceptual spaces demarcated by Verbatim and Counterpoint, Sit With Us explores racial, racist, cultural, and identity issues brought to and experienced in Stellenbosch by its young people. The soundtrack is built from the performative space itself -- the sounds of doors, feet, chairs, props, as well as the cast and crew -- and expanded with topical musical tropes and and contexts.

This beautiful picture was taken by Nardus Engelbrecht.

Within the conceptual spaces demarcated by Verbatim and Counterpoint, Sit With Us explores racial, racist, cultural, and identity issues brought to and experienced in Stellenbosch by its young people. The soundtrack is built from the performative space itself -- the sounds of doors, feet, chairs, props, as well as the cast and crew -- and expanded with topical musical tropes and and contexts.

This beautiful picture was taken by Nardus Engelbrecht.

Within the conceptual spaces demarcated by Verbatim and Counterpoint, Sit With Us explores racial, racist, cultural, and identity issues brought to and experienced in Stellenbosch by its young people. The soundtrack is built from the performative space itself -- the sounds of doors, feet, chairs, props, as well as the cast and crew -- and expanded with topical musical tropes and and contexts.

This beautiful picture was taken by Nardus Engelbrecht.

Within the conceptual spaces demarcated by Verbatim and Counterpoint, Sit With Us explores racial, racist, cultural, and identity issues brought to and experienced in Stellenbosch by its young people. The soundtrack is built from the performative space itself -- the sounds of doors, feet, chairs, props, as well as the cast and crew -- and expanded with topical musical tropes and and contexts.

This beautiful picture was taken by Nardus Engelbrecht.

I'm working on a new film score for an adaptation of Dr Strange, and these are opening titles as they stand right now. Still a work in progress.