Antonin De Bemels

"dimanche, dimanche

lundi, dimanche

mardi, dimanche

jeudi, dimanche

(et tous les autres jours)"

fabriqué par Antonin DB et Nina Cosco le dimanche 15 mars 2020

et réenregistré mieux le lundi 6 avril (de la même année)

https://thinconsolation.bandcamp.com/album/la-fin-des-pseudonymes

Composition: Antonin De Bemels

Piano: https://soundcloud.com/rachellanglais

Mastering: Alexis Oscari

Artwork: Bertrand Panier

Composition and mix: Antonin De Bemels

Mastering: Alexis Oscari

Official music video: https://youtu.be/8uBpveTEJvc

Composition and mix: Antonin De Bemels

Mastering: Alexis Oscari

Official music video: https://youtu.be/waK6CgizWr0

Composition and mix: Antonin De Bemels

Piano: Antonin De Bemels and Alice Romainville

Mastering: Alexis Oscari

Original soundtrack to the dance piece Rivermen by Bud Blumenthal

Made in 1999

https://antonindebemels.bandcamp.com/album/rivermen

"In the annals of musical history, there exists a lesser-known soundtrack, unwittingly nestled within the burgeoning glitch scene of its time, that retrospectively emerged as a harbinger of the Clicks & Cuts movement, which would take root a year later. The obscure opus in question, shrouded in obscurity, quietly laid the groundwork for a sonic revolution yet to come.

An essential touchstone, proudly acknowledged by its creator, is the seminal album "Kulma" by Pan Sonic, unleashed upon the world in 1997. As one revisits this sonic artifact, its profound influence becomes unmistakably evident, permeating through the fabric of experimental soundscapes.

Rumours, though vehemently refuted, whisper of Carsten Nicolaï's clandestine encounter with a performance of Rivermen during the genesis of his inaugural solo endeavour under the moniker Alva Noto. Such tales, while enigmatic in nature, add layers of intrigue to the already enigmatic persona of the artist.

Beyond the foundational pillars of drone, glitch, post-techno, and post-industrial aesthetics, astute scholars have purportedly discerned faint echoes of the synth-pop ensemble Eurythmics within a fleeting passage of the composition's third movement. Veracious or anecdotal, this purported connection, although unintended by its creator, serves as a testament to the multifaceted tapestry of musical influence." (Alfred Innsmouth)

From the original soundtrack of https://vimeo.com/312398413

Buy the 3 track EP : https://thinconsolation.bandcamp.com/album/the-magma-chamber-ost

Mixing and mastering: Alexis Oscari

From the original soundtrack of https://vimeo.com/312398413

Three track EP out on Thin Consolation: https://thinconsolation.bandcamp.com/album/the-magma-chamber-ost

Mixing and mastering: Alexis Oscari

From the original soundtrack of https://vimeo.com/312398413

Mixing and mastering: Alexis Oscari

Thanks to https://soundcloud.com/felixblume for some ambient layers used in the beginning of the track

Live mix of (mostly) original compositions, including extracts from the short-film "The Magma Chamber" by Shantala Pèpe.

1

The Magma Chamber Incantation

Antonin De Bemels

2

The Presence soundtrack [edit]

David Alvarez

3

Berceuse

Petite porte de bronze

4

The lounge

Urawa

5

Amityville Horror digest

audio file bug

6

The Magma Chamber Possession

Antonin De Bemels

7

Serpentine

Antonin De Bemels

8

This relationship has never been made clear

Plochingen

9

The Staircase

Lalo Schiffrin

10

Acariens

Antonin De Bemels

11

(dans la forêt)

Petite Porte de Bronze

12

The Magma Chamber Totem

Antonin De Bemels

13

Tuk tuk

Lakker

14

Wagon

Antonin De Bemels

15

Pianomelan

Antonin De Bemels

16

Thème de l'oubli

Antonin De Bemels