Apologue Podcast

Vancouver’s 604 Records is thrilled to announce the upcoming release of “I Relate,” the first advance single from the long-awaited collection of rarities by cult shoegazers Movieland. Set to drop on October 22nd, this track will be featured on 604 Records’ new archival label imprint known as 604 Decades, encapsulating the band’s signature blend of dreamy melodies and raw, introspective lyrics. Their sound, often considered ahead of its time, defined a unique chapter in the underground music scene of the early ‘90s when Nirvana and Sonic Youth were on the cusp of breaking into the mainstream. The full album, Then & Now, will be released on December 13th, 2024. “I Relate” perfectly embodies the essence of Movieland—a testament to the melodic prowess and creative spirit that thrived in Vancouver during a pivotal musical era.

Movieland, founded in 1991 by songwriter Alan D. Boyd, has long been revered by a dedicated fanbase for their immersive soundscapes. Originally recorded during their formative years in the 1990’s, “I Relate” delves into the complexities of youth and self-doubt, encapsulating the angst of a generation navigating the challenges of an evolving music landscape. Unlike in the past, when discovering music was a challenge, today’s fans can easily access and explore music on various streaming platforms, allowing them to appreciate Movieland’s sound in a way that wasn’t possible before. After years of anticipation from dedicated listeners, 604 Decades now aims to finally bring these songs to light. With captivating guitar riffs and evocative lyrics, the single invites listeners into a world of nostalgia, resonating deeply with both longtime fans and new listeners alike.

This release marks a significant moment for 604 Records, which is embarking on the 604 Decades project to celebrate the rich, yet often overlooked, musical history of Vancouver. By shining a spotlight on Movieland and other local acts from the 90s and early 2000s, and releasing music recorded in that era, the label aims to revive memories of a time when Vancouver had a vibrant, exploding alternative music scene, with some artists becoming world famous, and some which just deserved to be world famous. Fans can look forward to an album of new material from Movieland, set to follow shortly after. In addition to Movieland, 604 Decades is set to release an album by Pure in 2025, further expanding its mission to unearth Vancouver’s hidden musical narratives and is talking to numerous other bands from that era about potential releases.“I’m having so much fun going backwards and rediscovering music, and there’s the excitement of getting to put it out there now through 604 Decades,” 604 Records President Jonathan Simkin says. “It feels like a second chance.”

D I S C O V E R
Label: https://www.604records.com/
Facebook:https://www.facebook.com/MOVIELANDband
Instagram:https://www.instagram.com/movielandband/
Spotify:https://open.spotify.com/artist/6VFQ1YUZsKowCvVfmyddsG
Youtube:https://www.youtube.com/@604Records

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https://www.youtube.com/@simonhead666

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Recorded in May and July 2024 at Afterlife Studios in Vancouver, “Graystone” was produced by Brian Minato and the band, with mixing by Dave Ogilivie and mastering by Ronan Chris Murphy at Veneto West. Since their formation in 2012, SLIPons have established themselves as a powerful, guitar-driven band from Vancouver, BC, blending influences from the Exile on Main St. era of the Stones and the Afghan Whigs. With a history marked by acclaim, their last album, “Heavy Machinery,” garnered significant attention, spending seven weeks on College Radio across North America and receiving support from impressive broadcasters like KXLU (Los Angeles, CA), WFMU (Jersey City, NJ), WUTK (Knoxville, TN), and WXAV (Chicago, IL), along with coverage from numerous outlets including Global News, True Skateboarding, and Exclaim. As anticipation builds for “Graystone,” SLIPons continue to solidify their place in the power-pop and alt-rock landscape. The band plans to complete more recordings and videos in the months ahead and announce North American tour dates for 2024 and 2025.

D I S C O V E R

TikTok: tiktok/@sliponsvancouver
Twitter: https://twitter.com/sliponsband
Bandcamp: https://slip-ons.bandcamp.com
Facebook: https://www.facebook.com/slip.ons.band/
Instagram: https://www.instagram.com/sliponsvancouver/
Spotify: https://open.spotify.com/artist/0GB7L9xhFn0Lb5Jh8BVk5A?si=LaP_sSuaTc625B9E7cN1SA

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Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. A weekly release on Tuesdays .
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The father-and-sons trio, The Discarded, are back with their sixth full-length studio album, The Green Door, set to release on November 25, 2024. Leading the album is the energetic first single, “Testify!”—a fiery rock anthem that channels the band’s signature intensity and passion set for release on October 16th, 2024. The song originated from a jam session between guitarist JP Wasson and his son, Caden, and was further transformed by bassist Jared Wasson’s live performances. “Testify!” stands out for its Southern preacher vibe, mixed with the driving force of punk, and topped off with the iconic line: “Brothers and sisters I need you to testify!” 

The song evolved when bassist Jared introduced a fresh, vibrant bassline during live performances, diverging from the original recording. “Jared’s live counter riff added a completely new dimension to the song,” JP explains. Inspired by this new energy, the band re-recorded the track to capture the heightened intensity. Guitarist Michael McKenzie contributed intricate riffs that mesh with Jared’s bass, adding a groove reminiscent of the ‘60s “Day Tripper” vibe, while Carmen Toth’s background vocals give the track a full, resonant quality.

The Green Door highlights The Discarded’s evolving sound, merging the grit of garage rock with the punch of punk and elements of classic rock. The album was produced by John Critchley, whose work with artists like Elliott BROOD and Dan Mangan adds a polished yet vibrant feel to the record.

Michael McKenzie, a standout figure in the Canadian rock scene, was integral to shaping the album’s sonic identity. From touring North America with Universal Honey and supporting acts like The Goo Goo Dolls, The Tragically Hip, and Alanis Morissette, to playing with The Lowest of The Low and The New Mendicants, McKenzie’s versatile background shines through on The Green Door. 

This album marks another bold step in The Discarded‘s evolution. Recorded at Green Door Studios, it embodies a powerful fusion of garage rock, old-school punk, metal, and ’60s/’70s rock influences. With production and mixing by John Critchley, the ten original tracks on The Green Door deliver a high-energy experience that compels listeners to move. The album also features standout contributions from Michael McKenzie on guitar, Carmen Toth on background vocals, and Lee Rose of Ace of Wands, whose heavy metal violin adds a unique twist. The striking cover art by illustrator Rachael Muir complements the album’s bold and eclectic sound

     D I S C O V E R

Website: https://www.thediscarded.ca/
Facebook: https://www.facebook.com/thediscarded16
Spotify: https://open.spotify.com/artist/4Pya3sMf2HDP5Yw7ubZNkb?si=yErcmvaERSmJ5OuSr-iQag
Youtube: https://www.youtube.com/channel/UCpuiBO0iPWRbFR6f3MvxBtg/videos

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Toronto’s indie rock sensation HotKid is back with a brand-new 4-track EP, “Downtown,” set for release on October 4th, 2024 out on Fortune Stellar Records. The EP features both full-band and acoustic versions of the title track, as well as two additional guitar-driven songs, “Naked” and “All Time,” capturing the band’s signature sound and versatility.

The full-band tracks were recorded live off the floor at the National Music Centre’s Studio Bell in Calgary, AB, using the renowned Trident console. This legendary piece of equipment has been instrumental in creating classic records by artists like David Bowie, Elton John, Queen, Rush, and Metallica. The historic studio environment, combined with exceptional acoustics and state-of-the-art gear, provided the perfect setting to capture the energy and vibrant performance. The session was engineered by Eric Cinnamon, ensuring that the recordings preserved the authentic, live feel of the band’s sound.

The acoustic version of “Downtown” was recorded live at the House of Miracles in Cambridge, ON, featuring Shiloh Harrison on guitar and vocals and Andrew DeVillers on baritone acoustic and vocals. Engineered and mixed by Andy Magoffin, who has worked with acclaimed artists like Great Lake Swimmers, Constantines, Attack in Black, and Feist, this stripped-down rendition highlights the emotive core and lyrical depth of the song.

The Downtown EP also includes contributions from Jesse Bellon on guitar, Andrew DeVillers on bass, and Mike McKeever on drums. The EP was mixed by Shiloh Harrison and mastered by Noah Mintz at the Lacquer Channel in Toronto, ON. Mintz, known for his work with Broken Social Scene, The Tragically Hip, Sarah Harmer, and Daniel Caesar, added his signature polish to the recordings, giving the tracks a professional and cohesive finish.

D I S C O V E R

Website: https://hotkid.ca/
Instagram: https://www.instagram.com/ilovehotkid/?hl=en
Spotify: https://open.spotify.com/artist/5ZLnCbFfrcCvcVobllDeLH

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Antoine Arvizu is the studio owner and manager, recording and producing most of the artists that come to us for that “Compound Sound”. Some artists and producers of note include:

 Chicano Batman, Ryan Bingham (Grammy and Oscar winner for Crazy Heart), Marc Ford (The Black Crowes, Ben Harper, Booker T. Jones), Ikey Owens (Free Moral Agents, Jack White, The Mars Volta), Jay Buchanan (Rival Sons)…

Arvizu began his music career as a drummer in the late 70s/early 80s as punk rock morphed into an alternative art rock. A founding member of Dr. Dream Records recording artists National Peoples Gang, he toured internationally before disbanding in the mid-90s; sharing the stage with such iconic bands as The Flaming Lips, Nirvana, Soundgarden, fIREHOSE and many more during those early days of “indie rock”.

A recording career began in 1991 at the now defunct The Toledo studio in Long Beach engineering for Sublime, Rocket From The Crypt, Big Drill Car and many more.

Later in the nineties he was a founding member of the Delta Blues group Bourbon Jones, earning the moniker Two Drum Tony, famous for simply playing the 26″ Radio King bass drum and cowhide snare, digging deep into the second line style of New Orleans blues and swing.

It was in 1998 that Antoine had the opportunity to engineer at Capitol Studios in Hollywood. The list of fine artists that come through those studios is staggering, to name a few: Paul McCartney, The JB’s, Richard Carpenter, Elliot Smith, Faith Hill… and the list of world class engineers and producers is outrageous; education through osmosis.

In 2003, happy to finally have a studio to truly call home, Antoine joined The Compound Studio to help create “An Organic Recording Experience”.

Studio Website: https://www.thecompoundstudio.com/
Dicogs Link: https://www.discogs.com/artist/468078-Anthony-Arvizu

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Vancouver pop-punk supergroup Precursor is set to ignite the music scene once again with their latest full-length album, “Thick & Thin,” scheduled for release on August 9th, 2024. Known for their eclectic blend of punk, skatepunk, softcore, melodic hardcore, and pop punk influences, Precursor promises fans an exhilarating musical journey reminiscent of bands like The Story So Far, Kid Dynamite, Piebald, A Wilhelm Scream, Daggermouth, Carpenter, and Gob. Originally conceived as a defiant response to the prevailing indie trends, Precursor emerged as a side project uniting talents from Stuart McKillop (Daggermouth/End This Week with Knives), Daniel Sioui (Carpenter/All State Champion), Andy Lewis (The Fullblast), and Blaine McNamee (In Bear Country). Drawing inspiration from the hardcore punk ethos of the 1990s, the band quickly garnered attention for their high-energy performances and unapologetically raw attitude. “Thick & Thin” represents a significant milestone for Precursor, capturing the essence of their evolution over the years. Recorded, mixed, and mastered by Stuart McKillop at Rain City Mastering, with drums tracked at Rain City Recorders, the album is a testament to the band’s commitment to authenticity and sonic excellence. Vocalist Daniel Sioui’s lyrics delve into personal struggles and poignant reflections, shaped by the challenges of middle age and the profound impact of the COVID-19 pandemic.

Daniel Sioui candidly shares, “This album sucked to make. It took months of starts and stops because life gets in the way when you are married, almost 50 years old and have 3 kids. Imagine driving to the burbs on random Sunday mornings before your kids’ dance class, violin or soccer practices to scream your head off in a garage. It wasn’t hard to be pissed off. I lost a few friends to suicide leading up to the recording and you can hear it. Spent months of nights scrawling lyrics in bed. Thick & Thin was the hardest album for me to make in my 35 years of recording. There were times Stu would have me completely rewrite songs…both lyrics and melodies. A total redo. It always yielded a better result and he was right to do it but it really beat me down at times. I’m so proud of the record now but there were many days I didn’t know if I could finish it. I don’t have too many more records in me so I’m happy it’s released out into the wild. Just need my kids to grow up before I can play it for them.”

The addition of Gabe Mantle (Gob/Brand New Unit) on drums and Travis Hein (Neck of the Woods) on second guitar and backing vocals injected new vitality into Precursor, propelling the band to new heights of creativity and intensity. “Thick & Thin” not only showcases the band’s musical prowess but also serves as a personal testament to resilience and artistic vision. Released on Gold Stock Records, “Thick & Thin” is poised to captivate both long-time fans and new listeners alike with its infectious melodies, explosive energy, and thought-provoking lyricism. As Precursor prepares to unleash their latest offering into the world, anticipation is high for a record that promises to leave an indelible mark on the punk rock landscape. Catch Precursor live at the Pearl in Vancouver on August 2nd alongside Samiam, Off with Their Heads, and Weird Mood, where they’ll bring their electrifying sound to life on stage.

Watch The Video “Where’s The Cavalry”

D I S C O V E R
Facebook:https://www.facebook.com/WeArePrecursor/
Instagram:https://www.instagram.com/precursor604/
Spotify:https://open.spotify.com/track/3FAqoc6XbMVfWzvvEynlLv?si=d44c601501f04c25
Youtube:https://www.youtube.com/watch?v=9EoA8dL0erM
Apple Music: https://music.apple.com/ca/album/wheres-the-cavalry/1748945239?i=1748945241

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Formed in Vancouver in 1994, Mossy Ledge consists of James Milligan (vocals), Dean (guitar/bass/vocals), Kirn Khaira (bass), Ryan Mason (drums), and Den Zee (guitar). The band initially performed under different names, including Soul Dance and Crush, before settling on Mossy Ledge. Between 1994 and 2001, they released two EPs and two full-length albums, along with music videos for b Get to Meb and b Ready for the Storm.b The band played extensively in the Pacific Northwest and completed a Canadian tour in 1998. They have shared the stage with notable acts like Sass Jordan, Nickelback, Underwater Sunshine, Jar, The Botnicks, and Resurrection Mary. In 2022, all original members reunited to re-release their catalog on major streaming platforms and complete previously recorded songs. With their highly anticipated single b All You Need to Know,b Mossy Ledge is poised to recapture the hearts of long-time fans and attract a new generation of listeners. The band’s music remains available on all major streaming platforms worldwide, with tracks featured in films like Project Ithaca (2019) and The Dogs (2024). As they embark on this exciting new chapter, Mossy Ledge promises to deliver more of the compelling sound and passionate performances that have defined their legacy.

D I S C O V E R

Website: http://mossyledge.com/
Instagram:https://www.instagram.com/mossyledge/
Spotify:https://open.spotify.com/artist/6vPSxVLbEaRxT85jaKGr0M
Youtube:https://www.youtube.com/@mossyledge
Apple Music: https://music.apple.com/ca/artist/mossy-ledge/338328254
Spotify:https://open.spotify.com/artist/2X1Gtovvu8VQNcwgF62kxh?si=DSJ-6-PdQIu6acChVt2UiQ
Amazon Music: https://www.amazon.com/music/player/artists/B0031EG9JI/mossy-ledge

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Sudden Death Records and Roots Round Up are pleased to announce the release of “Up Rooted,” the 6th full-length album from one of Vancouver’s long-time music scene veterans. The album was recorded by Stephen Hamm at Simian Studios in Burnaby, BC, with final mixing and mastering by renowned Canadian music producer Chris Wardman. “Up Rooted” features 12 tracks, including six new original songs, a cover of DOA’s classic “War in the East,” a unique take on the Sarcastic Mannequins’ “Red Fury,” and four live recordings from a performance on Denman Island, BC, in June 2023. According to member David Hathaway, “Roots Round Up has always been more about the live shows than the recorded output, but capturing that in a recording has proved elusive. The live songs were captured at our first full show after the pandemic had settled down, and we were more than a little excited to be playing again. Especially on Denman Island where we have played many times over the years. We had gotten an audio feed from Chris Wardman’s mix of the show and as we listened back the next day, we thought “wait a minute… this came out well!” In addition to finally capturing their live sound, the album also captures Roots Round Up’s distinctive and eclectic sound, blending rock’n roll, reggae, ska, afro-beat, folk, funk, and punk.

Roots Round Up has a storied history in the Canadian music scene, with band members Greg Hathaway, David “Dymitri” Hanna, David Hathaway, Keith Rose, Mark Campbell, Eric Napier, and Bradford Lambert contributing to their high-energy, globe-spanning sound. Formed in 1985 in East Vancouver, the band became widely known throughout Canada during the late ’80s and early ’90s as one of the hardest working and touring worldbeat dance bands. Formed out of the hardcore punk scene in Vancouver in 1985 but included elements of reggae, ska, and old school rock’n roll in their sound. Original drummer Barry Taylor (1985 – 2021) was a member of first generation punk band the Young Canadians / K-Tels and then Shanghai Dog.  Greg and Bradford were both drummers in second generation punk bands the Unknown Fibres and House of Commons, who both played shows with Shanghai Dog. Their extensive touring across Canada and the Western U.S., coupled with numerous independent recordings like “Get Rooted,” “What We Do,” and “Syzygy,” cemented their place in the music scene.

D I S C O V E R

Website:http://www.rootsroundup.com 
Facebook:https://www.facebook.com/rootsroundup
Instagram:https://www.instagram.com/rootsroundup/
Spotify:https://open.spotify.com/artist/1BYWXOK3NdlHhtullJJyPs
Youtube:https://www.youtube.com/channel/UCLR7uuOX_QHMAgNJ6ys8q1g

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The Meringues (Kingston, ON) are a post-punk powerhouse known for their explosive live shows and captivating stage presence.

At the heart of The Meringues are Amanda Pants and Ted Evans sharing lead vocals. Their onstage antics create a captivating dynamic that blurs the line between playful banter and an intense rivalry. This unique interaction has become a defining characteristic of the band and their live shows.

The Meringues also feature Jackson Baird on bass, and Alastair Morrison on drums. The two provide a solid foundation to complement and support Ted and Amanda’s electrifying presence. 

The band’s intense delivery of each song creates a thrilling atmosphere where the entire show can seem like it’s about to spiral out of control. However, beneath all the chaos lies a band with a clear vision and purpose. The Meringues craft their music with a blend of catchy, memorable melodies and fiercely sharp lyrics, showcasing their focused energy and artistic prowess.

Their lyrics and song content strike to the core of relationship dysfunction, as well as the prevalence of self-doubt and darkness that exist within so many of us.

Their sophomore album, Pavlova’s Dog, explores the intersection The Meringues have created at fun and dysfunction. Spanning from deep and dark psychological themes to playful, child-like perspectives, the album features 11 songs that weave these elements together artistically and coherently. Pavlova’s Dog lets listeners know exactly who The Meringues are as a band. 

Social Media Links

The Meringues 

http://www.themeringues.com

http://www.facebook.com/themeringuesband

http://www.instagram.com/meringuesband

http://www.x.com/TheMeringues

https://youtube.com/@themeringues

http://linktr.ee/themeringues

General Streaming Links

Spotify

Apple Music 

https://music.apple.com/us/artist/the-meringues/1367001153

Amazon Music:

SoundCloud: 

http://soundcloud.com/themeringues

Bandcamp: 

http://themeringues.bandcamp.com

Tidal: 

https://tidal.com/browse/artist/9695946

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Six years after Italian rock ‘n’ roll band The Peawees gave us their critically acclaimed album “Moving Target,” they’ve finally returned with their 7th studio album, “One Ride.” 

It’s been a long wait, one that includes line-up changes, divorces, lost loved ones, job troubles – whatever hardship was thrown at The Peawees, “One Ride” makes it clear that it only made them stronger. This album seethes with the rock ‘n’ roll swagger of a bygone era, and the band shows the rare ability to wear their influences on their sleeves with a sound that feels unique. 

The mix of rock ‘n’ roll, soul, punk, and garage spins on the record like it came straight out of a blender: one part The Sonics, one part Link Wray, two parts The Clash, a splash of Stax shaken over Phil Spector and served like it was thrown straight in your face. 

Approaching their 30-year mark, the band continues to defy convention and write their own epic on the vast canvas of contemporary rock ‘n’ roll. “One Ride” is “a true showcase for the criminally underrated songwriting talents of Hervé Peroncini.” Once more, The Peawees do not disappoint: as the saying goes…all killers, no fillers.

Reflecting on the album’s journey, drummer Tommy Gonzalez shares, “We started working on ‘One Ride’ in 2019. We even recorded the title track then. We were riding the wave of ‘Moving Target,’ touring, playing festivals, and had planned to have an album ready for 2022 at the latest. We thought we would record a few songs, go on tour, record a few more, and continue like that until we had a full-length album. Of course, everything got messed up when Covid hit: no possibility to practice together and Hervé was stuck abroad on an island.”

Frontman/songwriter Hervé Peroncini adds, “We were coming off a beautiful and exhausting year of gigs and tours, and in the meantime, I had written some new material. We all agreed that we should start recording a new record until all that shit broke out just as I was due to return from the island I was supposed to be on for only a short period of time. Although it was a nice place to get stuck, I was still in a two-tiny-room apartment with nothing to do, and after managing to get a guitar, I started recording some stuff on my phone and sending the recordings to the guys. In the end, I stayed on the island for 6 months and wrote three-quarters of the album there. Fortunately, the restrictions were not so strict there, so after a short time, I had the opportunity to go out, see friends, and hear bizarre stories of various kinds – all things that in some way stimulated me to write.”

The isolation and the unexpected surroundings became fertile ground for creativity, turning adversity into an advantage. The unique circumstances under which “One Ride” was conceived added a layer of raw authenticity to the album. Stories of outsiders, dreamlike lyrics that drag you into nocturnal situations, a sick love, frustration, indecision, resignation, and moments of crazy euphoria suck you into the grooves of a record that exudes rock ‘n’ roll in every aspect.

Tommy Gonzalez continues: “We tried to make demos from a distance. I remember programming a drum beat on some computer app for ‘She Cries as She Kills’ and sending it to Hervé. It was such a pain in the ass and so unfulfilling to go from hitting the drums to hitting the keyboards, but it was the only way we could keep going. When we finally got the chance to start playing again, we dove back into it as hard as we could.” 

Hervé adds, “Yeah, when we got back on track, our long-time guitar player Carlo Landini told us he was moving to Berlin. So when Dario took his place, we thought it would be essential to play and tour as much as we could to break in the new lineup both musically and on a personal level, and when we realized everything was going smoothly, we finally entered the studio!”

The Peawees’ journey to “One Ride” is a testament to their enduring spirit and unwavering commitment to their craft. With “One Ride,” The Peawees prove that their creative fire burns brighter than ever. The album, which was preceded by 5 singles and a promotional tour with the Swedish band The Hellacopters, will be released on September 6th by Wild Honey Records, with exclusive licensing in North America through Spaghetty Town Records and in Spain through Folc Records.

Photo Credit: Chris Haiderer

D I S C O V E R

Facebook:www.facebook.com/thepeawees

Instagram:www.instagram.com/thepeawees

Spotify:https://open.spotify.com/artist/4VBH5wOuG96Gx97VGJh16p?si=CSNs4OYaQ-a8_vrH_GC_dg

Youtube:https://www.youtube.com/channel/UC26KH36XblAqw4Kl825FtPw

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