Antonin De Bemels

Remanence was an experimental ambient monthly show on Radio Campus Brussels from 2017 to 2018

More mixtapes: https://www.mixcloud.com/antonindebemels

Playlist:

1 Slow bow symphony by Schloss Mirabell

2 some-people-praying-into-the-abbaye-de-la-cambre-in-brussels-belgium by Felix Blume

3 Sos Spring by EDH

4 sixnot6 by Mira Calix

5 Agog by Judith Juillerat

6 Hakobi (0801) by Akiko Kiyama

7 Triangular Objekts by Heather Celeste

8 Safe harbor by AIREM

9 The garden of the gods by Froe Char

10 Nagualito by Baby Kruger

11 Slow bow symphony by Schloss Mirabell

12 Chanson Pour une Absente by Barbara

13 Cloud No Crowd by Kato Sawako

14 4 Ben by Nina Kraviz

15 Cloud No Crowd by Kato Sawako

16 O Sonho do sol by Refurinn Kitsune

17 Una Moral Excentrica by Lucius Works Here

18 open scene by Froe Char

19 Pour le jour de ma mort by Jacques Bertin

Lyrics: Judith DB (4)

Music: Antonin DB (42)

"Les châteaux de l’enfance s’éloignent, des adultes reviennent dans la cour de leur école, comme à la récréation, puis des trains les emportent..."

Cela commence en 1960, à Paris, avec le film "L'amour existe" de Pialat, pour finir à Bruxelles aujourd'hui.

C'est un hommage sans images à un film intense et généreux, et un essai poétique (mais pas que) sur la ville moderne et ses contradictions.

Pour vous emporter il y a des voix (Pialat dit par Jean-Loup Reynold, Bertin dit par Jacques Doyen...), des bruits et des ambiances urbaines, de la musique (LBNHRX, Carl et les Hommes-Boîtes, Tuk...).

Diffusé pour la première fois dans le cadre d'une carte blanche le 19 novembre 2016 sur Radio Campus Bruxelles (92.1 FM ou http://www.radiocampus.be/).

SVRREAL PODCAST // Hosted by https://soundcloud.com/crankerr

Mix by Bonhomme de bronze aka @antonindebemels

Originally aired on July 5, 2016 on www.inprogressradio.com

Playlist:

00:00:00 Hazard - Fibre test

00:04:17 Ntogn - Dig. A mother's wrath

00:07:43 Baby Kruger - le déni de Denis

00:14:27 Neila - Personality Disorders

00:17:18 Psyk - Silhouette

00:20:59 Foreign Material - Dreams of Steel

00:26:36 Orphan Swords - Cimejes

00:28:41 Psyk - Automatic

00:31:48 Ntogn - Dig. A mother's wrath

00:34:43 https://antonindebemels.bandcamp.com/track/comptine

00:38:48 Peter Van Hoesen - Exacting Reward

00:41:59 Neila - The Others

00:45:10 N-gon - Colliding Shapes

00:51:24 Dusty Kid -Leather Bears Cinematic Suite, Level IV- Darkroom

00:53:42 Jonas Kopp - 528 Hz

00:57:32 Altinbas - Tonal Conflict

00:59:54 Aidons Antoine - Pipo

Produced by Bonhomme de bronze aka Antonin De Bemels

Mastered by Fred Angström

Previously released on https://thinconsolation.bandcamp.com/album/spent

My remix of "Secret train" by https://soundcloud.com/music-machine

Taken from https://thinconsolation.bandcamp.com/album/secretes-remixes

Original soundtrack to the dance piece Rivermen by Bud Blumenthal

Made in 1999

https://antonindebemels.bandcamp.com/album/rivermen

"In the annals of musical history, there exists a lesser-known soundtrack, unwittingly nestled within the burgeoning glitch scene of its time, that retrospectively emerged as a harbinger of the Clicks & Cuts movement, which would take root a year later. The obscure opus in question, shrouded in obscurity, quietly laid the groundwork for a sonic revolution yet to come.

An essential touchstone, proudly acknowledged by its creator, is the seminal album "Kulma" by Pan Sonic, unleashed upon the world in 1997. As one revisits this sonic artifact, its profound influence becomes unmistakably evident, permeating through the fabric of experimental soundscapes.

Rumours, though vehemently refuted, whisper of Carsten Nicolaï's clandestine encounter with a performance of Rivermen during the genesis of his inaugural solo endeavour under the moniker Alva Noto. Such tales, while enigmatic in nature, add layers of intrigue to the already enigmatic persona of the artist.

Beyond the foundational pillars of drone, glitch, post-techno, and post-industrial aesthetics, astute scholars have purportedly discerned faint echoes of the synth-pop ensemble Eurythmics within a fleeting passage of the composition's third movement. Veracious or anecdotal, this purported connection, although unintended by its creator, serves as a testament to the multifaceted tapestry of musical influence." (Alfred Innsmouth)