Welcome Michael Moore to doc month, the duo watch his first feature and examine Flint, Michigan as a tourist location, a home of some of the worst human atrocities in the western hemisphere and a sheriff’s deputy that seems to be the Brundlefly of Lionel Ritchie and Paulie from the Rocky franchise.

Andrew takes Johnny on a comedic journey through an old joke that barely has a punch-line in an episode full of them. Take heed when Ringo Starr drops by to chat, and both hosts attempt to tell their own versions of The Aristocrats.

Documentary January begins with 2 players fighting for dominance, and Johnny uses the c-word a lot when discussing one Billy Mitchell. It’s boss-level insane here.

Johnny and Andrew look back over the last year of the podcast, the highs and the lows, and Johnny can’t stop talking about that trip to Nashville he took. So Andrew naturally annoys him constantly over it.

A long talk about Kevin Smith and Andrew remembers his teen years before watching the so-far-final in the franchise movie.

To cleanse the soul from the previous film, Andrew shows Johnny what insanity is in the form of Belgian animation and origin of film-quiz-winning team name A Town Called Panic.

Andrew brings up a film that genuinely makes him cry in an effort to turn Johnny into a sniveling mess, Johnny is prepared for a weird, creepy, Tim Burton style movie instead.

Escaping the clutches of the usual recording studio, Andrew and Johnny sit down with the director of upcoming action thriller Nightshooters to talk phoned-in choreography, the C-word and making audiences react. You can see Nightshooters on Nov 9th in Leeds with a Q&A after, we recommend you do this here: https://www.leedsfilmcity.com/film-year-round/nightshooters/

Johnny takes centre stage as film programmer for this Halloween edition of the podcast, opting for a beloved classic neither host has seen over a horror movie. The witching hour is upon us all.

Bloody Andrew makes Johnny bloody watch a movie he knows bloody nothing about, and Johnny finishes his London Film Festival report in a bloody episode about bloody a lot of bloody things, right.