Art on the Air

Join Tamara for an interview with Brian MacGregor, a fine artist and - more so over the past couple of years - a muralist who's had a studio in City Market for 20+ years now. He moved to Savannah from Richmond, VA in 2000 and got an Illustration degree from SCAD.

Brian says: "You may have notice​d all the handwriting in the backgrounds of my paintings. These pages come from thousands of different people's hand written nocturnal dreams that I collage into the background of my work.​ I have been collecting these dreams for over 15 years in several journals hanging outside my galleries for the public to write in. I call my style "Romantic Surrealism" inspired by the artists of the late eighteen hundreds, mixed with contemporary artistic methods."

Check out Brian's work and follow him here:

https://brianmacgregor.net/ 

https://www.instagram.com/brian.macgregor/

How Brian started showing at A.T. Hun Gallery in City Market in 2003 (until 2008), while still a student, because he was assertive about getting involved in, and volunteering for, the gallery; his trial and error with layering different colors as transparent layers that will be saturated, yet still show the collaged handwriting pages beneath; how he plans out and draws the compositions of his paintings precisely, but then wants the painting stage to be fairly loose; how currently his art business has shifted to be more mural jobs than fine art sales; the importance of researching how much sunlight an outdoor mural is going to get; renting a construction lift for his big murals; how physically arduous painting a mural is; the huge ceiling mural he did on the soon-to-open Subaru dealership in Pooler (and how hard that was on his body); his devotion to Behr paint and toned primers; the recent mural he did for the City, right on the surface of a road at an intersection in Cloverdale, intended to slow down traffic; and Brian's advice to begin your mural portfolio just by painting your own walls. 

Tune in and get all the details!

Join Tamara for an interview with Kasey Jeffrey, a mixed media artist and graphic designer. She is currently focusing on collage and watercolor, often incorporating organic and hand done elements into her digital designs and illustrations.

She's a member of Dreamhouse Studios, an artist workspace above the Starland Strange shop, where she both creates her art and leads various craft workshops.

You can order her "Magic Beet" book through Barnes & Noble, etc! 

Check out Kasey's work and follow her here:

https://www.instagram.com/kaseymakesstuff/

How Kasey moved here from Pennsylvania in 2022, sight unseen, with her partner, and loved it here right away; her degree in Communication Design - comprised of graphic design, advertising, web design, and illustration - and how the illustration parts have inspired her to bring in handmade, physical collage into her graphic design; her first post-college job as an in-house designer for Martin Guitars in PA, doing such work as the labels inside sound holes, art on the guitar neck and fretboard, and the graphics for the company's guitar museum; visiting the workshop where the "inlay guys" were hand-creating the fretboard art she had designed; the joy of using a "clay pasta" machine to make her polymer clay jewelry; she's now a year into being completely freelance, juggling her graphic and web design work, making and selling her own prints and jewelry, and hosting regular creative workshops; "Magic Beet," a book illustration project she landed while still in college, after having proactively reached out to local design businesses for gigs; Kasey's belief in the benefit of cold-calling potential clients to grow her graphic design business; her advice to only show work in one's portfolio that's the type you want to continue to make; and going forward, she's pushing herself to work on larger and more detailed pieces, using paper that expands out beyond the page and has non-flat elements, and working through how to finish/frame it.

Tune in and get all the details!

Join Tamara for an interview with Mary Carol Kenney, a "figurative artist known for her work in painting and mixed media, often drawing inspiration from her surroundings to explore themes of nature, people, and culture."

Mary Carol moved to Savannah in early 2021, largely because someone once told her she would really like it here, and joined the City Market Art Studios at the beginning of July, after having spent years working from her home studio. Visit her symbolism-filled figurative paintings and her pop art screenprints in her studio, or on Saturdays at the farmers' market/lane of artists selling in Forsyth Park! 

* This Sunday, Sept 8 from 4-7pm we're throwing an Open Studios event at the City Market North side (above the Georgia Tasting Room) - please join us to chat with the artists and enjoy light refreshments and music! *

Check out Mary Carol's work and follow her here:

https://www.marycarolkenney.com/

Topics in their chat include:

Tune in and get all the details!

Join Tamara for an interview with Lusiana Morales, who was born in Puerto Rico and began an architecture program there, while also apprenticing at a local tattoo shop and honing her linework skills. Midway through her degree she moved to Savannah to instead get her BFA in Painting at SCAD - she arrived in town in early 2020, so her first months here were during the height of Covid!  

Since graduating, Lusiana spent some time in Miami before returning to Savannah to work at Tramp Art Studios and pursue her MFA in Fibers, which she is currently halfway through.

Check out Lusiana's work and follow her here:

https://www.instagram.com/lusiana.arte/ (art)

Topics in their chat include:

Tune in and get all the details!

Join Tamara for an interview with Jason Bible, an Americana and rock singer-songwriter and instrumentalist who was born in Fort Worth, Texas. He began performing and recording music in the 90s - singing and playing guitar and harmonica.

He left Texas and moved to Savannah in 2001 (due to a "banking issue"), and immediately began playing multiple shows a night, focusing on bars on River Street, and eventually out on the islands. In 2005 he formed the band The Train Wrecks, who are still going strong today.

Nowadays you can catch Jason playing solo, with The Train Wrecks, *and*, recently, out playing Nirvana covers with his teenage son Jack.

Check out Jason's music and follow him here for concert and album news:

https://www.instagram.com/jasonbiblemusic/

https://open.spotify.com/artist/1UXKMDrq24J2TJIJi4DJAN 

https://www.youtube.com/channel/UC-7NvBK95xe8bPrdmvtW_IA

Topics in their chat include:

How Jason started learning guitar and harmonica in HS, through private lessons focusing on early Dylan songs; playing solo both in indie coffee shops and in various Barnes & Nobles in Denton, TX during the heydey of the coffeehouse era; his recent gig opening for BB King's daughter and Stevie Ray Vaughan's nephew at Tybee Post Theatre; what does he mean by "leave sawdust on the stage?;" how his longtime band The Trainwrecks started, playing 3 gigs a night running around out on Tybee and Wilmington Island; how he and a co-writer have written 2 books, with a corresponding song per chapter, named for principles/tenets of Buddhism (contact Jason for these books); how difficult it is to find left-handed guitars and Jason's recommendations for where to buy them; the "Quarantine Concerts" Jason played during the pandemic; Jason's recent musical endeavor with his drummer son Jack, performing Nirvana covers around town for the past year, and the challenge of reenacting Kurt Cobain's screams; his karaoke song is "Roadhouse Blues;" and his upcoming projects: keep an eye on his IG about a new record and book coming out hopefully fall 2025, and about all of his upcoming gigs.

Tune in and get all the details!

It's the 2-year anniversary of Rob Hessler handing the podcast over to Tamara Garvey (after having done it for 5 years)!

To celebrate, Tamara, Rob, and David Laughlin - who also did the show for a few year with Rob - met up for a looooong wild chat about Savannah's creative scene and the art(s) of interviewing and writing about it. 

(One thing we all agree on is the excitement of getting feedback from people who are listening to/reading our interviews HINT HINT!)  

Do you want even more of our unhinged thoughts? Check out each of our social media here:

https://www.instagram.com/tamgarv/

Topics in our chat include:

Bonus article David found that related to our talk about Savannah!

Tune in and get all the details!

Join Tamara for an interview with Adriana Iris Boatwright, a creative photographer and writer with a focus in social media. She was born and raised in Puerto Rico, and came to Georgia in 1994 by way of NYC and Germany. 

Her clients include: Coca Cola, Savannah Morning News, H&M, Bath and Body Works, Ghost Coast Distillery, Paramount Pictures, Do Savannah, and more.

Adriana is also an editor for La Voz Latina (a Spanish online magazine for SMN), *and* one of about 4 founding members of SOY X SOY, a space for Latino and Native American artists and creatives to meet, collaborate, and exhibit their work.

* Get ready for Art Rumble - A @soy_x_soy event!

Check out Adriana's work and the SOY X SOY group here:

https://www.instagram.com/adrianairis/ 

How Adriana was involved in Starland becoming an artsy district from its early days, throwing theme parties at the Wormhole; how her creative career came about through her blog about her baby daughter - she wrote a post about her brother's death and it went viral, and she suddenly got photography offers from various publications, including Savannah Morning News, where she still works; she transitioned out of blogging about her daughter as she got a bit older, to writing and photographing for SMN, particularly when they first launched "Do Savannah;" she shot the covers for years, including covers with the first gay couple and the first drag queen; how much she loved doing photo shoots with bands and collaborating about their location and their visuals; the pressure that comes from having a large Instagram following and a lot of people keeping an eye on you; the fact that Savannah has about 300 professional photographers (!); the importance to her of still going out to do personal and conceptual photo shoots for fun; having to transition from film photography to digital, including teaching herself Photoshop; being a sort of "purist" who doesn't rapid-fire during a shoot; doing food photography for the Atlanta Journal-Constitution and SMN; she tells a wild story about the time an alligator suddenly walked through City Market, until being rehomed by Animal Control; shooting the yearly Lowcountry Pow Wow at Hardeeville, the only one in the area; upcoming Conde Nast Traveler in England of our local coffee shop Agatha's (!); and the upcoming SOY X SOY Art Battle.

Tune in and get all the details!

Join Tamara for an interview with Henry Dean, who works in various modes (drawing and mixed media works on paper, installation, painting, sculpture, video), and is also a Foundations professor at SCAD. 

Our talk centered around his recently completed "Now and Then," a national immersive land-art project inspired by Nature and Cosmos - specifically the April 8th, 2024 total eclipse. As an Arts-Science initiative it imagines Nature and environment as unique and wonderful attributes of the cosmic whole (and was a project two years in the making!). 

Henry graduated St. Andrews University, Scotland (1980, MFA honors, Geography and Fine Arts combined), and Savannah College of Art and Design (2003, MFA Painting).

Check out his work and the "Now and Then" project specifically, and follow him here:

https://www.henrydean.art/ 

Before Henry moved from Philadephia to Savannah in 1999, he was mostly making and selling very large, plein air landscape paintings; his theories on why North America has had 2 total eclipses a few years apart, after not having had any for years; we try to wrap our heads around the experience of the Old Masters who created art in obscurity, died, and then were discovered & lauded throughout the world for centuries (!); how a long creative career always involves different waves of work, including transitional periods, and how craftspersonship can carry your work through successfully; coming to see that "Now and Then" was not specifically about the eclipse, but really about people, honoring communities and landscapes, expressing a wonder for nature, shared experiences, and tying communities together; and the details on that project: two years' worth of work and planning, 15 sculptures across 6 locations, driving across the country reaching out to local governments and chambres of commerce to make pitches for an art project that hadn't yet been completely designed.

Tune in and get all the details!

Join Tamara for an interview with Sharon Norwood, a conceptual artist whose work spans several media to include painting and ceramic. She was born in Jamaica, then raised in Canada, before moving to the US to earn BFA and MFA degrees in art & painting from schools in Florida.

Sharon's work investigates the ways in which race, gender, and cultural identity shape our perceptions of ourselves and other people. In her work the curly line becomes a metaphor for the “black body." She is an active educator and lecturer, and her work is part of public collections at notable institutions such as the Gardiner Museum, Washington & Lee University Museums, The Telfair Museums, and The National Museum for Women in the Arts.

Check out Sharon's work and follow her here:

https://sharonnorwood.com/

Sharon and other family members emigrated from Jamaica to Canada when she was about 9 years old, which plunged her into a period of muteness; getting her BFA and MFA degrees after an early career in graphic design; a "controversially famous" poet uncle; how her time at art school began with her trying to get better at painting realistic portraits, but because she was then the only student concerned with mixing colors for painting dark skin tones, her work immediately became tagged as "political" or "about race," when that wasn't even her intention; so her work then became an examination of *that* phenomenon; how many porcelain tea sets are luxury items; her group show in 2019 at Laney Contemporary; her great practice of traveling around the US and Canada for artist residencies; and a recent installation she did in the drawing room at the Owens-Thomas House, in which she also incorporated sound.

Tune in and get all the details!

Join Tamara for an interview with Will Penny, who grew up in Ontario and first moved to Savannah about 20 years ago, to get his BFA in Painting from SCAD. After graduation he moved away, later returning for his MFA in Painting, and has been in town ever since. 

* Special note that on Weds 5/22 and Thurs 5/23, he will participate in a two-day event at Ships of the Sea Maritime Museum: a light and sound festival entitled “Celestial Seafarers,” featuring Will and 6+ other local artists.

Will is a multi-disciplinary artist whose practice incorporates an assortment of media ranging from painting, video, sculpture, programming, and projection. His work aims to combine traditional art making tools with new technologies, to create space to explore themes such as embodiment, presence, fantasy, and the sublime.

Check out Will's work and follow him here:

https://www.willpenny.com/

During his BFA Will focused on refining his skills at painting realism, but when he returned for grad school he focused more on exploring concepts, and took elective classes in motion media design and visual effects; his interest in nostalgia (ex. the history of hockey masks) and working through his childhood of the 80s and 90s, both the good memories and the more traumatic ones; working through your memories, with all of the associated emotional attachments; how he came to be represented by Laney Contemporary; the whole emerging element of how archival work that incorporates technology or media is, whether it might degrade over time, and whether a museum or artist should maintain it; how his past series of 3D printed pieces were exploring the "sublime experience" of nature (but ended up too expensive to continue to produce); lessons he learned from his Big Mouth Billy Bass AI project, both from the summer heat outside of Green Truck and indoors at the recent ArtFields Festival; and his upcoming two-day event at Ships of the Sea Maritime Museum: a light and sound festival entitled “Celestial Seafarers,” featuring Will and 6+ other local artists. 

Tune in and get all the details!