
Sign up to save your podcasts
Or


On this episode of The Front Row Podcast, we’re joined by Ben Goff, owner of the U.K.-based integration and consultancy firm Cinema Bureau. He’s an active contributor to CEDIA’s R10 standards group, helping shape recommended practices for RP22 immersive audio and RP23 immersive video. He’s also a past CEDIA EMEA award winner and now serves as a judge, splitting his time between designing high-performance cinemas for clients and supporting other integrators with design work. In short, he lives and breathes this stuff.
This conversation centers around something many of us have heard, and probably repeated, without always questioning it: reference level.
For decades, “reference level” has been treated like a universal setting. In commercial cinema, that makes sense. Theatrical standards were created to ensure consistency between dubbing stages, screening rooms, and theaters around the world. But home theaters do not operate in that same controlled system.
Today, much of the content people watch is never mixed for theatrical release at all. Streaming and residential movie mixes are often monitored at different listening levels and optimized for a wide range of playback systems. Even films that start in theatrical environments frequently receive a separate home entertainment mix for disc and streaming.
So when we talk about “reference level” in a home, what are we actually talking about?
Ben helps unpack the idea that reference is not a universal number that every residential system must hit or routinely be played at. We get into why a cinema calibrated system might feel different in a living room, and why two sources of the same film may not line up at the same volume setting.
If you’ve ever wondered why “reference” sounds different in someone else’s room, or even different from source to source, this episode connects the dots in a way that makes a lot of sense.
We want to give a big thank you to our podcast sponsor, Paradigm Electronics. At Paradigm, sound is not just heard, it’s felt. It’s audio that stirs emotion and is designed to move you.
Paradigm - Authentically Canadian, Acoustically Brilliant.
Listen to The Front Row Podcast on your favorite platform and be sure to follow and leave a review on Apple & Spotify:
Spotify
Apple Podcasts
iHeartRadio
Amazon Music
Pandora
By AVSForum.com5
77 ratings
On this episode of The Front Row Podcast, we’re joined by Ben Goff, owner of the U.K.-based integration and consultancy firm Cinema Bureau. He’s an active contributor to CEDIA’s R10 standards group, helping shape recommended practices for RP22 immersive audio and RP23 immersive video. He’s also a past CEDIA EMEA award winner and now serves as a judge, splitting his time between designing high-performance cinemas for clients and supporting other integrators with design work. In short, he lives and breathes this stuff.
This conversation centers around something many of us have heard, and probably repeated, without always questioning it: reference level.
For decades, “reference level” has been treated like a universal setting. In commercial cinema, that makes sense. Theatrical standards were created to ensure consistency between dubbing stages, screening rooms, and theaters around the world. But home theaters do not operate in that same controlled system.
Today, much of the content people watch is never mixed for theatrical release at all. Streaming and residential movie mixes are often monitored at different listening levels and optimized for a wide range of playback systems. Even films that start in theatrical environments frequently receive a separate home entertainment mix for disc and streaming.
So when we talk about “reference level” in a home, what are we actually talking about?
Ben helps unpack the idea that reference is not a universal number that every residential system must hit or routinely be played at. We get into why a cinema calibrated system might feel different in a living room, and why two sources of the same film may not line up at the same volume setting.
If you’ve ever wondered why “reference” sounds different in someone else’s room, or even different from source to source, this episode connects the dots in a way that makes a lot of sense.
We want to give a big thank you to our podcast sponsor, Paradigm Electronics. At Paradigm, sound is not just heard, it’s felt. It’s audio that stirs emotion and is designed to move you.
Paradigm - Authentically Canadian, Acoustically Brilliant.
Listen to The Front Row Podcast on your favorite platform and be sure to follow and leave a review on Apple & Spotify:
Spotify
Apple Podcasts
iHeartRadio
Amazon Music
Pandora

361 Listeners

35 Listeners

3,060 Listeners

1,964 Listeners

2,009 Listeners

2,012 Listeners

781 Listeners

148 Listeners

161 Listeners

420 Listeners

685 Listeners

17 Listeners

43 Listeners

237 Listeners

24 Listeners