Appreciating Shakespeare with Doctor Rap

Series I, Chapter 15: The Nature of Art, Session 3Based on the teaching of Professor Mary HolmesTopics:Judgments of ArtTalking about ArtWhat Makes a Work of Art Great?Questions? Email [email protected]

Series I, Chapter 15: The Nature of Art, Session 2Based on the teaching of Professor Mary HolmesTopics:Paradox 2: Escape and ReturnParadox 3: I and WeParadox 4: Integrity and ChangeThe Power of ArtThe Goal of ArtQuestions? Email [email protected]

Series I, Chapter 15: The Nature of Art, Session 1Based on the teaching of Professor Mary HolmesSession 1 Topics: Why Art? What is Art? How Art Works Paradox 1: Empathy and Psychic DistanceThe Willing Suspension of DisbeliefQuestions? Email [email protected]

Series II, Podcast Z: Selected Sonnets 129-146129130135138144146Questions? Email [email protected]

Series II, Podcast Y: Selected Sonnets 73-116737494116Questions? Email [email protected]

Series II, Podcast X: Selected Sonnets 1-651-171820293042556065Questions? Email [email protected]

Series I, Chapter 14: Hypothetical, Spurious, and False ShakespeareHypothetical: Love's Labour's Won, CardenioSpurious: Hecate passages in MacbethFalse Attributions: "The Passionate Pilgrim," Arden of Feversham, "Shall I Die?" A Funeral ElegyNotes: References are to the following: F.E. Halliday, A Shakespeare Companion 1564–1964 (Baltimore: Penguin Books, 1964), pp. 289, 83–84, 491–92;Jonathan Bate, “Is there a lost Shakespeare in your attic?” in The Telegraph, April 21, 2007, accessed ...

Series I, Chapter 13: Did Shakespeare Collaborate?Edward IIIPericlesHenry VIIIThe Two Noble KinsmenSir Thomas MoreReferences are to the following:Melchiori, Giorgio, ed. The New Cambridge Shakespeare: King Edward III (Cambridge: Cambridge University Press, 1998), pp. 12–13; Hallett Smith, Introduction to Pericles, Prince of Tyre in G. Blakemore Evans, ed., The Riverside Shakespeare, Second Ed. (Boston: Houghton Mifflin, 1997), p. 1527; Jonathan Bate, “Is there a lost Shakesp...

Series II, Podcast W: The TempestShakespeare's most mystical play.References are to the following: C.S. Lewis, The Discarded Image (Cambridge: Cambridge University Press, 1964, repr. 1967), Chapter VI; C.S. Lewis, The Abolition of Man (New York: HarperCollins, 2001, orig. copyright 1944), pp. 77–78; Frank Kermode, ed., Arden edition of The Tempest (Cambridge, MA: Harvard University Press, 6th ed., 1958), Intro. pp. xxxv–xxxvii, pp. liii–liv, and Appendix B, p. 143.Questions? Email Docto...

Series II, Podcast V: The Winter's TaleQuestions? Email [email protected]