Drum roll, maestro.... hello, and welcome back to Art Histories, the series finale!
We made it! The promise of summer lingers in the air, we have a (mostly) intact podcast host, and a truly incredible last episode to share with you. What a feeling (when we're dancing on the ceiling). We've lost a lot of sleep making this series, but we've gained new dimensions to pre-existing friendships, discovered artistic loves that have moved and enlightened us, and made some shows, and some memories, that we'll treasure forever. We think that's a pretty fair deal. If you've come along for the ride, we can't thank you enough.
Art Histories aims to provide a raw, intimate study of the power of the arts by inviting one guest on a week to talk about three pieces of art that have moulded them or shaped the course of their lives.
For the series finale, Olivia grabs a cuppa, a blanket, and an industrial box of tissues, and sits down with her mother, the incomparable Shona Fahy, to take a deep dive into one of the most monumental literary works she's ever come across with Stephen King's 'The Stand', learn more about the musical love of Shona's life Bruce Springsteen through his unashamedly gritty 1978 album 'Darkness on the Edge of Town', and receive a lesson in empathy from Peter Weir's singularly poignant film 'Witness'. There's talk of good, evil, and the level of autonomy we as humans have over our own fates, how the 'ordinary' life can be lived in an extraordinary way through the places you go and the people you meet, and Olivia is reminded once more of the importance of the idiom 'walking a mile in someone else's shoes'. Recorded in Dorset, their favourite place in the world, this episode is truly a love letter to Shona and Olivia's relationship, and indeed to mothers and daughters everywhere. We hope it moves you.
That's it from us for now, aside from an impending Series 1 roundup. It's been absolutely dynamite, and we'll see you soon for Series 2. That's right, we're just getting started...
Original jingle for 'Art Histories' composed and performed by Fran Birkby. Cover photography as seen on Spotify and Instagram by Anna Emslie. Follow us on Instagram @arthistoriespod for episode updates and bonus content, and Spotify so you never miss an upload!